Nel cuore dell'inverno del Wyoming, un cacciatore di taglie e un prigioniero trovano riparo in una capanna attualmente abitata da un gruppo di personaggi malvagi.Nel cuore dell'inverno del Wyoming, un cacciatore di taglie e un prigioniero trovano riparo in una capanna attualmente abitata da un gruppo di personaggi malvagi.Nel cuore dell'inverno del Wyoming, un cacciatore di taglie e un prigioniero trovano riparo in una capanna attualmente abitata da un gruppo di personaggi malvagi.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 46 vittorie e 116 candidature totali
Demián Bichir
- Bob
- (as Demian Bichir)
Quentin Tarantino
- Narrator
- (voce)
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'The Hateful Eight' is a complex film with standout performances, especially from Samuel L. Jackson, Kurt Russell, and Jennifer Jason Leigh. Praised for its cinematography, Morricone's score, and Tarantino's dark humor and violence, it explores themes of race, revenge, and post-Civil War America. However, some find it overly long, slow-paced, and heavy-handed with dialogue and violence. Its structure and mystery elements are unique, yet opinions on its impact vary, making it a significant yet divisive addition to Tarantino's work.
Recensioni in evidenza
I was a bit sceptical about watching the movie, judging by reviews online and some friends who watched it,but in the end I really liked it.The acting was great .The story was very intriguing with the whole "Murder Mystery" theme.Another plus was the score by the one and only Ennio Morricone.The cinematography was also brilliant
especialy with all the breathtaking sceneries in the early part.My only promblem was that the violence was a bit too extreme in some parts,but it is a Tarantino movie so this was expected.Overall it was a good movie that I will definately rewatch it.
90U
Everything you would come to expect from Tarantino, just on a more confined scale. The original screen play and acting both amaze, it is always refreshing to see some of the banter and slang he comes up with. Yes it is super violent but once again the director makes it so we really don't care, the music fits perfect as well.
There's a bounty hunter ploughing through the snow, wherever he moves Daisy Domergue moves too, but they need a place to stay, until the storm has gone away, Minnie's cabin's quite close by, so there they go. Before arriving they encounter men adrift, a Major and a Sheriff cadge a lift, but there is tension in the air, mistrust, suspicion and despair, chains are attached; and shackled round loose wrists. At the cabin there are others taking cover, four lone strangers it transpires don't know each other, but they settle for the night, although you know there'll be a fight, and more than one will be impaired, and truly suffer.
Plenty of hate spews forth as well as a number of other less palatable projectiles, but you'd be disappointed if they didn't from the master of magnificent movies.
Plenty of hate spews forth as well as a number of other less palatable projectiles, but you'd be disappointed if they didn't from the master of magnificent movies.
I never saw this film back when it was released in 2015. But, I did manage to buy a copy of Blu-Ray. Now, when I first saw it, I thought this movie was flawless/perfect. I now know that no movie despite what anyone may say, is perfect. But I am firm believer that this is in fact Quinton Tarantino's most underrated and under-appreciated film. Everyone I've talked to, says the Hateful Eight isn't Tarantino's most re-watchable film. I disagree. With a phenomenal cast that really gets into their characters. Each one stands out and not one is forgetful. Samuel L. Jackson and Kurt Russell are the stars of this film and it shows. Their performances (in my opinion) were Oscar worthy. Don't even get me started on the story. This is basically a Who-Done-It play turned into a film. The complexity of this story should make the audience feel confused and turn their heads going, "what the hell is happening?". But it does the exact opposite. Everything flows perfectly. The pacing of this film, while it is almost 3 hours, it doesn't feel like it. The cinematography is great. The score brings tension and makes the audience uneasy. But I think my favorite thing of this film, is the scenery. Having these 8 characters who all hate each other, trapped by a blizzard. Really builds up the tension of the catastrophe that is coming. The only thing that is working against this film is the lengthy setup shots at the beginning of the movie. The first five minutes of the film is plagued by it and those tend to drag on. Beyond that, everything about this film is great.
I saw Quentin Tarantino's 8th film on opening night in 70 mm, intermission and all. It was pretty big and fantastic, if not a little bit exhausting. Thankfully, the intermission allowed for a bathroom break.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Take a look back at Samuel L. Jackson's movie career in photos.
Lo sapevi?
- QuizAfter the script leaked online, writer and director Quentin Tarantino did not want to make this movie. However, after they did a brief reading of the script in Los Angeles, the cast was stunned and got excited for the film, and with Samuel L. Jackson persuading him to do this movie, Tarantino accepted.
- BlooperWarren says that he and Smithers fought against each other during the Civil War at the Battle of Baton Rouge. The battle took place in 1862, African-American troops first saw combat in 1863.
- Citazioni
Oswaldo Mobray: The man who pulls the lever that breaks your neck will be a dispassionate man. And that dispassion is the very essence of justice. For justice delivered without dispassion is always in danger of not being justice.
- Curiosità sui creditiThe credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone.
- Versioni alternativeFrom the week of December 25th to 31st 2015, the film was shown exclusively in a 'Roadshow' version at 100 locations across North America (about half of them were 70mm film projection, the other half digital). This version played without previews and ran 187 minutes, including a 4-minute Overture and a 12-minute Intermission. The 'Multiplex' version (digital only) runs 167 minutes, and was shown from January 1, 2016 onwards. In addition to not having the Overture and Intermission, it removes approximately six minutes of footage that Quentin Tarantino felt played better in the 70mm format.
- ConnessioniFeatured in Celebrated: Kurt Russell (2015)
- Colonne sonoreRegan's Theme (Floating Sound)
Written by Ennio Morricone
(from the motion picture "L'esorcista II - L'eretico (1977)")
Courtesy of Warner Bros. Entertainment Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Los 8 más odiados
- Luoghi delle riprese
- Schmid Ranch, Telluride, Colorado, Stati Uniti(exterior scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 44.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.117.416 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.610.676 USD
- 27 dic 2015
- Lordo in tutto il mondo
- 161.217.616 USD
- Tempo di esecuzione
- 2h 48min(168 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.76 : 1
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