Quattro amici si riuniscono durante le turbolenze economiche mondiali.Quattro amici si riuniscono durante le turbolenze economiche mondiali.Quattro amici si riuniscono durante le turbolenze economiche mondiali.
- Candidato a 1 Primetime Emmy
- 2 candidature totali
- Argentinian Business Leader
- (as Alex Pena)
- British Newsreader
- (non citato nei titoli originali)
Recensioni in evidenza
The characters are so over-the-top but also weirdly real. You really feel how disconnected they are from normal people. The dialogues are smart but not too heavy, and some moments are actually really funny in a dark way.
Souper was my favorite - trying so hard to be a billionaire with a meditation app, but clearly lost inside. The tension between the characters is always there, like something bad could happen anytime, but it never turns into a cliché.
There's no action, no music really, not much going on visually, but it still keeps you watching. It's just... different. And in a good way.
If you liked Succession or enjoy dark comedy with smart dialogue, give this one a shot. I didn't expect to like it this much.
Bonus points for making me laugh and feel a little uncomfortable at the same time.
This film is a must-watch for AI executives, tech enthusiasts, and anyone involved in the design or governance of digital systems. It offers a sobering reflection on the values of those leading technological development, and the real-world consequences of their choices. In a world inching toward techno-feudalism, where unelected tech moguls can steer the fate of entire nations, Mountainhead asks hard questions about who holds the power-and what they believe in.
It's not always easy to digest. Some scenes feel abstract or overly intellectual, and casual viewers looking for laughs might leave confused or disappointed. But maybe that's part of the point. The people who "don't get it" may soon find their jobs-and their agency-at risk in an AI-driven world they didn't help design or understand.
In the end, Mountainhead isn't a film for everyone. But for the right audience, it's a compelling and necessary piece of storytelling.
The central theme had potential to explore something meaningful - maybe a descent into obsession or isolation - but it's hard to stay invested when the script constantly undercuts its own gravity. The male characters are frustratingly unrealistic: wealthy yet clueless to a degree that breaks immersion. Their actions, supposedly driven by ambition or fear, feel more like the product of lazy writing than believable motivation.
The cinematography and atmosphere hint at what the film could have been under stronger direction - moments of eerie tension and visual style do appear. But they're fleeting, drowned out by the clunky pacing and lack of coherence. It's a shame, really, because the bones of a great story are here. They're just never given a chance to shine.
"Mountainhead" isn't unwatchable, but it's a textbook case of wasted potential.
Lo sapevi?
- QuizJesse Armstrong began researching the topic of billionaire crypto-fascist tech-bro culture after reviewing a book about Sam Bankman-Fried for the Times Literary Supplement in late 2023. He began writing the script after Donald Trump won the United States presidential election in November 2024. The film was finished six months later.
- Citazioni
Souper: [brandishing a golf club at Jeff] This is about AI dooming and decelerationist alarmism!
Jeff: What the fuck? First principles! What are you trying to achieve?
Randall: We are trying to kill you! Gas him, burn him, drown him!
Jeff: Okay, your attack makes no logical sense!
Randall: When we have started, we have to complete!
Jeff: Sunk cost fallacy!
Souper: No, we have to continue due to reprisals!
Venis: We're completionists!
Jeff: No, no, we're not, we're not! We fail, we move on, we fail, we move on, we succeed!
Souper: Not necessarily!
[swings golf club at Jeff]
- ConnessioniReferenced in Film Junk Podcast: Episode 996: The Phoenician Scheme (2025)
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Dettagli
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 1.78 : 1