L'amore criminale

To give this film only 1 or 2 stars is overly critical and not a fair rating. It's not an Oscar winner but it's entertaining and the two leading ladies give good performances. Worth a watch.

Ignore the bad reviews, they must have been watching something else.

The idea of recovering from a broken relationship is one that could make a very heavy emotional movie. The deep feelings we have for one another when in love and the discovery that your partner no longer shares those feelings is lot to bear. But why explore such issues when you can just make another psycho ex movie.

They must make at least one or two of these every year. However, such films are not being made because they portray deep themes that resonate with the audience. They're being made because they're cheap and pretty much guarantee a return on investment for multi- million (sometimes billion) dollar movie studios.

With the exception of Rosario Dawson, who gives her role a better performance than it deserves, no one in this movie even attempts to do anything compelling with this material. Katherine Heigl's character seems copied and pasted from her role in Home Sweet Hell (2015). Although that cinematic experience was also a suckfest, at least it tried to be something unique. In that film's world, her role as the stuck up housewife who's willing to do anything (including murder) worked (within the established parameters). Here, she plays the same role but in a more grounded universe where you have to seriously wonder who could possibly marry such an abysmal characterization of a human being.

I could criticize the movie's pacing if it had any. Each act feels prolonged far longer than it should be with Heigl repeatedly messing with Dawson as we wait for Dawson to figure out that her fiance's ex is truly, unbelievably, Simon Legree evil. When we finally get to the third act rather than following a natural progression the movie is dragged there kicking and screaming as it allows characters to discover things not because it makes sense but because even the filmmakers finally recognized that this thing must end.

What might be worst of all is that this movie concludes with a bit of clear sequel baiting. At that point, all I could think was "sure, why not". Let's get Unforgettable 2. Hell, let's build an Unforgettable Cinematic Universe with spin-offs and team ups. In that way I hope that I can leave this particular movie's universe and be sure to never come back.

In short, if you need some painful dental work done that would be a much more entertaining expenditure of your time and money.

This is Fatal Attraction x 10. We have all seen this before. Begrudging and resentful ex/wife etc. cannot accept that her man has moved on. Playing the innocent victim while framing the new woman who has come in to his ex husband's life.

While this film is clearly a 6/10 at the most, I rated it a 7 due to the negativity revolving around it.

The movie is by no means a masterpiece or anything new that we have not seen before, yet it is a decent drama which kept me entertained.

Dawson and Heigl work well in their respective roles. Decent acting paired with average direction and obvious plot holes, Unforgettable should be watched at home as it is clearly note worth the ticket price at the cinema. Personally, I enjoyed it.

Obvious melodrama about a woman being harassed by her fiance's sociopathic ex-wife, and her own violent ex- boyfriend. Sleazy, depressing, and is pointlessly​ told through flashback (from six hyperbolic months earlier) for three quarters of its lazy story, before jumping ahead another six hyperbolic months for the ending.

Heigl is chilling in this, but everyone and everything else is laughable.

It was also a bit unclear when this story is taking place, as characters still have landline phones (along with cell phones) and still have the newspaper delivered to their front door.

The final " Oh, here we go again " end scene, with the grandmother, made me shout, " Oh, f*** off! " at the screen.