825 recensioni
I almost didn't see this film because of all the hate for it on this site. I was going to skip it - considering it wasting my time, but my wife insisted. Afterwards, I was pleasantly surprised and glad we watched it.
It's not really a very typical horror film. It's not even a typical M. Night film. It is scary at times, but mostly creepy. It leaves you glued, wondering what's going to happen next. Which is what a film is supposed to do.
It's low-budget. There isn't anybody in it you would recognize. Which, to me, made it seem more "real." It's not perfect. It does have some clichés, some jump out and "BOO!" kind of scares, which turn some people off. It is NOT a 'found footage' film. Reviewers who labeled it that don't know the definition. The young girl is trying to shoot a documentary and SOMETIMES you look through the camera lens as she's filming. But it's NOT the whole movie and nobody finds the footage. The camera is sometimes shaky, but they are kids, not pros, and it doesn't do that very long. It does have very few plot issues that you kind of have to "go with." What horror film doesn't?
But - I've certainly seen worse thriller/horror type movies. I've even seen worse M. Night movies. This is the best from him in years. The acting was decent and the characters seemed real and flawed. The story was intriguing and it kept you guessing. Just when it seemed like it might be getting long, it was over. Not my favorite movie, but certainly not as bad as people are panning it. It's worth your time if you like this sort of movie.
I'll make you a deal -- If you don't like horror thrillers, don't watch them or review them and I'll do the same for romantic comedies.
It's not really a very typical horror film. It's not even a typical M. Night film. It is scary at times, but mostly creepy. It leaves you glued, wondering what's going to happen next. Which is what a film is supposed to do.
It's low-budget. There isn't anybody in it you would recognize. Which, to me, made it seem more "real." It's not perfect. It does have some clichés, some jump out and "BOO!" kind of scares, which turn some people off. It is NOT a 'found footage' film. Reviewers who labeled it that don't know the definition. The young girl is trying to shoot a documentary and SOMETIMES you look through the camera lens as she's filming. But it's NOT the whole movie and nobody finds the footage. The camera is sometimes shaky, but they are kids, not pros, and it doesn't do that very long. It does have very few plot issues that you kind of have to "go with." What horror film doesn't?
But - I've certainly seen worse thriller/horror type movies. I've even seen worse M. Night movies. This is the best from him in years. The acting was decent and the characters seemed real and flawed. The story was intriguing and it kept you guessing. Just when it seemed like it might be getting long, it was over. Not my favorite movie, but certainly not as bad as people are panning it. It's worth your time if you like this sort of movie.
I'll make you a deal -- If you don't like horror thrillers, don't watch them or review them and I'll do the same for romantic comedies.
The Good: The most surprising thing about this movie was how it uniquely found a way to be scary, but still include funny moments throughout the film. It knew when to be funny, and when to be scary, without mixing the two together. The scary parts will provide quite a few jump- scares, and in some scenes they will simply disturb you. The young boy, "Tyler" (played by Ed Oxenbould ), will quickly become a favorite in this film with his various remarks, "swearing", and "skills". I think it's fair to say that "Nana", played by Deanna Dunagan, does a really good job of playing the crazy grandma given all the versatile things she did in the movie. For some, the plot twist in the story will be mild, but good nevertheless.
The Bad: As we've come to know from director M. Night Shyamalan (The 6th Sense, Signs), the "big twist" is to be expected. Because of that, if you're an over-analyzer of movies like me, you'll probably see the twist coming from a mile away. So in that aspect, the story is mildly predictable. (That doesn't ruin the movie though) Many of the scary scenes you'll see coming, and for the most part are not terrifying to the point that will give you nightmares. It's very generic horror and scare tactics that we've seen before.
The Reason: Okay, so here's the real deal about this movie. M. Night Shyamalan is known for having a really bad reputation for putting out movies like Lady in the Water, The Village, The Happening, and others. He started off great with The 6th Sense and Signs, but since then, audiences have been generally disappointed. Luckily for The Visit, this movie was not one of his bad films. It was disturbingly funny and scary at the same time. This film is like his "makeup movie" to audiences. For example, in a relationship, if a guy messes up and constantly disappoints his girlfriend, he may give her flowers as an apology. Now the girlfriend may like the flowers, but that doesn't mean the boyfriend is completely forgiven. Shyamalan is in the same boat. The Visit is his "flowers" to audiences. We'll take it, but he's still got a lot more work to do to make up for all the other not-so-great movies he's given us.
Take caution if you decide to see it. It's a unique movie. Not a Hollywood blockbuster by any means, but I wouldn't be surprised if many would enjoy it. To see this movie I recommend: Go in with low expectations, pay the matinée price, and go with a friend or date. (You'll want to talk about it afterwards)
The Rating: 7/10
For more of my reviews visit: www.EmansMovieReviews.com
The Bad: As we've come to know from director M. Night Shyamalan (The 6th Sense, Signs), the "big twist" is to be expected. Because of that, if you're an over-analyzer of movies like me, you'll probably see the twist coming from a mile away. So in that aspect, the story is mildly predictable. (That doesn't ruin the movie though) Many of the scary scenes you'll see coming, and for the most part are not terrifying to the point that will give you nightmares. It's very generic horror and scare tactics that we've seen before.
The Reason: Okay, so here's the real deal about this movie. M. Night Shyamalan is known for having a really bad reputation for putting out movies like Lady in the Water, The Village, The Happening, and others. He started off great with The 6th Sense and Signs, but since then, audiences have been generally disappointed. Luckily for The Visit, this movie was not one of his bad films. It was disturbingly funny and scary at the same time. This film is like his "makeup movie" to audiences. For example, in a relationship, if a guy messes up and constantly disappoints his girlfriend, he may give her flowers as an apology. Now the girlfriend may like the flowers, but that doesn't mean the boyfriend is completely forgiven. Shyamalan is in the same boat. The Visit is his "flowers" to audiences. We'll take it, but he's still got a lot more work to do to make up for all the other not-so-great movies he's given us.
Take caution if you decide to see it. It's a unique movie. Not a Hollywood blockbuster by any means, but I wouldn't be surprised if many would enjoy it. To see this movie I recommend: Go in with low expectations, pay the matinée price, and go with a friend or date. (You'll want to talk about it afterwards)
The Rating: 7/10
For more of my reviews visit: www.EmansMovieReviews.com
- emansmoviereviews
- 1 set 2015
- Permalink
- Matt_Layden
- 4 nov 2015
- Permalink
In my opinion it's not even half as bad as people say it is. The movie is first of all entertaining which is one of the reasons why you would watch it? But also it is well made. The plot is very good and as far as i know original. The way it was filmed was great, any other way wouldn't be the same. I thought the director of this movie was great before and my opinion def didn't change after seeing this one. The acting was good. It says that it's a comedy/horror, you cant really expect to get scared in it like some people complain about. I wouldn't recommend it to a friend but it's worth the watch if you have spare time and don't know what to do with it.
- vladimirnerandziicbps
- 29 set 2015
- Permalink
I love horror and some flat out just suck but I have been wanting to see this one.
Tyler and Becca are sent to see their grandparents, whom they have never met since Papa and Nana had a falling out with their mother years ago. Some bad blood between them and Mom wants to go on a vacation with her boyfriend so she sends the kids to meet their grandparents for the first time. They live on a rural farm in the middle of nowhere with no cell service and little internet access.
At first they seem like a normal old couple but soon after it becomes obvious something is off esp with Nana. They maintain in constant communication with their mother. It is obvious Nana does not like to talk about their mother so the kids are still trying to figure out what the estrangement is all about. Things then get weird! A good solid flick. Great job M. Knight for keeping me entertained and scaring me a little
Tyler and Becca are sent to see their grandparents, whom they have never met since Papa and Nana had a falling out with their mother years ago. Some bad blood between them and Mom wants to go on a vacation with her boyfriend so she sends the kids to meet their grandparents for the first time. They live on a rural farm in the middle of nowhere with no cell service and little internet access.
At first they seem like a normal old couple but soon after it becomes obvious something is off esp with Nana. They maintain in constant communication with their mother. It is obvious Nana does not like to talk about their mother so the kids are still trying to figure out what the estrangement is all about. Things then get weird! A good solid flick. Great job M. Knight for keeping me entertained and scaring me a little
- kimbg-909-818076
- 7 nov 2015
- Permalink
After having spent years squandering the studio money & garnering the wrath of film critics in his past few outings, M. Night Shyamalan takes a break from big-budget productions and decides to return to small-scale projects constrained by shoestring budget in an attempt to rediscover his creative side and with his latest feature, I'd say he has found it.
The Visit tells the story of two siblings who decide to spend a week with their grandparents at their farmhouse while their mother is planning a vacation with her current boyfriend. The two kids, having never met their grandparents in person before, find their company strange at first but as the days pass, they discover a deeply disturbing secret about their hosts.
Written & directed by M. Night Shyamalan, The Visit finds the director away from all sort of studio involvement, thus allowing him to rely on his creativity to overcome the restrictions imposed by its low budget and he does a really good job at it. The film makes use of all his trademarks and successfully blends different genres & shooting techniques into one solidly crafted thriller.
Shyamalan's screenplay isn't bad either. The plot is quite simple, the number of characters are kept to a minimum and all have relevant roles to play in the outcome and it's effectively brought to life on the film canvas. The found-footage camera-work is nicely carried out and its tight editing only helps in establishing an increasingly tense & suspenseful atmosphere, which is brilliantly sustained till the end.
The expected Shyamalan twist is also there, following which the movie becomes somewhat predictable and the pay-off isn't much rewarding. The performances are a definitely plus for the kids waste no time in becoming a nuisance, especially that 13-year old rapping douche, but it's actually their grandparents who leave the most lasting impressions with their eerie renditions, which only gets more menacing as the story nears its end.
On an overall scale, The Visit is a welcome return to form for M. Night Shyamalan after his lengthy string of critical & commercial failures and is a strange mix of horror & comedy that is able to balance the elements of both genres quite nicely. It does create a friction at times but for the most part, the narration is smooth. The few bad decisions taken in the picture lie within the characterisation range and as a whole, The Visit succeeds in delivering a thrilling movie experience, that comes loaded with odd laughs in between.
The Visit tells the story of two siblings who decide to spend a week with their grandparents at their farmhouse while their mother is planning a vacation with her current boyfriend. The two kids, having never met their grandparents in person before, find their company strange at first but as the days pass, they discover a deeply disturbing secret about their hosts.
Written & directed by M. Night Shyamalan, The Visit finds the director away from all sort of studio involvement, thus allowing him to rely on his creativity to overcome the restrictions imposed by its low budget and he does a really good job at it. The film makes use of all his trademarks and successfully blends different genres & shooting techniques into one solidly crafted thriller.
Shyamalan's screenplay isn't bad either. The plot is quite simple, the number of characters are kept to a minimum and all have relevant roles to play in the outcome and it's effectively brought to life on the film canvas. The found-footage camera-work is nicely carried out and its tight editing only helps in establishing an increasingly tense & suspenseful atmosphere, which is brilliantly sustained till the end.
The expected Shyamalan twist is also there, following which the movie becomes somewhat predictable and the pay-off isn't much rewarding. The performances are a definitely plus for the kids waste no time in becoming a nuisance, especially that 13-year old rapping douche, but it's actually their grandparents who leave the most lasting impressions with their eerie renditions, which only gets more menacing as the story nears its end.
On an overall scale, The Visit is a welcome return to form for M. Night Shyamalan after his lengthy string of critical & commercial failures and is a strange mix of horror & comedy that is able to balance the elements of both genres quite nicely. It does create a friction at times but for the most part, the narration is smooth. The few bad decisions taken in the picture lie within the characterisation range and as a whole, The Visit succeeds in delivering a thrilling movie experience, that comes loaded with odd laughs in between.
- CinemaClown
- 19 dic 2015
- Permalink
- deebrubaker
- 12 set 2015
- Permalink
This is Shayamalan's second film after the Last Airbender fiasco. It's a return to his light horror and small, contained story roots. The acting and script were good, and combined with the hand-held mockumentary conceit it felt very real. If you like Shayamalan movies and scary movies about crazy old people, give it a try.
- THE-BEACON-OF-MOVIES-RAFA
- 8 mar 2020
- Permalink
- jennifer626
- 22 gen 2016
- Permalink
This was one of the rarest horror movies that managed to keep me totally scared and mostly uncomfortable from start to finish in years and years. I don't get this new trend of hating everything Shiamalan does. This new movie is one of the best horror concepts I've come across in a very long time and uses simplicity to the best effect.
I don't get what people these days expect an horror movie to be. If you don't think this a good example of a simple concept that works like a dream...or a nightmare, I don't get what passes for horror in Hollywood no more.
The idea for this movie is fantastic, and it's very well executed. I really don't get why people complain that nothing happens in this story. It's that type of simplicity that keeps the scary atmosphere throughout the entire movie. This is not a cgi crap action so called horror thing for teens, this is a classic old school horror, it's filled with a creepy atmosphere and uses perfectly all the ideas for each character to keep the viewer feeling uncomfortable all the time.
There's a couple of good scares ,but most of the horror really happens inside our minds. This is the best thing in this movie, it creates such an atmosphere of tension with simple things that when something really dramatic happens on screen we get ten times more startled and there's no need for any cgi on this movie at all to scare teenagers and bore the rest of us to death with the usual clichés. Not on this one.
This is clearly an horror movie for adults, its not edited at two hundred frames per second and it has a classic structure that simply is not targeted at young audiences. This is an horror movie for horror fans, it's not a popcorn movie for general audiences so ignore the bad ratings on IMDb, because if you remember the good classic stuff from the 70s like The Omen, The Changeling, or all those movies built on atmosphere instead of action, this movie is for you.
Absolutely brilliant. In my view the only thing that does not work is the final sequence after the twist is revealed, simply because the movie stops being a a story that creeps us out and becomes the usual fight for your life action bit we've seen hundreds of times. But until that happens this story is scary. Not because of what it shows but because of what keeps making us expect it's going to happen next.
Shyamalan is really back and this screenplay is the best thing he's ever written since the sixth sense and unbreakable. Also the casting is simply perfect with brilliant performances from everyone.
True horror is back folks. Ignore the bad hype from the multiplex popcorn crowd. This is a real gem that deserves to be among the very best horror titles of recent years and it will creep you out if you like your suspense atmospheric.
I don't get what people these days expect an horror movie to be. If you don't think this a good example of a simple concept that works like a dream...or a nightmare, I don't get what passes for horror in Hollywood no more.
The idea for this movie is fantastic, and it's very well executed. I really don't get why people complain that nothing happens in this story. It's that type of simplicity that keeps the scary atmosphere throughout the entire movie. This is not a cgi crap action so called horror thing for teens, this is a classic old school horror, it's filled with a creepy atmosphere and uses perfectly all the ideas for each character to keep the viewer feeling uncomfortable all the time.
There's a couple of good scares ,but most of the horror really happens inside our minds. This is the best thing in this movie, it creates such an atmosphere of tension with simple things that when something really dramatic happens on screen we get ten times more startled and there's no need for any cgi on this movie at all to scare teenagers and bore the rest of us to death with the usual clichés. Not on this one.
This is clearly an horror movie for adults, its not edited at two hundred frames per second and it has a classic structure that simply is not targeted at young audiences. This is an horror movie for horror fans, it's not a popcorn movie for general audiences so ignore the bad ratings on IMDb, because if you remember the good classic stuff from the 70s like The Omen, The Changeling, or all those movies built on atmosphere instead of action, this movie is for you.
Absolutely brilliant. In my view the only thing that does not work is the final sequence after the twist is revealed, simply because the movie stops being a a story that creeps us out and becomes the usual fight for your life action bit we've seen hundreds of times. But until that happens this story is scary. Not because of what it shows but because of what keeps making us expect it's going to happen next.
Shyamalan is really back and this screenplay is the best thing he's ever written since the sixth sense and unbreakable. Also the casting is simply perfect with brilliant performances from everyone.
True horror is back folks. Ignore the bad hype from the multiplex popcorn crowd. This is a real gem that deserves to be among the very best horror titles of recent years and it will creep you out if you like your suspense atmospheric.
- Alcaminhante
- 2 ott 2015
- Permalink
- ironhorse_iv
- 26 ott 2015
- Permalink
- swtcj_2000
- 18 set 2015
- Permalink
So this is the movie that has made me finally get an IMDb account and start reviewing film. I have seen so many 1/10 reviews and statements on here suggesting this film is trash and I find that Ridiculous. While this is no Sixth Sense it is still a step back in the right direction for a very interesting director. I found the story line very intriguing once it got going and was actually very creeped out by some of the eerie scenes. I admit the first 5-10 minutes I thought the child stars were a little annoying, especially the rapping teenage boy lol just no! But as we got into the tale I grew to like the two characters more and started to feel a sense of dread for the predicament they are in. The acting is quality throughout and the two older actors who play the grandparents are legitimately quite scary. I had to stick up for this film as some of the reviews are so extreme. I enjoyed this movie so much more than a lot of others out right now. Also the found footage aspect of this film is good, I normally hate the shaky, blurry found footage movies. I don't care if the camera work being poor is more realistic I like to see what's going on at all times. So if you like M Night's movies aren't stuck up and just want to enjoy a creepy film with a nice twist at the end. I say give it a go!
- mattbowski
- 14 ott 2015
- Permalink
- KineticSeoul
- 1 ott 2015
- Permalink
- steveallenlb
- 27 set 2015
- Permalink
Now I am the first to admit you have to be in the mood for one of M Night Shyamalan's films. He intentionally tries to throw you off guard when you are watching one of hid films, you constantly question if all is as it should be, or quite simply is he messing with you.
I had ignored all info, trailers and chat about this film, as with all his movies once you know what's going on they change somehow, it's the first for a little while of M's films I can say I really enjoyed.
I won't go into too much of the plot, a single woman estranged from her parents receives an online message from them, she allows her two kids, Becca and Tyler to stay with their grandparents for a week. The kids use the experience to make a film, some behaviour they capture is rather inexplicable.
Excellent acting, but it's the kids that steal the show, I really thought they were brilliant.
At one point in the film my heart truly sank, I felt uneasy being the viewer, I felt powerless, and for that reason I give this film an 8, it's been a while since a movie has done that to me. A bit slow for the first twenty minutes, but the ending is worth the wait.
I had ignored all info, trailers and chat about this film, as with all his movies once you know what's going on they change somehow, it's the first for a little while of M's films I can say I really enjoyed.
I won't go into too much of the plot, a single woman estranged from her parents receives an online message from them, she allows her two kids, Becca and Tyler to stay with their grandparents for a week. The kids use the experience to make a film, some behaviour they capture is rather inexplicable.
Excellent acting, but it's the kids that steal the show, I really thought they were brilliant.
At one point in the film my heart truly sank, I felt uneasy being the viewer, I felt powerless, and for that reason I give this film an 8, it's been a while since a movie has done that to me. A bit slow for the first twenty minutes, but the ending is worth the wait.
- Sleepin_Dragon
- 18 ott 2015
- Permalink
Firstly, I apologise for the predictable caption, but it was too tempting. Also, if we do view this movie in light of Shyamalan's, Sixth Sense, then it seems almost casual by comparison. But in its own right this film is both fun and really quite scary!
The film does a great job of misleading us, making us think that we're in for something altogether more light hearted than it actually is, and for that reason the horror moments are all the more effective. Yet it also doesn't push us too far, providing comic relief just when things get a bit too disturbing.
However, despite its well placed scares and cleverly formulated creepiness, its just a bit too much like a ghost train ride to make it worth more than a mention . The scares it uses are for scares sake alone and the director uses his ingredients well but the movie lacks any real meat.
Best watched without first viewing the trailer I believe.
The film does a great job of misleading us, making us think that we're in for something altogether more light hearted than it actually is, and for that reason the horror moments are all the more effective. Yet it also doesn't push us too far, providing comic relief just when things get a bit too disturbing.
However, despite its well placed scares and cleverly formulated creepiness, its just a bit too much like a ghost train ride to make it worth more than a mention . The scares it uses are for scares sake alone and the director uses his ingredients well but the movie lacks any real meat.
Best watched without first viewing the trailer I believe.
Even though I've been severely burned by M. Night Shyamalan's commercial misfires (or rather miscarriages) like Lady in the Lake (ugh!), Airbender (what the hell was he thinking?) and After Earth, I decided to give him one more shot in the shape of The Visit. What worked in his favor was his superb work on the small screen in the form of the 2015 mini-series Wayward Pines - which made me believe that deep down inside Shyamlan's heart still resides a true artist, and not some lazy hack who tackles big-budget flops just to get paychecks from the studio. His recent talk in interviews about gaining back artistic control of his products was another positive step in Shyamalan's long path to cinematic forgiveness.
And so I entered The Visit, a somewhat short and intimate tale of two precocious teenagers, a brother (13) and sister (15), who travel cross country to meet and spend a week with their estranged grandparents, whom they have not seen or met since birth due to a big family feud their divorced mother (Kathryn Hahn, the most recognizable face in the cast) refuses to talk about. The sister, Becca (the promising Olivia DeJonge) also happens to be an aspiring filmmaker, out to make a documentary about the big reconciliation, which ever so conveniently sets the movie up in the popular found footage sub-horror genre - but also opens a wide crack for endless jokes and self-aware nods towards the unsuspecting audience.
Anyway, as you could probably tell by the previews, something isn't quite right with Poppa and Nanna, and even though at first they seem like reasonably nice elder folks, their strict rules (do not get out of the room after 21:30, do not go down to the basement) and strange manners (you'll see what I'm talking about) soon enough make it clear to both Becca and Tyler (the smaller brother portrayed by the superb Ed Oxenbould, who at 14 shows endless promise) that they better get the hell out of there - as fast as they could.
Besides the trademark Shyamalan twist, which actually works here and seems reasonable in hindsight (unlike, say, The Village), the extremely self-aware script and the very natural and authentic brother-sister relationship between both co-leads, lends further credence to Shyamlan's pet project. You can see that he cared for the characters, and you can also easily remember that this is a director who made a reputation for himself because he managed to facilitate such an emotional and iconic performance out of then-11-year-old Haley Joel Osment, so obviously he's good with kids. I don't know if young Ed Oxenbould is the next Osment, but he sure does deliver the goods through and through - and gives one of the best children/teen performances I've watched in a while.
And so I entered The Visit, a somewhat short and intimate tale of two precocious teenagers, a brother (13) and sister (15), who travel cross country to meet and spend a week with their estranged grandparents, whom they have not seen or met since birth due to a big family feud their divorced mother (Kathryn Hahn, the most recognizable face in the cast) refuses to talk about. The sister, Becca (the promising Olivia DeJonge) also happens to be an aspiring filmmaker, out to make a documentary about the big reconciliation, which ever so conveniently sets the movie up in the popular found footage sub-horror genre - but also opens a wide crack for endless jokes and self-aware nods towards the unsuspecting audience.
Anyway, as you could probably tell by the previews, something isn't quite right with Poppa and Nanna, and even though at first they seem like reasonably nice elder folks, their strict rules (do not get out of the room after 21:30, do not go down to the basement) and strange manners (you'll see what I'm talking about) soon enough make it clear to both Becca and Tyler (the smaller brother portrayed by the superb Ed Oxenbould, who at 14 shows endless promise) that they better get the hell out of there - as fast as they could.
Besides the trademark Shyamalan twist, which actually works here and seems reasonable in hindsight (unlike, say, The Village), the extremely self-aware script and the very natural and authentic brother-sister relationship between both co-leads, lends further credence to Shyamlan's pet project. You can see that he cared for the characters, and you can also easily remember that this is a director who made a reputation for himself because he managed to facilitate such an emotional and iconic performance out of then-11-year-old Haley Joel Osment, so obviously he's good with kids. I don't know if young Ed Oxenbould is the next Osment, but he sure does deliver the goods through and through - and gives one of the best children/teen performances I've watched in a while.
The Visit is written and directed by M. Night Shyamalan. It stars Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie and Kathryn Hahn.
Becca and Tyler have never met their grandparents, their mother left that family home in acrimonious circumstances. Now the kids are off to spend a few days with them - and get far more than they bargained for.
If you ask some people then they will say that Shyamalan never had form to begin with, so to them this doesn't warrant being called some sort of return to form, what it does do is find him on sound footings. Veering away from big budgets and adopting a low-fi approach, this very much has him back in the spooky zone.
It's all very nutty of course, the premise and the (very good) reveal are hardly genre defining, but the unease is palpable, the mystery element strong and there's a bunch of genuinely freaky scenes. The last third is almost delirious as the story goes through its bad dream fairy tale throes, and the small cast are excellent, with Syamalan once again showing how good he works with young actors.
A good honest chiller that isn't purporting to be anything other than that. 7/10
Becca and Tyler have never met their grandparents, their mother left that family home in acrimonious circumstances. Now the kids are off to spend a few days with them - and get far more than they bargained for.
If you ask some people then they will say that Shyamalan never had form to begin with, so to them this doesn't warrant being called some sort of return to form, what it does do is find him on sound footings. Veering away from big budgets and adopting a low-fi approach, this very much has him back in the spooky zone.
It's all very nutty of course, the premise and the (very good) reveal are hardly genre defining, but the unease is palpable, the mystery element strong and there's a bunch of genuinely freaky scenes. The last third is almost delirious as the story goes through its bad dream fairy tale throes, and the small cast are excellent, with Syamalan once again showing how good he works with young actors.
A good honest chiller that isn't purporting to be anything other than that. 7/10
- hitchcockthelegend
- 20 gen 2017
- Permalink
- homdeb1058
- 16 set 2015
- Permalink
when i heard the new shyamalan movie was going to be a horror comedy, i was a little down since I have really liked his approaches to the horror and specially his close analysis to family interaction, and sociology in general, for example I do not believe that "the village" was about the creatures at all, it was a deep exploration of the American red fear, and in general all his movies have been amazing for me for that simple reason, he doesn't try to deliberately scare people with the popular way of making you jump in your sit, but tries to make you understand, using horror as an excuse, the way humans think, and what scares us the most of all, in this movie, the excuse is simple, gain the strength to overcome the fears of the past, and using them to overcome an even more difficult situation in present, emotional as it might be, and scary as it might be, a director that can fuse all these elements, in such a scary way, will never be a bad one, and i do consider him a very good indie director...
- hplaureants
- 9 ott 2015
- Permalink
- doofuspoofus
- 11 set 2015
- Permalink