Shotyi Bole Shotyi Kichhu Nei

Terrific, Violent, Screaming. What would externally appear as a mere judge's verdict has been portrayed brilliantly as a take on The Jury of the human mind. Doubt creeps in beyond all convincement, combatting against unshakable biases and beliefs of what's true and false, and in the end, the truth loses its existence! How the Jury of the mind has to go through a violent frenzy, conflicting with each other, delving deeper layers and finally uncovering the surface together, an individualistic aggressive tussle becoming unanimous to arrive at the final verdict regarding anything for that matter. Once again, a masterpiece worth of justice none other than the Aantel of Bengali Cinema, Srijit Mukherji!

After watching #ShotyiBoleShotyiKichuNei I am convinced that Srijit Mukherji is back!! What an adaptation....

I don't think I am qualified enough to comment on his art, but as an avid movie lover of all kinds, I think Srijit Sir has once again proved that he is the ruler...

About the actors, Parambrata Chattopadhyay , Kaushik Ganguly , KoushikSen and Ritwick Chakraborty are the pillars, like I said, they are masters of their trade and don't need anyone's signing off - but the others have all contributed in the right measure like a beautifully orchestrated symphony... Sauraseni Maitra you nailed it in a single scene, Kanchan Mullick my respect for you keeps growing, Anirban Chakrabarti so good to see you in a different kind of a role, Ananya Chatterjee the voice...loved it...kudos to everyone...

Brilliant vision, brilliant directorial creativity, excellent cinematography...I can go on and on...

IT'S NOT JUST A MUST WATCH .. IT'S A CELEBRATION OF CINEMA...

The Movie released on OTT Hoichoi on 18th April, 2025 explores really a fresh idea and perfectly makes its Celluloid portrayal. The theme of the Movie is too unique. It is an effort to unmask all representing different sections of the society and bringing into fore realities. But this has been done following a unique pattern. Everything gets focused during informal conversations where contradictory opinions, prejudices, arguments, biasness and others keep the momentum going. 12 people express opinions on a single matter almost all through the Movie. So dialogues serve the most important part here.

The Movie starts with birthday celebration of a judge who is scheduled to announce verdict on a murder case the very next day. As the guests take adieu, the judge rests on an arm chair and goes to sleep. He dreams 12 persons including him discussing the murder case and expressing views before deciding the destiny of the murder accused. The marathon discussion goes on and at the end opinion changes from guilty to not guilty appealing the conscious part of the judge to announce verdict that the murder accused boy is innocent. As the judge rises next morning, he finds himself a completely different person. Thus, the theme is simple but hooking one. The metaphors used in this Movie are also great.

The casting of the Movie is huge but there is no unnecessary character. The roles played by all are matchless. I strongly recommend to watch the Movie.

Srijit Mukherji's "Shotti Bole Shotti Kichu Nei" boldly reimagines Sidney Lumet's iconic 12 Angry Men & it's indian adaptation "Ek Ruka Hua Faisla" , blending Bengali sensibilities with contemporary relevance. By transporting the story to the realm of a judge's subconscious, Srijit circumvents the constraints of stage-like storytelling, transforming the courtroom into a dynamic dreamscape-sometimes set in theaters, jungles, or crashing seashores. This clever artistic liberty infuses the film with visual grandeur while remaining deeply rooted in the philosophical core of justice and morality. This movie gave that level of goosebumps & flavours of Srijit's initial films like "Baishe Srabon", "Chotushkone", "Hemlock Society" etc.

The screenplay impressively marries timeless themes with modern socio-political commentary. From the rise of Hindutva ideology to racial and linguistic biases, the film reflects the prejudices haunting present-day society. Through sharp dialogues and vivid character sketches, it delves into the personal histories that shape individual ideologies, making its characters hauntingly real.

Parambrata Chatterjee delivers one of his finest performances as a marginalized figure whose layered portrayal lingers long after the credits roll. Anirban Chakraborty, as an outsider battling his linguistic and cultural insecurities, also leaves an indelible mark. While stalwarts like Kaushik Ganguly and Kaushik Sen stay within familiar territories, the ensemble cast complements each other beautifully, creating a symphony of conflict and introspection.

The film's art direction, from zodiac-themed chairs to striking cinematography by Prosenjit Chowdhury, elevates the narrative into a visually poetic experience. The unexpected inclusion of Bengali Baul music adds cultural depth, making the dream sequences richer and more resonant.

Finally, Shotti Bole Shotti Kichu Nei is a cinematic feast-intellectually stimulating, emotionally stirring, and aesthetically vibrant. Srijit serves up a layered, buttery dish of storytelling-rich in flavor and surprisingly easy to digest. A bold experiment that reminds us why the courtroom of human conscience is timeless.

Shotyi Bole Shotyi Kichhu Nei starts with an intriguing premise-blending dark humor and social commentary-but stumbles under the weight of uneven storytelling and underdeveloped characters. The film's satirical take on societal hypocrisy and existential crises holds potential, yet the script struggles to balance tone, oscillating awkwardly between slapstick comedy and introspective drama without committing fully to either.

Performances are a mixed bag: while the lead actor brings sporadic charm, much of the supporting cast feels wooden, failing to elevate thinly written roles. The pacing drags in the second act, with repetitive dialogues and predictable twists that sap momentum. Directorially, the vision feels muddled-ambitious visual metaphors (like recurring motifs of emptiness) are overshadowed by cluttered framing and jarring edits.

The soundtrack, though catchy, often feels misplaced, undercutting emotional beats. While the film's critique of materialism and identity in modern Kolkata is timely, its message gets lost in a sea of half-baked subplots.

A missed opportunity. Watch only for fleeting moments of wit, but don't expect depth or coherence. Forgettable, despite its bold ambitions.