Da campagnolo stagionato a gran maestro di spada

Let's divide this into parts. Art is fine, drawing and animation are perfectly clean. The pace is a bit fast, with flashbacks that add more context, but it does not feel convoluted, and the progression of the characters is nice, however, the bigger plot has a slow building. I really like this, feels somewhat like Frieren in the pace and feeling of the episodes. I have not read de manga (never had read one), so my perspective is pure and clean from those biases. It is very enjoyable, I stumbled upon this anime by chance and have enjoyed it a lot. It is a bit bloody, not so much as other more popular animes, but aside of that is SFW and the main character is such a nice and relatable guy that makes you connect with him, it is a very good watch.

I rarely (if ever) write reviews, but I feel compelled to warn anyone who watches anime dubbed (like me, since I work while it's on in the background). Stay away from this one. I genuinely have no idea how a dub can be this bad. It's so flat and lifeless that I honestly wondered if they used AI for the voice acting. Every line is delivered with zero emotion or skill.

The story itself is fine. I haven't read the manga, so I can't compare. The animation looks cheap and isn't really anything to write home about but it's not the end of the world.

I really was looking forward to this one and was completely let down. It's not even worth a background watch.

From Old Country Bumpkin to Master Swordsman delivers an unexpectedly rich cast of characters, headlined by the master swordsman himself and his four exceptional female students. Each character contributes to the story not only through their martial prowess, but through compelling growth, emotional depth, and dynamic relationships.

The master, once dismissed as a mere "country bumpkin," is the heart of the story. What makes him outstanding isn't just his hidden strength or peerless swordsmanship, but his humility and wisdom. He doesn't seek glory or recognition; instead, he trains his students with patience, subtle encouragement, and a keen understanding of their individual needs. His transformation from underestimated recluse to legendary teacher is deeply satisfying. He is not only a master of the sword, but also of character development-both his own and his students'.

Each of the four female students brings a unique flavor to the story, and together they represent a spectrum of strengths and struggles. First is Rika, the proud noble-born warrior. Initially arrogant and dismissive of her surroundings, she slowly learns humility and the true meaning of strength under the master's guidance. Her arc from snobbery to self-awareness is brilliantly done, showing that pride can evolve into honor when channeled correctly.

Then there's Mina, the quiet strategist. While not as physically strong as the others, her mind is a weapon in itself. Her analytical approach to swordplay and battle makes her indispensable. What's outstanding about her is her introspection-she constantly questions herself, and through the master's mentorship, she becomes more confident and vocal, a leader in her own right.

Kaida, the fiery rebel with a mysterious past, brings an edge to the group. She's impulsive, emotional, and incredibly passionate about justice. Her raw talent is undeniable, but it's her emotional journey-learning to temper fire with control-that makes her stand out. Her evolving bond with the master, who never judges her rage but instead teaches her to wield it with precision, is both touching and powerful.

Finally, Sana, the soft-spoken healer turned fighter, surprises everyone. Initially reluctant to even hold a blade, she blossoms into one of the fiercest warriors through sheer will and compassion. Her transformation is inspiring-not because she abandons her gentle nature, but because she learns how strength and kindness can coexist. The master sees in her what others overlook, and she rises to that belief with grace and courage.

The dynamic between the master and each student feels real and earned. He doesn't simply pass down techniques-he listens, challenges, and believes in them. And in return, they begin to believe in themselves and each other. What makes these characters so outstanding is that they grow not just as fighters, but as people-with their own values, scars, and dreams. This is what elevates From Old Country Bumpkin to Master Swordsman from a simple training story to a deeply human journey.

I didn't read the manga, so I am not able to compare to the adaptation but it is impressively good in my opinion.

I feel it as an anime for adults as it brings something different, a storytelling, a beginning story and a main character who is not a "super super hero" as most anime bring, he is human! Yes a human, no lasers no super powers, just a skilled human.

It somehow bring an old medieval RPG feeling, like Advanced Dungeons and Dragons. If you played it you will understand.

Episodes are short, something like 20min each, not a lot of action but when it has it is pretty entertaining. All characters are charismatic, I don't think you will regret watching it. Highly recommend it.

They remove all the good things in the manga. The art style in the manga was casual, but the way the author describe all action scenes is very good and have the hype we all need. Then in the anime, not only it has terrible animation, but also change the detail unnecessary, make all the whole fight tedious. I know i shouldn't expect anything from when the trailer revealed, but they really make me feel more disappointed through every single episode. I dont even know who would let this pos exist. The manga was already not known much, why they decided to make an adaption with terrible quality like this, i just dont understand.