Legend

The story of the Kray twins is a fascinating one, full of violence and deceit. In Legend, that story isn't really taken to its full potential, thanks to an unfortunately clunky structure despite brilliant performances, good humour and violence.

Let's start with the best part of this film, that is Tom Hardy's performances as Ronnie and Reggie Kray. The amazing special effects make the dual show possible, but within minutes of the start here, you completely forget that these two characters are played by the same man.

Hardy completely disappears into both men, with an unnerving but humorous turn as the psychotic Ronnie, and a more understated but powerful performance as Reggie, and that really deserves some praise.

What's more is that this film does make use of the very violent nature of the history very well. As bloody as it is foul-mouthed, this isn't a pleasant film to watch, but the level of violence does leave an impression with regards to the Krays' crimes, making it seem all the more real, and all the more frightening.

The big issue I have with this film, however, is that it's not an exhilarating watch. Historically interesting it may be, but at over two hours long, it's not something that will consistently entice you throughout.

There are side plots that aren't picked up on enough, some characters don't get the development they really deserve based on the size of their role, and the plot takes a really long time to get going.

The disappointing thing is that Legend isn't a bad film in any way, nor is it boring, but it gives you a sense of growing importance and tension towards a hopefully climactic end, but it never comes as you want it to.

The second of the big screen retellings of the Kray storyline, following on from 1990's THE KRAYS which starred real-life brothers Martin and Gary Kemp as the terrible twosome. While I enjoyed LEGEND on a superficial level, I found it an oddly hollow viewing experience and not as good as the previous version. The problem lies with the direction, which is oddly inexperienced for a long-time director like Brian Helgeland.

The issues with LEGEND are entirely down to tone, and the tone just isn't right. The setting-up scenes are fine, the transition scenes are fine, and the film is well-shot throughout with an excellent eye for realism and a decent budget. What a shame, then, that all of the pivotal scenes are so oddly staged in a semi-humorous tone. It feels like Helgeland wanted to make the story a comedy, which is the last thing it could be.

This jokey approach to the material manifests itself in the violent moments, which are rather incredibly played for laughs whereas really the raw power of the incidents should have come out. It's present in Tom Hardy's dual role; the special effects are excellent (and have come a long way since Van Damme played twins in DOUBLE IMPACT) but Ronnie Kray is nothing more than a caricature here, a weirdo played for maximum relish by the off-beat actor.

LEGEND also messes up some of the source material, which is a little odd. I've read Reggie's autobiography so have some experience with the facts. For some reason this film plays down the pivotal relationship between the Krays and their mother; the latter only appears in a couple of scenes. In contrast, it bigs up the role Frances Shea played in the story, giving her way too much screen time at the expense of others. Thus at times LEGEND feels like a romance rather than the gangster epic it should be. It's certainly not a bad film, but is it something I'd watch again? Not really - I'd prefer going back to THE KRAYS.

I was really looking forward to this one; the trailers were great and, whilst I'm not one of those who glamourise the Krays (they loved their mums, would do anything for you blah blah blah), I do find it bizarrely fascinating how the Krays/Richardsons have passed into London folklore. Alas, it's a bit of a let down. Hardy throws himself into both roles, by turns amusing and scary as Ronnie and compelling as a Reggie trying to build an empire while struggling to keep his brother in check. But he is let down by a clunky structure, it takes a while to get going and subplots and characters are introduced and then discarded on a whim, an awful Frances Kray voice-over, and an uneven script which can't quite decide if it wants to be an American style gangster flick or tread the same path as The Long Good Friday, Get Carter et al. And who let Duffy and her nails down a blackboard voice back in? I really hoped we'd seen the last of her after that crap Diet Coke ad. The club scenes aren't quite working guys. I know, let's get Duffy, stuck a wig on her and she can caterwaul her way through some 60s classics. High five!!!

I have to confess that I could never finish or even forced myself to watch any British gangster films until this "Legend". At first, I thought I just might give it a try and predicted that as usual, I'd quit within 5 or 10 minutes, because 99.9% out of 100, the British gangster movies sucked. The reason why I decided to give it a try was because of Tom Hardy, since any film he played turned out to be very good. And this film, Lordy, Lordy, he was just amazing, playing two completely different persons and characters as twin brothers. This kind of performance is simply at genius level, so good that I simply couldn't find word to describe or praise him. I think Tom Hardy is not only one of the best actors in 21st Century, he IS the BEST! What a great gift to movie history and civilization. There's nothing I could express more.

Tom Hardy is a strange fish as an actor. Famous for being almost incomprehensible in "The Dark Night Rises" and almost equally incomprehensible in his co-starring role in "The Revenant", it's sometimes really difficult to get a sense of his true abilities. Here in "Legend" he gets to show what he's made of…. Twice! Hardy plays both roles in the story of Reggie and Ronnie Kray, the infamous gangsters who ruled across large parts of London in the 1960's.

The film tells the story of the rise of the duo, focusing in particular on the wooing by Reggie of Frances (Emily Browning), the local girl who fell in love with and then married the hoodlum. Reggie and Ronnie – whilst both undisputed 'bad uns' – were as different as chalk and cheese. Reggie was all for semi-legitimizing the business, running deals through his socialite-heavy clubs, and gaining higher-level cover by inveigling his way into control of political contacts such as Lord Boothby (a delightfully oily John Sessions).

In contrast, Ronnie was an out-and-out psychopath with a malfunctioning 'off' button and no button at all marked 'self-control'. An open homosexual – something far more shocking in the '60s than it is today – Ronnie was a medicated loose cannon that even Reggie had trouble controlling. Gathering a posse of 'boys' around him (including Kingsman's Taron Egerton) Ronnie blazes a trail of bloody violence against rival gangs with little regard to the consequences.

On the side of the law was Nipper Read ("Dr Who" re-booter Christopher Ecclestone) as the dogged detective trying to find something – anything – to pin on the brothers.

Hardy manages to convey each brothers' idiosyncrasies so well that you quickly forget that this is the same actor playing both roles. It is only in some of the more interactive scenes (such as a fight between the two of them) that the illusion fails apart somewhat and where acting twins would have made for more convincing footage (unfortunately Jedward were unavailable!).

What makes Hardy's performance as Reggie particularly memorable is that for much of the film - and against your better judgment - you end up rooting for Reggie and wishing him to 'succeed'. (This is more by way of comparison against Ronnie's truly abhorrent behavior than against any absolute measure of 'good').

Browning is also compelling as the love-lost Frances, getting deeper and deeper into a world she has no control over and having to act to extremes of both love and fear. Also worthy of mention is the portrayal by David Thewlis (Lupin from the Potter films) of the Kray's financial adviser Leslie Payne: a man who knows he has the financial respect of the twins (at least Reggie) but is always sailing a dangerous course between kowtowing to them and criticizing their actions.

Written and directed by Brian Helgeland ("Payback"), this is an intelligent British thriller, reflecting a visceral view of the criminal underworld of London in the '60's. Overall, its an enjoyable watch that perhaps - Hardy aside - doesn't quite live up to its potential. A note however for the sensitive viewer: this is a very (very) violent film in places, and a couple of the scenes in particular are hard to watch.

(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)