Parallels

It's pretty much Sliders. Timed jumps to other worlds, no (known) way home.

Only it's been TheCW-ed up. In Sliders you had a goofy looking gangly giant, Gimli (middle-later aged bearded professor), a middle-later aged black dude and a petite woman (some replaced later). In Parallels you have four attractive twenty-somethings. In Sliders there's techno-babble and problem solving. In Parallels you just run from stuff and have dramatic moments, usually involving your family. Sliders uses a fixed camera and dolly and whatnot. Parallels uses good ole Shaky- Cam where the camera operator has to deliberately do a bad job, even on tight shots during an exposition scene because that's just the style now.

That said, it's fine. The CW model is simple and it works well enough. And I'm a sucker for a sci-fi premise. The dialogue and situations are cheesy but not cringe inducingly so. Ronan's triangle wasn't good enough to actually put someone to sleep but hey, you could tell what they were going for. It's fine. It's totally fine.

I was hoping this would become a series because there is so many possibilities.. infinite in fact, when you go with a storyline of parallel worlds.

The acting was very good. the characters were very likable and cmon you get to see constance wu from "fresh off the boat" with no accent whatsoever. :)

Ill be brief as I don't want to spoil anything but its well worth a watch.. and FOX .. please shop this to the syfy channel or something. though we may be waiting a bit now while fresh off the boat has its run...

I will fail this film for on reason only: it was conceived as a TV show pilot and it failed, so they released it as a movie. That means ending with a huge cliffhanger and explaining nothing.

Not everything else was cool, either. There were some clear TV like story fixes and the classic "I am here, I have all answers, but I am going to go because I have important stuff to do" trope, as well as some poor scripting.

However, the rest was OK. Acting was reasonable, direction and special effects, too. The scripting left a little to be desired, but not much.

Bottom line: a clear rip-off of Sliders. At the end of the film you are left with the same premise: "you can't ever go home, but you can always try". The characters, though, are some kids with no training or experience (except punching people for one of them). If this would have been taken on as a series, I would have watched it, but then again, I watch all kind of crap.

Found this on Netflix highly recommended based on my previous ratings of movies. Watched it. REALLY enjoyed it. Kind of like Sliders meets Lost. But here's the thing--what a total waste. Meant to be a pilot for an entire series, the "movie" so prematurely ended that not even a single mystery was explained. I'm guessing that FOX, once again, gave the axe to a promising series, but enough was filmed that someone just said, "screw it, make it a movie." The pilot is really really good. As a movie, it really really sucked. You can't just write a screenplay for a pilot and call it a movie, it doesn't work like that. It's too bad, because this is a series that I would really love to watch.

If you have managed to find your way to this review then you already know that this film is not really a film, it is more of a indie production tied to Netflix, intended for a series, possibly orphaned, maybe not, no one knows as this review is penned.

It is hard to review "orphaned" pilots which dead-end. That is a given.

That said, I liked it.

I liked it because it belongs to what I consider the "dirty" sci-fi genre, that is, sci fi produced on such a barebones budget that all the money goes into the human elements while the sets (even in the Earth that never experienced the nuke!) look like they need Molly Maid.

In "dirty" sci fi, the actors are unknowns (which by no means suggests that they are bad) and the FX are minimal, and every now and then you get a scene where you swear that someone ad-libbed a line and they left it in anyway because that was cheaper than re-shooting.

Again, I liked it. It is a refreshing change from the "perfection" you tend to see these days in mainstream TV sci-fi, especially the stuff from Canada, where (they say) getting the lighting wrong when setting a scene is a hanging crime.

In many ways it reminds me of the British series Utopia (not the US knockoff) where interesting characters and good performances drove the show.

Watching, I made a mental note to myself that, if I ever end up in a hub to parallel universes, I would welcome a cute Asian chick popping out of a closet, with a lot of 'tude, and who generally acts like she read the script to the end and already knows how things are supposed to turn out.

Just sayin.