Pannaiyarum Padminiyum

The Movie Cast Vijay Sethupathy & V. Jayaprakash & Tulasi & Bala. These Four Characters Will entertain the whole movie & final climax dinesh character will touch the sense of your heart.

No boring element have placed in movie such a wonderful feel throughout the movie about the car and main cast of four characters.

Watch it with your family definitely this will bring up nostalgic feelings of your own first car and village visits.

This story built from a short film of same name with sensible action is flooded in this movie.

the life engages in a car & The warm love story of a landlord and his wife.

Some movies makes you feel different in all of its aspects, PP could be easily listed in that category. A plot which entirely revolves around a car!! Really a new idea and promising that Tamil industry is progressing in a healthier way. Hats off to the debutant director and his crew for this film.

A village drama about a land lord and his pride of owning a Premier Padmini car which was considered as a prestige in the 80's. Casting: Vijay Sethupathi has lived as Murgesan the driver who is treated more like a son in that house. He is so effortless with the way he takes the character with his appearance. JayaPrakash who has always been the promising supporting in recent tamil cinemas has taken the lead role in this movie as Pannaiyar. He has delivered a very solid performance in showing romantic expressions towards his wife and car. Thulasi as Mrs. Pannaiyar is the actual heroine of the movie she is so natural and has done 100% justice to the role of Chellamal. For the first time in the tamil movies we see a natural elderly and matured love story tale and where the youngsters love line has been side tracked and over taken by these two oldies. Absolutely heart warming love between Mr. And Mrs. Pannaiyar and particularly the way they address each other was superb.

Ishwarya Rajesh as the love interest of Murugesan has a very limited scope in the movie. She looked fine in her role with her expressive eyes. It seemed like it was all Muthazhgu of paruthiveeran who started this heroine style. Bala Saravanan as the side kick of vijay fires the comedy crackers which was enjoyable throughout. Neelima as the greedy and demanding daughter of Panniyar has added the little negative shade needed for the movie about all goodness and no violence. Cameo roles by Dinesh who narrates the story to us and Sneha were no surprise element because they were included in the flow of the movie.

The movie was initially a success as a short film. Debutant director Arun Kumar has made a sincere attempt in expanding it into a refreshing feature film and has succeeded in keeping us engaged. Cinematography by Gokul Binoy was absolutely brilliant in the way he has captured the liveliness of the village and has made us believe in the car as an important character. Music by Justin converted the entire movie into a melody with his BGM.

To the negative side I have not much but length of the movie could have been reduced by 15 - 20 mins. Some scenes you feel the movie is too slow but I feel that's because it's nature of the plot

Verdict: Get inside for a soothing story of an old man and his bonding towards his car and wife. You will feel happy and satisfied in the end, if you are a lover of story and acting based movies with absolutely no violence. Watch it with your family definitely this will bring up nostalgic feelings of your own first car and village visits.

-Reviewed by Sivakumar Balachandran bsiva84@gmail.com)

There are so many children, adults, mothers, so many people here who have lived with the nostalgia of not being able to do the closest thing to themselves for a minute! . The art has come to refresh such nostalgia! .

This quaint little movie is further manifest proof that there is immense beauty in the small and ordinary things/events in life which often go unnoticed in the express and over-wrought existence that we have come to understand as life these days. This movie also serves to reinforce what appears to be a forgotten fact that mandatory scenes in TASMAC shops (read boozing), item numbers, mindless violence and Santhanam's comedy are not essential ingredients for making a Tamil movie.

This simple movie is set in the age of Shaktiman (late 90s), our very own superhero show which was aired on national television and reigned undisputed over the imagination of the nation. The setting is a remote village of Tamil Nadu with a soft-spoken and well-meaning middle-aged landlord (Pannaiyar, as he is called by the villagers) with an equally affectionate wife. When the Pannaiyar comes across a Premier Padmini car at his relative's house, it is love at first sight. In a lucky twist of fate, the relative leaves the car with the landlord when he has to travel out of town to look after his pregnant daughter. The landlord employs Murgesan (Vijay Sethupathy) as the driver who falls in love with the car too. Soon, we see the car, which is almost the sole motorised transport available to the villagers being used by the villagers for all and sundry purposes and consequently, the entire village is enamoured by the car and they see it as a prized possession. Even the landlord's wife who is initially annoyed at her husband's love affair with the car, is also fascinated by it and dreams of her husband driving her to temple on their upcoming anniversary.

The landlord seeks to fulfil his wife's desire and is eager to learn driving. But, Murugesan fears that he may become dispensable if the landlord starts driving by himself and employs several dilatory tactics to fool the gullible landlord. Does the landlord get to learn driving and fulfil his wife's desire on their anniversary ? What happens to Murugesan ? What happens when the coveting daughter of the landlord sets her eye on the car for herself and her husband ? Watch the movie to find the answers. There are also sub plots involving Murugesan's love interest (an expressive Ishwarya) and a quest of a young boy who saves up to earn a ride on the front seat of the car.

Debutante director Arun Kumar has proven his mettle in creating believable characters whom one could relate to and root for. He backs it with apt casting of the leads as well as the supporting cast. The two leads - Jayaprakash as the endearing Pannaiyar and Thulasi as his loving wife - are simply excellent as they emote well and share a warm chemistry. Their performances are accentuated by the fact that their characters were such which required them to maintain a fine balance, failing which they would have become a caricature. Yet, they manage to carry the entire movie on their able shoulders and compensate for the cliches and faults in the writing with their acting chops. I was especially impressed with Jayaprakash who is utterly convincing in his portrayal of the loving landlord. Vijay Sethupathy is convincing in a substantive cameo and Balasaravanan as Peedai brings comic relief. The director's brilliance is evidenced in his writing where he has used the car in a central, yet subtle manner to explore the various dimensions of his characters through the connections they forge with the car.

For a movie which owes its origins to a short film, it feels a tad too long and the length could have been chopped by thirty minutes which would have made it a taut watch. Nevertheless, Arun Kumar tries valiantly by injecting his narrative with healthy doses of situational humour and marshals his technical resources, be it cinematography or the art departments admirably to present an authentic rustic and period feel. Credits are also due to the debutante music director Justin Prabhakaran who has provided some lilting and melodious numbers which herald him as a talent to look forward to.

Despite its flaws, this slice of life drama is a highly entertaining effort by the writer-director Arun Kumar which tugs at your heart and deserves several plaudits. He has dared to debut a movie with two senior character artists as leads and has succeeded in his venture substantially. He deserves kudos for exploring a path that is less trodden and is the latest addition to a growing club of new wave directors in Tamil cinema like Thiagarajan Kumararaja (Aaranya Kaandam), Karthik Subburaj (Pizza), Nalan Kumarasamy (Soodhu Kavvum), Alphonse Putheran (Neram), Balaji Tharaneetharan (Naduvula Konjam Pakkatha Kaanom) and Balaji Mohan (Kadhalil Sodhappuvadhu Eppadi). One feels immensely heartened at these signs which portend healthy auguring for Tamil cinema. Amen !!

The movie is an essay on the ever-contemporary evolution of every human through the alternating steps of possession and release we climb through, energising while possessing and growing as we give until we are so comfortable with our position with our possessions that the joy of giving is all that's left. Vijay is a natural in portraying powerful emotions through understated flicks of eyelids and it was a joy to see him scale his insecurities and grow with a crisp look here and another there. I started watching the movie thinking I was going to finish it loving the Padmini, not too dissimilar to my experience with the Red balloon(English) or Cycle(Marathi). And I was overwhelmed with the love of the people instead, as they projected their own love for each other on to the car and grew, growing me. The casting is so beautiful- making me want to visit the little village even if only to see a little yellow flower fall gently on to the place where Pannayar's Padmini stood.

Clearly another film for the all-times-classic rerelease series, lest most of us who missed watching it the first time are left out.