Still Open All Hours

I am from Oz and have been a fan of Ronnie Barker and David Jason in man if not most of their respective series. I find British humor the best the yanks would not know how to make comedy, yes some is just passable but most is great, Open all hours was a very matter of fact comedy and I have seen every episode, I love it as do many Australians (who have a sense of humor). The rehash is great, I do not agree with the previous comments, written by a cretin obviously, this is funny and especially if you can relate to the old characters, I found it so very entertaining I could watch as many episodes as they make, keep it going, Jason is great as are the old characters they brought back, I will be disappointed if no more are made as you have definitely whet my appetite, go British comedy never let it die, and David Jason well done, from 'Only fools and horses' to 'Frost', you were great and still are.....

The overfed comatose state that comes with overindulging at Christmas tends to provide some cover for television specials that maybe wouldn't get away with it during the rest of the year. Still Open All Hours was screened during this period and just at a glance it seemed like it just the type of thing that needs that festive goodwill. Out of curiosity I decided to give it a go but unfortunately I do not think I would ever have had enough festive cheer for this to work. This special sees Granville now running Arkwight's corner store, with his lad Leroy filling the errand boy role. During the normal working day we see the colorful locals coming and going while Granville uses some old Arkwright trickery to shift a load of fish paste.

I did used to watch Open All Hours many years ago and I remember doing so more than once, so I must have enjoyed it but this rehashed special makes me doubt whether it was actually any good or not, because this 30 minute special certainly wasn't. The episodic nature of the show means we have locals coming and going and preventing any flow in the writing. On top of this the focus is on throwbacks and references to the original series, whether they work or not. Mostly the comedy is very dated which I guess comes with the territory but isn't really an excuse; it all seems very stiff and awkward as well. I think I laughed twice in 30 minutes, and those laughs were more chuckles than anything else – a Chuckle Brother being pulled around by a dog got me and the Johnny Vegas about "solo trumpet". Luckily the canned audience track had a much better time than I did – although their laughter at almost nothing and their "awww-ing" over a dog just reminded me that I wasn't making any noise.

The cast features a lot of faces and names; Jason is so-so, he overworks his lines as if the audience is slow and he really doesn't have the material anyway. Baxter's delivery is pretty poor and seems to be hamming it up a bit, perhaps assuming that this makes whatever he does funnier. Cole, Vegas, Williams and others all provide side characters and also contribute to the fragmented feel to the show. Maybe you have enough nostalgia to laugh because of what they are referencing (as opposed to laughing at the reference, which I think was the goal) but for me this was a pretty awkward and dated 30 minutes with a couple of chuckles amid a sea of poor writing and even festive cheer and nostalgia aren't enough to make me forgiving enough for this to work.

Why did the writers make Granville exactly like Arkwright, Granville wouldnt be like that he was carefree, he was the complete oppersite to his uncle, they even made him look like him just without a stutter, it might as well just have been called Open all hours again, just a shame they didnt write for Granville instead of Arkwright

The final series of Open all Hours was broadcast in 1985 when it also got its largest audience. Two years later Ronnie Barker retired from show business.

After the failure of The Royal Bodyguard, David Jason has gone back to one of his past comedy vehicles while writer Roy Clarke is hoping to recapture his past magic. That seemed to have been frittered away in endless recycling of plots in the latter years of The Last of the Summer Wine.

Here we have an older Granville never having flown the nest with his youthful dreams. He has taken over his uncle's shop and also inherited his uncle's miserly traits.

Assisting him is his more wayward son who was abandoned by his mother. So in a bit of role reversal, Granville has become Arkwright. Fans of the late Ronnie Barker will have to make do with a large picture of Arkwright who David Jason talks to.

This one off was largely a series of sketches with a host of guest stars popping in and some of the older cast members as well. So you have one of the Chuckle brothers, Nina Wadia, Johnny Vegas and old stalwarts such as Maggie Ollerenshaw, Stephanie Cole and Lynda Baron.

The episode was one of the highest rated shows at Christmas 2013 and a regular series followed.

Unfortunately writer Roy Clarke who is in his 80s set his word processor in Auto Recycle mode when the new episodes followed!

Terrific revival of the classic sitcom, with much the same cast, a plausible follow up scenario and the same gentle but genuinely funny sense of humour. Roy Clarke has lost none of his genius for turning a good line in to a killer joke, simply by tailoring his humour to the character and actor's strengths. Sir David Jason, ages the character of Granville to perfection and in doing so gives us a whole new insight in to why his Uncle was the way he was, by putting the pathos at a perfect pitch, never straying in to sentimentality. The new character of Leroy, is a modern equivalent of the Granville of old who much to his father's chagrin has everything he would have wished for in his youth. The father's half hearted attempts to "slow the lad down" only really serve to show how much he loves his boy as there is none of the genuine meanness of Arkwright senior behind the plans. All in all this demonstrates admirably how modern comedy has lost it's way, by showing HOW TO DO IT PROPERLY.