In un distopico futuro vicino, secondo le leggi della Città, le persone single vengono portate all'Albergo dove sono obbligate a trovare un partner in un periodo di quarantacinque giorni o v... Leggi tuttoIn un distopico futuro vicino, secondo le leggi della Città, le persone single vengono portate all'Albergo dove sono obbligate a trovare un partner in un periodo di quarantacinque giorni o vengono trasformati in bestie e spediti nel Bosco.In un distopico futuro vicino, secondo le leggi della Città, le persone single vengono portate all'Albergo dove sono obbligate a trovare un partner in un periodo di quarantacinque giorni o vengono trasformati in bestie e spediti nel Bosco.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 33 vittorie e 84 candidature totali
- Guard Waiter
- (as Sean Duggan)
Recensioni in evidenza
The setting is a bleak, tightly controlled hotel on the coast of Ireland. David (Colin Farrell), a recently divorced Architect, is given 40 days to find a partner or else be transformed into an animal of his choosing; in this case, a lobster. Sound strange? That's just the first 10 minutes. Guests of the hotel are subjected to routine trips to shoot 'loners' with tranquillisers, and awkward high-school dances to entice singles to mingle. As David's days start running out, he decides to feign common interest with a heartless woman in order to escape his fate. But can he pull it off?
Farrell really hits the mark with this role, displaying awkward machismo and fragile humility in equal measure. His comedic timing is matched only by his supporting cast that includes John C. Reilly, Ashley Jensen, and Olivia Coleman. Rachel Weisz is also spot-on as the short-sighted woman.
The Lobster has just about everything you'd want from a film. It's unpredictable, it's offbeat, and it's laugh-out-loud funny. But it's most impressive feature is the subtext - it manages to reflect how odd our own modern-day social pressures are. How loneliness is feared, how individuality loses out to the mainstream system, and how relationships have to be deemed 'legitimate' by some higher order. There's plenty to talk about with this film, and I'll definitely be seeing it again to delve a little deeper....
The concept is cleverly constructed so that it is weirdly convincing despite its utter absurdity. Within this the film satirizes relationships, singles – in particular the extremes of those two situations. The push for companionship, with its common ground, and its rituals, and the digs at elements of life such as children distracting from conflict. Perhaps it hit a bit too close to home with its regimented rituals, and awkward neediness. On the other side the extreme version of singlehood is also dug at once we are in the woods. It is not as clever as some would tell you, nor as smart, but it is certainly interesting, darkly funny, and pretty engaging throughout. It doesn't pull it off totally, but I enjoyed it from start to finish – its oddity runs through from the ideas, the performances, down into the specific dialogue. Having such a great cast helps, but the tightness of creative vision throughout is what holds it all together. As odd and slightly unsuccessful as it is, it is still well worth watching.
A wonderful piece of filmmaking, that perfectly captures the often ridiculous actions, activities and exertions we all undertake, to a certain degree, in order to comply with the beliefs that are indoctrinated into us from a very early age and, if you're lucky, able to wash away, as the pretence is discovered and replaced by those carefully recrafted by yourself.
I personally enjoyed the movie, but I can't say that its unique style was really my thing.
Lo sapevi?
- QuizThe production worked almost entirely with natural light and without makeup. Lighting was only used for some night scenes.
- BlooperWhen the heartless woman is escorting David out of their room, she clearly has blood splatters on the backside of her calf. As she chases David through the halls, the blood on the back of her calf disappears. When David shoots her with the tranquilizer in the back, the blood has reappeared on her calf.
- Citazioni
Loner Leader: We dance alone. That's why we only play electronic music.
- Colonne sonoreString Quartet in F Major, Op. 18, No. 1; II Adagio Affetuoso Ed Appasionato
Written by Ludwig van Beethoven
Performed by Juilliard String Quartet
Courtesy of Sony Music Entertainment Inc
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- La langosta
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 9.077.245 USD
- Fine settimana di apertura Stati Uniti e Canada
- 190.252 USD
- 15 mag 2016
- Lordo in tutto il mondo
- 17.581.104 USD
- Tempo di esecuzione
- 1h 59min(119 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1