Aggiungi una trama nella tua linguaA woman decides to end her life by hiring a hit-man after a earth shattering tragedyA woman decides to end her life by hiring a hit-man after a earth shattering tragedyA woman decides to end her life by hiring a hit-man after a earth shattering tragedy
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Recensioni in evidenza
Having recently watched this film, I walked away with a sense of disappointment. Apart from a few good songs that stood out in terms of melody and presentation, the movie as a whole felt like a wasted opportunity. The filmmakers clearly focused more on music than on crafting a coherent narrative. If you are planning to watch it purely for entertainment or with the hope of experiencing a compelling story, I would suggest thinking twice - your time could definitely be better spent on a different movie.
The most glaring issue with the film is the complete lack of a proper storyline. There seems to be no central theme or plot that the audience can hold on to. Scenes are thrown together in a haphazard manner, making the entire movie feel directionless. As a viewer, I constantly found myself wondering where the movie was going. Important events happen without buildup, andcharacters appear and disappear without meaningful development. The pacing, too, is inconsistent - at times painfully slow, and at others, unnecessarily rushed. It feels as though the makers couldn't decide what kind of story they wanted to tell, so they decided to throw everything at the screen, hoping something would stick. Unfortunately, nothing does.
To make matters worse, the film is riddled with unnecessary scenes that add no value to the story (if we can even call it that). Long, drawn-out dialogues that serve no purpose, irrelevant subplots, and forced emotional moments make the viewing experience tedious. These portions seem to have been added only to extend the runtime of the film rather than contribute to character development or narrative progression. Many of the action sequences or dramatic confrontations felt like filler material - loud, flashy, but ultimately empty.
The most glaring issue with the film is the complete lack of a proper storyline. There seems to be no central theme or plot that the audience can hold on to. Scenes are thrown together in a haphazard manner, making the entire movie feel directionless. As a viewer, I constantly found myself wondering where the movie was going. Important events happen without buildup, andcharacters appear and disappear without meaningful development. The pacing, too, is inconsistent - at times painfully slow, and at others, unnecessarily rushed. It feels as though the makers couldn't decide what kind of story they wanted to tell, so they decided to throw everything at the screen, hoping something would stick. Unfortunately, nothing does.
To make matters worse, the film is riddled with unnecessary scenes that add no value to the story (if we can even call it that). Long, drawn-out dialogues that serve no purpose, irrelevant subplots, and forced emotional moments make the viewing experience tedious. These portions seem to have been added only to extend the runtime of the film rather than contribute to character development or narrative progression. Many of the action sequences or dramatic confrontations felt like filler material - loud, flashy, but ultimately empty.
Sijjida has a knack for turning decent stories into trash. Certified Trash!
Let's start with the negatives:
Some good aspects:
Final verdict: Half star for a decent storyline, one star for decent songs.
Let's start with the negatives:
- The story is good, but it's messy when turned into a film.
- Some songs are unnecessary and feel forced into the movie.
- The screenplay is extremely poor. Sijjida should consider getting someone else to write for him.
- The first half is weak, while the second half is slightly better.
- Koushani's acting feels fake, except in a few scenes.
- The climax is painful to watch.
- Basic logic is lacking throughout the film.
Some good aspects:
- The songs are decent, but not on par with Hemlock Society.
- The storyline is good, which makes the movie somewhat tolerable.
- Vishwanath Basu's character is well-done.
- Sijjida's cinematic universe references and comedy punchlines work.
Final verdict: Half star for a decent storyline, one star for decent songs.
Despite a promising soundtrack that adds emotional weight, the film ultimately disappoints due to its weak screenplay and inconsistent execution. Prambrata delivers a solid performance, bringing depth and nuance to his role, but Kaushani and others fail to create a convincing presence, leaving the narrative feeling hollow. Biswanath, however, shines with his fabulous acting, injecting much-needed energy into the film. Unfortunately, even these standout performances cannot mask the film's poor pacing, lack of engaging storytelling, and underwhelming execution. The screenplay struggles with coherence, failing to hold the viewer's attention. Moments that should resonate emotionally feel forced, making the experience frustrating rather than immersive. While the music is commendable, carrying some of the film's weight, it ultimately falls short of being enough to salvage the overall viewing experience. A stronger script and tighter direction could have elevated this film beyond its shortcomings.
First Poorna's video and the backstory
Honestly, they give this plot no time, why he is releasing the video! How can we relate to the toxicity of that relation! There's nothing, it's like "he felt like that".
Second Poorna's overacting and emotional misconducts In hemlock society we loved Meghna's rants, they were both hilarious and on point, I get she was getting frustrated and why so. But here all the rants were over forced. Also the glasses! I mean why? To make her more relatable to Meghna? Whatever didn't suit her.
Finally the ending! Well you know for years we had this question what happened to Ananda Kar , where is he? That question was better unanswered....
Second Poorna's overacting and emotional misconducts In hemlock society we loved Meghna's rants, they were both hilarious and on point, I get she was getting frustrated and why so. But here all the rants were over forced. Also the glasses! I mean why? To make her more relatable to Meghna? Whatever didn't suit her.
Finally the ending! Well you know for years we had this question what happened to Ananda Kar , where is he? That question was better unanswered....
Dear srijit Mukherjee,i understand that you can't make good films now,it's ok it's happen. But why are you ruining the masterpieces you had made. First Baise Srabon and now Hemlock Society. This is the last movie i have seen from you,i swear.
All though,Koushani has outdone herself but script was just too That one star is for her. And Also Anupam Roy should take the backseat now. Comic relief was nice but everything was really forced or made up. The awful twist was quite predictable. With Ananda kar,you actually killed our feelings about Hemlock Society too. Shame on you Srijita Mukherjee, please retire and give us some peace
It is a disclaimer,if you guys want save your nostalgia don't see that movie.
All though,Koushani has outdone herself but script was just too That one star is for her. And Also Anupam Roy should take the backseat now. Comic relief was nice but everything was really forced or made up. The awful twist was quite predictable. With Ananda kar,you actually killed our feelings about Hemlock Society too. Shame on you Srijita Mukherjee, please retire and give us some peace
It is a disclaimer,if you guys want save your nostalgia don't see that movie.
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