Wolf Hall

Hilary Mantel must be very impressed with the way BBC2 captured the spirit and tone of the turbulent Tudor era from the rise of Cromwell to the death of Anne Boleyn in Wolf Hall. The screenwriter condensed Bring Up the Bodies into just two episodes, but the storyline was easy to follow and did not feel rushed. All in all, I loved the series, both for the acting and the beautiful settings. Of course, Master Cromwell dominated by saying very little and conveying much with his masterful presence and quietly sympathetic character. At the same time, you had to admire the ambition and intellect he displayed in giving the king the wealth and freedom he needed to propel England into becoming a major state in Europe. Of course we know Henry's private life was marred by his obsessive need for a son, a desire fuelled by the tenuous nature of the Tudor's claim to the crown and the proliferation of Plantagenets that still existed at that time. Damian Lewis made an impressive Henry, still dashing and not yet quite a complete monster, although petulant and demanding. Mark Rylance's quiet almost withdrawn portrayal was so watchful, so intelligent, you feel this might well become his signature role. And Claire Foy made an intelligent and scheming Anne, who surely would have made a marvellous queen should she have managed to produce the sons Henry desired. All I want now is for Ms Mantel to finish the story of Cromwell's remarkable life, even though we all know it ends in tragedy.

Peter Straughan condenses Hilary Mantel's award winning historical fiction novels for television. Peter Kominsky gets all the candles he needs for gloomily lit interiors but more importantly gets out great performances from his actors and a wonderful paced drama. There is little here that is stuffy or po faced.

Damian Lewis is a thinner, youthful and more athletic Henry VIII here. Claire Foy (Ann Boleyn) is the chancer who uses her body to enchant Henry when almost everyone is against her. Thomas More is portrayed as a religious zealot here happy to torture and kill in the name of Rome, far removed from 'A man of all seasons.'

Holding everything together is an understated but riveting performance by Mark Rylance as Thomas Cromwell. A social climber, a fixer, the son of a Putney blacksmith adept in the shadowy world of political intrigue and planning. Cromwell literally lurks in the shadows helped with all that candlelight. Cromwell is loyal too as he is with Cardinal Wolsey even after his fall from grace.

The kernel of the story is familiar although it is easy to forget that this is an adaptation of historical fiction. In short it is not all true.

As a life long Anglophile - with a special passion for the Tudors, I could not wait for this series - after only the first episode, I was not disappointed. Wolf Hall is the story of a (not so well known) Tudor personage Thomas Cromwell - lawyer and confidant of Cardinal Wolsey - who at one time early in Henry VIII's reign was "the most powerful man in England." After Wolsey's decline (none of them stay on top forever), Cromwell worked with King Henry VIII directly.

The fascinating thing about Cromwell is that he was a lowly born commoner, but possesses a quick mind, a sharp tongue and is utterly fearless. Mark Rylance is a great Cromwell - not striking in appearance - quite ordinary in fact, yet possessing the qualities that took him far. Even though after only a short glimpse of Damian Lewis in the first episode, I believe he will be a great Henry (based more on his past performances than anything else.)

Aside from being about one of the most interesting families and time periods in history, Wolf Hall's writing scintillates. These types of dramas are long on dialogue and short on action (so Fast and Furious or Mission Impossible fans - stay away), but the dialogue makes the story.

Some examples:

After Wolsey is disgraced (he failed to secure the annulment of Henry's first marriage to Catherine of Aragon from the Pope), Cromwell goes to Anne Boleyn - who is waiting in the wings as Henry wife #2:

Anne: "we only asked the Cardinal (Wolsey) for one simple thing (meaning the annulment)"

Cromwell: "It wasn't simple"

Anne: . . ."Maybe you think I am simple?"

Cromwell: "You may be, I hardly know you."

In Henry's court, no one talks to the next Queen in line like that.

Later, Cromwell visits Norfolk (who was an avowed enemy of Wolsey):

Cromwell: I hope he (The King) doesn't think still of invading France"

Norfolk: "What Englishman doesn't??" "We own France!!"

later same conversation:

Norfolk: "tell him (Wolsey) if he doesn't (go North) I'll come to him and I will tear him with my teeth!!

Cromwell:"May I substitute the word "bite" for "tear?"

Finally in the next scene Cromwell meets Henry and their subsequent discussion concerning a re-invasion of France shows how snarky and smart assed Cromwell can be - even to the King's face.

It is brilliant.

And of course if you have visited England, the scenery and castles will bring back fond memories of your visit.

The Tudors have been a popular subject of movies for some time (Keith Michell - 1970 Six Wives of Henry VIII; or a pretty complete list at http://tudorhistory.org/movies/), this one promises to be one of the best.

I cannot wait for subsequent episodes. DonB

The two seasons of this series are very well made and well acted. This show should be great for fans of the Tudor period but if that doesn't interest you, or you've seen too much on that narrow topic, then maybe not.

Just one thing bothered me. They really need to stop casting black actors in historical dramas where no black people would have appeared. Okay, maybe darker skinned members of the Spanish legation but not members of Henry's court. I don't think they realize that it gives the appearance of grating racism when they cast black people in minor roles but of course never in a major role.

In Shakespeare, okay. But this is hardly Shakespeare. Bridgerton is okay too. That's a fantasy. If you are going for historical realism and not one of those fantasy shows aimed at teenagers who hate history, then stick with history.

Why put all that effort into getting the costumes right if you're going to get the actors wrong? I usually don't complain about DEI like you-know-who but this is a case where I have to object.

If the BBC needs to meet some quota for non-white actors, then choose stories that naturally lend themselves to non-white characters. If it has to be some aspect of British history, then the colonial period is a possibility.

Maybe the BBC doesn't have the budget for overseas location shooting anymore? I've heard they had budget problems for the second season of this show. Maybe that explains why there was so many padding scenes of people walking through courtyards and gardens.

In summary, it's worth watching but I think I've met my lifetime quota for Tudors now. Move on to something else.

Having only seen this really from Thomas More's perspective in 'A Man for all Seasons' (a brilliant film) I was intrigued to see it from the 'villain's' point of view which is what Cromwell was in the film. This has been quite an eye opener for me and I am absolutely hooked on the BBC series right now. It got off to a fairly slow start in episode 1 in setting the background for the story but it has just got better and better, the acting from Rylance and Lewis etc is superb and Mark Rylance is not too dissimilar in appearance from Cromwell's actual appearance. Another superb costume drama from the BBC and long may it continue if this is the standard we can expect for future productions.