Sweet Dreams

Movie Review: Disappointing Climax

Initial Expectations and Disappointment

I wanted it to have a fantastic ending, but it didn't.

The worst climax I have ever seen.

There should have been a fantastic and real love story between Dia and Kenny at the end, but I guess the writers were obsessed with Christopher Nolan's Inception.

I was shocked at the end when the camera focused on the wall clock.

When the movie started, I thought it would be a great and fresh love story.

But it's very disappointing.

Positive Aspect: Mithila's Acting

However, Mithila was very good and cool in her acting.

5 stars goes to Mithila.

A tale - How brain heal a moment of severe pain and create a sweet imagination out of parrallel reality to keep engaging objective alive. And a lesson to read soul to find soulmate.

When Kenny experienced the shock of a breakup, his subconscious mind began absorbing elements from the world around him, crafting a sweet dream that felt like reality. This dream gave him a purpose-a chase to stay occupied. In this pursuit, he encountered an imagined soulmate, whose changing form fueled a sense of disbelief, pushing him to continue searching for the visual identity he had been dreaming about. Similarly, Dia found herself in the same situation-two individuals in external identity of each other dreaming of their soulmates . This shared disbelief stems from their subconscious projections. When they finally connected on a soul-deep level, it became the most profound experience of their lives, helping them strip away the layers of external appearances to uncover their true soulmates.

I watched this film not only because I am a Die-Hearted fan of Mithila Ma'am but also that I'm a Hopeless Romantic. The issues, insecurities and dilemmas that our Generation faces have been nicely depicted in the film. Lastly as a boy, I can totally relate to Amol Sir's Character and his fear of not being 'A lonely Old Man". But I felt Saurashini Ma'am's Character was so nuanced & it shows the need to balance between Hopeless Romanticism & being Practical. The Characters played by Meiyang Chang and Sukkanya Vats were also very nice. The songs are quite soulful too

Overall a very delightful watch.

Can life and love intersect in two separate dreams occurring at the same time to two different people? Sweet Dreams, a fluffy and fuzzy rom-com starring Mithila Palkar, Amol Parashar and Sauraseni Maitra, would have us believe that they can. The film is predicated on that fantastical notion. Willing suspension of disbelief, anyone ?

In support of its 'dreamy' narrative construct that moves between the real and the apparently imagined, the film, a Jio Studios presentation directed by Victor Mukherjee and out on Disney+Hotstar, enlists William Shakespeare and Hamlet. In a stray scene, it casually evokes what the Prince of Denmark said to a friend: "There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy."

Kenneth "Kenny" Fernandes (Parashar) and Dia Jaisingh (Palkar) not only dream daily of each other without ever having met, but they also spend the rest of the film, and all their energies, looking for each other. They have friends and well-wishers who readily believe them and help them out.

Dia has her best friend Tanu (debutante Mohini Shimpi) by her side in times of need. Kenny's business partner Akash (first-timer Sukkarann Vats) and the latter's girlfriend and colleague Nubra (Ayesha Adlakha, also a debutante) are his go-to people. But eventually it is their own devices that the duo must rely upon as their "textbook attraction" draws them out of their dreams.

If love makes the world go round, Sweet Dreams makes two individuals go round and round in circles. The boy, coming off a messy break-up, has lost his grip on reality. He consults a therapist (Faye D'Souza in a special appearance).

The girl, an aspiring singer-songwriter, admits at one point that "I need to grow up". She is in a relationship with a restaurateur Ishant Chhetri (Meiyang Chang) who wants to relocate to Canada and open an eatery. They are in love all right but they aren't kindred spirits.

Kenny is a recycle artist, an unusual profession for a romantic hero who wants to escape the here and now and find solace in his dreams. In the real world, he finds a soulmate in the free-spirited Roop (Sauraseni Maitra) and takes her into confidence about the current state of his mind, confused and fragile.

The roles do not demand much from the actors but to their credit they infuse the characters with palpable charm. Mithila Palkar is especially good as the girl who chases elusive certitudes in a world where everything is in a state of flux.

Amol Parashar provides the perfect foil with his effortless fleshing out of a man whose heart and head work at cross-purposes. Sauraseni Maitra makes her supporting role count for much more than the footage apportioned to it.

This dude, Victor Mukherjee, needs to spend more time learning and making stuff than he does consuming. Literally every frame of this project, as well as all of his previous so-called "endeavors," have been ripoffs or, as he would like to put it, "nods" or "homages," to his favorite shows and movies. These F. R. I. E. N. D. S. Watchers can never become actors or writers as much they have deluded themselves on the contrary.

Coming back to this movie, there's nothing else. Just nothing. Never until those typical final fifteen minutes would a character ever appear without a stupid smile on their face. The delivery of the lines make me think androids have long infiltrated among humans, while those embarrassing dialogues themselves are like translations of some kind of young adult novel - baseless "philosophical" discussions.

Bollywood has long been done, and I should have stayed away from this movie.