Sette minuti dopo la mezzanotte

(RATING: ☆☆☆☆ out of 5)

THIS FILM IS RECOMMENDED.

IN BRIEF: A visually stunner caught up in the undergrowth of its own conventional storytelling.

GRADE: B

SYNOPSIS: A child suffers the harsh realities of life and retreats to another world.

JIM'S REVIEW: J. A. Bayona's A Monster Calls is a visually imaginative downer of a tale about a young boy who must learn to cope with grief. Based on the award-winning children's book by Patrick Ness and adapted by the author himself, the film uses animation and live action to tell its tale of woe. The results of this dark tale are enlightened by stylish direction and a highly effective performance by newcomer. Lewis MacDougall.

Mr. MacDougall plays Conor O'Malley whose life is filled with too many harsh realities: a mother suffering from terminal cancer (Felicity Jones), a distant grandmother (Sigourney Weaver) and a more distant father (Toby Kebbell), a cruel bully (James Melville). Real life offers no solitude, so Conor retreats to an imaginary world which brings with it a giant yew monster (Liam Neeson). During his visits, the tree creature provides some respite for Conor. He gives him sage advice by telling some stories to help this child through the darkness to find some solace in the real world.

A Monster Calls is more of an allegory and the film's narrative structure uses the format of interspersing animated vignettes as parables to the parallel story of Conor and his terminally-ill mother. Yes, the film is manipulative from the start, with its undeniable melodramatic set-up and ultimately tragic conclusion. The real world story is dull and so relentless in its brooding melancholia compared to the free-spirited other worldly realm and, at times, this reviewer wanted to stay in the latter. But the filmmakers treat their serious subject with such dignity and honesty, avoiding the maudlin and sentimental for the most part. There is so much to admire about Mr. Bayona's film. (The subject is not an easy task to sell to the general public. Not surprisingly, the movie is doing lackluster business in the States, although globally it is doing well. Nowadays, American moviegoers are looking to escape reality, such like the main character.)

Technically, the film soars. From Oscar Fuura's stunning photography to Fernando Velazquez's haunting music score, the film looks death squarely in the face and celebrates life. Seamlessly edited by Benat Vilplana and Jaume Marti, A Monster Calls uses its sumptuous visuals to its advantage. With swirls of bright watercolor washes adding a vibrancy to the film's story-within- a story format, the film efficiently contrasts the real from the unreal. Kudos to director Bayona and his team of artisans on their handling of this delicate theme.

The lead performances are all first-rate, Mr. Neeson voices the Monster perfectly and his motion capture performance is wonderful and so heartfelt. Ms. Jones brings superb understatement to her role as Conor's sickly parent. Her chemistry with Mr. MacDougall seems genuine and authentic. This young actor, in his film debut, is remarkable and runs the full gamut of emotions without one false note. Providing supporting work in their rather stock roles are Ms. Weaver and Mr. Kebbell who are merely serviceable, possibly due to the writing and characters.

A Monster Calls is indeed a Grimm tale, but one that deserves your attention. And be forewarned, bring a hankie with you.

"There is not always a good guy. Nor is there always a bad one. Most people are somewhere in between."

Before seeing the movie, I didn't know much about "A Monster Calls". The only information I got from it is that it's based on Patrick Ness novel and the trailer had a "Iron Giant" vibe to it. I also liked the director (Juan Antonio Bayona) previous movies, so I guess that's what peaked my interest in seeing it. And I came out pretty surprised of how good it was. Not just that, but how moving and heartfelt it was.

Juan Antonio Bayona is the type of director that knows how to tell a compelling story in his films. To screw lose the sentiment, until your eyes are filled with water to the point where you can't help but spill out. And in this movie he dose exactly that and how smart he was with it's decisions of the emotional scenes.

There's a lot of great actors in this and none of them are put to waste. Liam Nesson was excellent as The Monster. Sigourney Weaver was great as the Grandma. Felicity Jones and Toby Kebbell were also great as Connor parents. But I think the real stand is Lewis MacDougall as (Connor). Even at the age of 14 this kid literally carries this movie and really dose reflect Connor's inner conflict.

That's what I notice in Bayona movies. All of the kid actors in his movies are pretty solid and I would go as far to say that they better than the adults. This is very rare for me to say that, because most kid actors suck. Yes there are good ones out there, but only some, as most of them don't fully bring their all.

The visual effect's were pretty stunning and impressive of how it interacted with the real environment that it was in. In all honesty, I was pretty surprised. And what I mean by "surprise" is that I was expecting The Monster itself to be the only effect in the movie. Because The Monster tells three stories to Conner and all three are done in a visual dye artwork that's beautiful to look at. It's good to be surprise.

For problems I had with the movie are slim, but if I had to pick, I would probably say that films message can be a little repetitive and oblivious towards the end. I think that may bug some people. But still, it's a great message that's speaks the truth and actually sticks to it. I mean, if the message was terrible or nothing special, then this might be a big complaint. The film doesn't have an happy ending and neither a sad one. There's no Hollywood ending or anything like that. It would say it's mixed.

Overall rating: "A Monster Calls" is entertaining, sad, and unforgettable tale that sticks with you after it's over. The film tells the truth and nothing but the truth of life. You want everything to be alright for this kid, but you're left with a feeling of stillness. Like you can't do anything about it, even with all the magical things that's happening. It just gotta let it happen....

that's life.

I do not know the novel of Patrick Ness. So, to define it as a good or bad adaptation is impossible. I know only than it is a simple amazing film. For so many reasons.

• I know, very well, the taste of angry. The film gives its nuances in almost cruel manner;

• I know the profound fear of loss. The film gives the fair nuances of it.

• Lewis McDougall is great as Connor. And , just great.

• It is a nice gift to discover the work of Sigourney Weaver and Felicity Jones. Or the short appearence of lovely Geraldine Chaplin.

• It is a film to remind and to feel it . A sort of confirmation of truths deep inside you.

• At the end, you know- it is a film about yourself . The connection with th family members, the selfishness, the so useful imaginary friend, the stories passing generation by generation.

So, more than a good film with spectacular special effects. A film about ...true truth.

When I first walk into theater, I was not expecting much of this. Yeah, the first moments were so cliché I thought this would just be a mediocre movie at best. But after the movie, everything changed, and this became one of the best movies I've seen in years The director use beautifully rendered CGI to deliver the emotions of a struggling young boy coping with reality. It was already a hard concept that few movie successfully delivered, and yet he make so many people I know broke down in tears. Moreover, he also make use of the visual to express the incredibly complicated yet meaningful plot of the movie, constantly changing between fantasy and reality, truth and lies, acceptance and the growing of a boy into adulthood. The main actor while only a young man has already show signs of greatness, you can only wonder if he had already gone through all of this. He also actually took the time to developed each character, making the audiences attach to each and everyone of them. Which is why the ending was even more dramatic and sad for many of us And the soundtrack, oh man, the soundtrack just hit me where it really feels, this is probably the best part of this movie. Whether it's total silence for contemplation of characters or full- on orchestral work for the climax or the sad violin, man, they totally nailed it.

I don't know who you would market this movie to. It's not a kid's movie, tho it tries very hard to look like one. It's not an adult movie (a boy and a talking tree), tho its themes certainly are mature. Both child and adult will squirm under the relentless emotional requirement with only a faint wisp of humor to lighten things up. Melancholy overload anyone? No?

But if you make it to the end, you'll have received an unexpected cathartic cleansing and a life lesson in your pocket that is hard, but beautiful in its truth.

Once you stop blubbering, that is.