Musarañas

I have to admit I was expecting a different type of plot, more psychological less psychopath, at least from the only synopsis i've read before watching it (my bad...sorry), but even though it was a great movie, it actually reminded me of Korean thrillers... you know, the type of movies that get's your attention and you expect more. Another thing that i liked was the color/camera approach... it blended correctly with the music, a peculiar old obscure environment where it should be. I would give this more if part of the plot wasn't obvious at some points, but was good most of it. Also after reading that this is a work from a new pair of director's then i just can't wait to see more of their work! Also i really liked the main actress performance and the great make up they did on her.

I have to admit, that when I saw where this was going (you can spot the signs early on), I wasn't expecting to like this as much as I did in the end. Predictability aside, this is very well acted. It's graphic at times (with the violence), but it's what it does in your head, that is most effective.

If you do love horror movies in general, then this might be one for you, otherwise the drama aspect of it, might not be enough to keep you interested. I do think they mix it up in a nice fashion, acting contributing and elevating a sort foreseeable outcome or at least direction this is heading.

One unanswered question: What happened to their actual biological mother? It's never explained and i would really like an answer to that. Now, this movie is extremely dark. Even when you want to hate our "villain", you really cant, because she is written in a way that you feel terrible for her, knowing the all the suffering she went throught, you just feel terrible for her man. She tried her best to save her little "sister", but it's just impossible.

The camera work in this is incredible. Very well shot. Acting to me seems pretty strong. We got strong writing, characters you can care for. Maybe we could have a bit more depth given to Carlos, that might of helped? Because he has barely any depth in this movie. Maybe the sister she could use a bit more depth, because all the depth is drilled into Montse, i think the girl could use some depth too. But then again what depth, when she does not remember anything.

That ending was really out of left field i was not expecting that ending. My eyes were burning during this, but it did not break me like Triangle and Grave of the Fireflies did, the two movies i just mentioned rip your soul apart. But anyway, the movie is for the most part pretty good. The intro is a bit dull, but it gets better really fast.

It has an inventive plot that keeps you on your toes, sharing some beats with Misery, but never feeling derivative. It's slow build brings depth to the character's before erupting into disturbing violence. Most remarkable though is the clever way that the character of Montse becomes both the protagonist and antagonist as the film flops between humanizing and demonizing her. Macarena Gómez masterfully embodies this dichotomy, playing on the edge of sympathetic and loathsome. The disturbing twists continue up till the very end making for a very compelling ride.

It really is amazing that producer Alex de Iglesia has gotten so far without being a world celebrity film maker. This one is a quickie directed by a couple of his colleagues with unfamiliar players (Mrs. de Iglesea, the striking Carolina Bang, has a quite small part) and while it has a personality of it's own we can still see the macabre, master-crafted Iglesea style in it.

We get one of his closed environments like the apartment block in LA COMUNIDAD or Resines' space ship in ACCION MUTANTE, here a flat in a fifties Spanish apartment block, which the camera never leaves. Shut in seamstress Gómez (who proves to have a scream queen background that includes a Stuart Gordon Lovecraft adaptation) terrorizes her younger sister, former child actress Nadia de Santiago, now at the age where getting out of the house to work has made her take an interest in boys. Then neighbor Silva falls down the stairs - and proves to have a secret of his own. Throw in religious fanaticism and morphine addiction.

Gripping, perverse, bloody but not without rounded characters in the confusion. The great Luis Tosar is particularly imposing in his small footage.

Giving us some idea of the shortness of the film critic memory a few writers have cited MISERY but no one seems to notice that it's retreading WHATEVER HAPPENED TO BABY JANE.