VALUTAZIONE IMDb
5,2/10
17.644
LA TUA VALUTAZIONE
Una donna decide di rendere la vita un inferno alla nuova fidanzata dell'ex marito.Una donna decide di rendere la vita un inferno alla nuova fidanzata dell'ex marito.Una donna decide di rendere la vita un inferno alla nuova fidanzata dell'ex marito.
- Premi
- 2 candidature totali
Isabella Kai
- Lily Connover
- (as Isabella Kai Rice)
Robert Wisdom
- Detective Pope
- (as Robert Ray Wisdom)
Recensioni in evidenza
I know everyone is saying this movie sucks and giving it horrible reviews advising people not to go see it, but I for one thought it was pretty enjoyable. Unforgettable stars Katharine Heigl, Rosario Dawson, Geoff Stults, and Cheryl Ladd. It is a pretty tense movie, sort of like a mothers boys type movie. I'll first say that Katherine Heigl was a great villain in the film, I think she was the perfect casting choice for the role of the possessive ex-wife Tessa. There are some people saying that she did a bad job in the movie, but those people are dead wrong, i think she needs to play villains more often going forward. Sure she's always great in a romantic comedy, which is her typical niche, but I think she may have found a new kind of role for herself with this movie. Rosario Dawson is good in the movie too, very sweet and kind character who is being terrorized by the crazy former wife and mother of her new stepdaughter. I thought Geoff was pretty good here too, I like him in grace and Frankie and I liked him here too. Dawson and Stults have really good romantic chemistry. The thriller aspect did have its predictability sometimes but overall it kept me interested and there wasn't a single moment where I was bored or wanted to leave. It's not a fantastic movie and it won't win any big awards, but I enjoyed it as an entertaining thriller and I think you will too. 7/10.
Spare yourself from wasting an hour and forty minutes on this miserable poorly acted snorefest. This is a story that we've seen many times before. You know the one about the couple in love who are ready to take the next step in their relationship when suddenly the psychotic ex comes to make things troublesome for them? We've been there before. It isn't new ground, nor is it a unique story anymore. This story takes no effort to make it's self unique from those other films that focused on this very same plot. Had it been different than the others in some way, it would have been better. Furthermore, Unforgettable mostly felt like an evening Lifetime movie and most of the scenes were dreadfully boring and uneventful. It doesn't even begin to entertain until the last 20 minutes. The saving grace is that it stars not one but two beautiful leading ladies: Rosario Dawson (Marvel/Netflix's DareDevil and Luke Cage, Sin City), who was actually the reason I decided to watch this film in the first place, and Katherine Heigl (Knocked Up, Life as We Know It). The tension between Dawson and Heigl at times felt forced and awkward but both did a great job overall. Heigl in her role as the psychotic Barbie- type really made us believe that she was truly unhinged. The way she menacingly glares at Dawson in her scenes. The way you could actually see when her blood begins to boil...she played the role well. The problem is that even though Heigl and Dawson led the film, they were bound by the limitations of bad writing, bad directing, and bad production and no amount of talent from either Heigl nor Dawson could save this film from it's own failures.
The idea of recovering from a broken relationship is one that could make a very heavy emotional movie. The deep feelings we have for one another when in love and the discovery that your partner no longer shares those feelings is lot to bear. But why explore such issues when you can just make another psycho ex movie.
They must make at least one or two of these every year. However, such films are not being made because they portray deep themes that resonate with the audience. They're being made because they're cheap and pretty much guarantee a return on investment for multi- million (sometimes billion) dollar movie studios.
With the exception of Rosario Dawson, who gives her role a better performance than it deserves, no one in this movie even attempts to do anything compelling with this material. Katherine Heigl's character seems copied and pasted from her role in Home Sweet Hell (2015). Although that cinematic experience was also a suckfest, at least it tried to be something unique. In that film's world, her role as the stuck up housewife who's willing to do anything (including murder) worked (within the established parameters). Here, she plays the same role but in a more grounded universe where you have to seriously wonder who could possibly marry such an abysmal characterization of a human being.
I could criticize the movie's pacing if it had any. Each act feels prolonged far longer than it should be with Heigl repeatedly messing with Dawson as we wait for Dawson to figure out that her fiance's ex is truly, unbelievably, Simon Legree evil. When we finally get to the third act rather than following a natural progression the movie is dragged there kicking and screaming as it allows characters to discover things not because it makes sense but because even the filmmakers finally recognized that this thing must end.
What might be worst of all is that this movie concludes with a bit of clear sequel baiting. At that point, all I could think was "sure, why not". Let's get Unforgettable 2. Hell, let's build an Unforgettable Cinematic Universe with spin-offs and team ups. In that way I hope that I can leave this particular movie's universe and be sure to never come back.
In short, if you need some painful dental work done that would be a much more entertaining expenditure of your time and money.
They must make at least one or two of these every year. However, such films are not being made because they portray deep themes that resonate with the audience. They're being made because they're cheap and pretty much guarantee a return on investment for multi- million (sometimes billion) dollar movie studios.
With the exception of Rosario Dawson, who gives her role a better performance than it deserves, no one in this movie even attempts to do anything compelling with this material. Katherine Heigl's character seems copied and pasted from her role in Home Sweet Hell (2015). Although that cinematic experience was also a suckfest, at least it tried to be something unique. In that film's world, her role as the stuck up housewife who's willing to do anything (including murder) worked (within the established parameters). Here, she plays the same role but in a more grounded universe where you have to seriously wonder who could possibly marry such an abysmal characterization of a human being.
I could criticize the movie's pacing if it had any. Each act feels prolonged far longer than it should be with Heigl repeatedly messing with Dawson as we wait for Dawson to figure out that her fiance's ex is truly, unbelievably, Simon Legree evil. When we finally get to the third act rather than following a natural progression the movie is dragged there kicking and screaming as it allows characters to discover things not because it makes sense but because even the filmmakers finally recognized that this thing must end.
What might be worst of all is that this movie concludes with a bit of clear sequel baiting. At that point, all I could think was "sure, why not". Let's get Unforgettable 2. Hell, let's build an Unforgettable Cinematic Universe with spin-offs and team ups. In that way I hope that I can leave this particular movie's universe and be sure to never come back.
In short, if you need some painful dental work done that would be a much more entertaining expenditure of your time and money.
Obvious melodrama about a woman being harassed by her fiance's sociopathic ex-wife, and her own violent ex- boyfriend. Sleazy, depressing, and is pointlessly told through flashback (from six hyperbolic months earlier) for three quarters of its lazy story, before jumping ahead another six hyperbolic months for the ending.
Heigl is chilling in this, but everyone and everything else is laughable.
It was also a bit unclear when this story is taking place, as characters still have landline phones (along with cell phones) and still have the newspaper delivered to their front door.
The final " Oh, here we go again " end scene, with the grandmother, made me shout, " Oh, f*** off! " at the screen.
Heigl is chilling in this, but everyone and everything else is laughable.
It was also a bit unclear when this story is taking place, as characters still have landline phones (along with cell phones) and still have the newspaper delivered to their front door.
The final " Oh, here we go again " end scene, with the grandmother, made me shout, " Oh, f*** off! " at the screen.
Lo sapevi?
- QuizWhen Tessa is sitting at her computer looking at her and David's wedding photos, the photos are Katherine Heigl's actual wedding photos from her marriage to Josh Kelley. This is why the photos do not show the groom's face.
- BlooperWhen Rosario Dawson's company is throwing her a going away party. There is an Indian man sitting on the couch (in the center). When the camera flips back and forth from Rosario's face to Whitney's speech the Indian man disappears and then is back sitting on the couch.
- Citazioni
Tessa Connover: There. Now you're perfect. Just like Mommy.
- ConnessioniFeatured in The Bachelor: L'uomo dei sogni: The Women Tell All (2017)
- Colonne sonoreCloud
Written by Danielle Parente and Sage Atwood
Performed by Danielle Parente
Courtesy of Gravelpit Music
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Unforgettable
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.368.012 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.785.431 USD
- 23 apr 2017
- Lordo in tutto il mondo
- 17.768.012 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Proporzioni
- 1.85 : 1
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