Przesmyk

The Eastern Gate is superior to the American or British-made spy thriller dramas at this time because Poland is much closer to the Russian threat than either the U. S. or Britain. Poland is under an existential threat from Russia and its intelligence operations against Russia can determine its survival.

At the beginning of the series, I thought The Eastern Gate resembled The Agency, but then I realized The Eastern Gate is better because The Agency is one step removed from the Russian threat than The Eastern Gate. The Polish agents don't have as much money or resources as the American CIA. Instead they rely on their personal resources more than high tech.

I'm glad that I don't live in Eastern Europe at this time because life there seems so precarious.

The spy drama Eastern Gate is set in northern Poland in the Suwalki Gap. Nearby are Kaliningrad, Lithuania and Belarus. Many viewers will recall that Russia gathered soldiers and armaments in Belarus, in the lead up to its invasion of the sovereign nation of Ukraine. This high caliber espionage drama begins nearly a year before Russia's invasion. Poland is in a tight spot. A fraught situation is growing more precarious. Having been invaded by Russia and Germany simultaneously in 1939, Poles have a keen sense of vulnerability and the strong need for preparedness.

The six-episode series highlights the severe tensions in Eastern Europe. The series is set seven years after Russia annexed Crimea and parts of the Donetsk in eastern Ukraine (see the excellent novel, "Grey Bees," by Andrey Kurkov for a glimpse of the Donetsk situation through the eyes of a beekeeper). Knowing what follows the close of the drama adds additional gravitas to an already tense series.

The lead is Ewa, a Polish undercover spy. She is skilled and courageous. The development of her character, played by a captivating, utterly believable Lena Gora, adds great depth to the action and intrigue. While the complex tale has many moving parts, I found it easy to follow as the episodes progressed. Any initial confusion is a sign of the depth of the plot, the reality of many duplicitous foes for Poland to confront.

There is much to appreciate, and I was left wanting more of Ewa's skills, smarts, grit, and determination. Lena Gora is ideally cast, her range and nuance make Ewa a memorable character. The US release of Eastern Gate finds Poland in an increasingly precarious situation. Ukraine's courageous battle against an unprovoked invasion grinds on, with Poland's capabilities carrying global implications. I hope there is a second season of the utterly captivating Eastern Gate. Highly recommended.

Great TV series that reminds us of how Russian system works. Deception,propaganda and flip on media by using second hand countries. These people work as extension of former KGB. A lot of this series is based on real life tense situations at Polish border...At today's time it's important form of art expression that these people are not Polish friends...Not European friends...or anyone else' friends that strive for freedom and independence. They live behind the iron fence moving and influencing countries as the chess pieces...Best Polish TV drama out there. For anyone who likes mix of politics and spy games LeCarre style. Hoping for second season........

Do i have to read subtitles in English for every episode and every scene? I'm asking to prepare because i don't see well, not because i would not 'approve'. I absolutely appreciate foreign-to-English language media but would like to know up front if reading is required. Needless to say i haven't gone beyond the first episode but did find that enticing for the rest of the show. Couldn't feel comfortable in my small screen so that's why I'm asking. I have to keep typing to be able to submit this question. Wish they had a question section. Perhaps they do and i don't know about it. But what i really want to know is whether the characters start speaking in English?

Przesmyk is a rare series that dares to walk the fine line between gripping entertainment and historical accuracy, and it does so with remarkable success. Drawing heavily on real-world events, particularly the murky reality of Russian false flag terror operations, the series offers a bold, unflinching portrayal of tactics too often buried in official narratives.

What immediately stands out is the production's commitment to realism. The show's depiction of covert operations, disinformation campaigns, and hybrid warfare feels alarmingly authentic, pulling no punches in its exploration of modern geopolitical manipulation. Every incident in the storyline is layered with the kind of complexity that mirrors real events, nothing feels fabricated for drama's sake.

The choice to cast largely new and unfamiliar faces pays off tremendously. These actors bring a rawness and believability that well-known stars might not have achieved. Their performances are grounded, human, and compelling, allowing the audience to truly invest in their fates rather than seeing "a performance." Each character feels like someone you might actually meet on the ground in such a volatile setting.

Przesmyk presents a sophisticated, chilling, and thought-provoking reflection of current tensions in Eastern Europe, with a special focus on how truth becomes a weapon in itself. It is an important, brave, and thoroughly engrossing watch. A must-see for anyone who wants to understand the very real stakes playing out behind today's headlines.