Sharkansas Women's Prison Massacre

There are already 50 shark movies and most of them are weak even for the fans of the shark attack films. This one is not the worst but actually quite hilarious one.

Somebody blows up something and the prehistoric monsters are released (which time already? Dinoshark, Malibu Shark Attack, Jersey Shore Shark Attack, Megalodon, Jurassic Shark). Parallel, some good looking female prisoners are taken to the forest for some involuntary work. Nobody knows that one of the ladies is organising an escape plan. On the way back the prison truck is ambushed by Rayne - the vampire slayer and a lover of one of the prisoners. Nonetheless, their plans to reach for freedom are quickly revised by river/sand sharks. The local area is also investigated by two agents - Sculder and Molly I presume.

This flick contains everything bad you can get in a shark attack film. It also has everything charming concerning the amateur productions. The special effects are practically none, most of the attacks happen in an off-screen fashion. There is a cheesy romance subplot, god knows what for. However, I must say I was interested in the events. Why? Because the humour was really good. Actually it makes you go throughout the movie quite quick and fortunately it's only 80 minutes long. So normally it would be like 3/10 but I gave more for the funny parts.

When a fracking environmental accident rips apart the earth's crust, the resulting hole lets out prehistoric sharks from underground. The sharks target a group of women and trap them in a cabin.

So, what is there to be said about this film? Jim Wynorski filmed in Florida, primarily because of the need for a cave, but also because his investors were Florida-based Cubans. He brought along actress Amy Holt, who has worked with Wynorski a few times, and included Traci Lords, who went mainstream thanks to Wynorski. Lords gives possibly her worst performance ever, and is cast in a role that really has nothing to do with the primary story.

I was not expecting much going into this film. I knew it was made-for-TV, and I've seen enough of Wynorski's work to know that his best years are long, long behind him. I had a little bit of hope because Tony Randel was attached as an editor and producer, and his name still carries weight. Randel brought along his daughter, Sofia Randel, who designed the main title sequence. That was canceled out by Traci Lords, who is grossly overrated and still somehow skirting by on her notoriety.

As cheesy as the CGI might be, allegedly it had even worse CGI the first time around and they had to call a second company in to redo it. Even the second company seemed to have a problem with continuity -- ground displaced by sharks in one moment is back in place the next. There were also legal complications, thanks to a meth-smoking production assistant. Never mind some of the plot nonsense, like the forced romantic moments and the so-called "first edition" of Charles Dickens' "A Tale of Two Cities" (which adds nothing to the story).

The film has a few nods or homages, such as to "Journey to the Center of the Earth". Also, Wynorski has always loved "Attack of the Crab Monsters" and wanted to remake it. He has said a script was written, but Roger Corman "didn't want to do it -- he thinks too much of the original film to do a remake." Wynorski was able to sneak in a reference or two to "Crab Monsters" here.

The best anyone can hope for with these sorts of movies is that they are so bad they cross back over into good again, because we can laugh at how stupid they are. I'm afraid to say this one never crosses over. It tries, and the Asian jokes are funny... but it seems to expect to be carried by trashy women with big breasts. I suppose for some people that's all you need.

Wynorski's next film, "Cobragator", was also filmed in the same Florida town, though financially backed by different producers. So look forward to seeing some of the same sets when that hits your screen in the summer of 2016.

Want to see past-her-prime ex-pornstar Traci Lords and once-promising actress Dominique Swain battling ravenous CGI sharks in a flooded women's prison? Who wouldn't? Unfortunately, Sharkansas Women Prison Massacre is not that film. The name Jim Wynorski mean anything to you? If so, then you probably already suspect that this isn't going to live up to the impressive title. Wynorski's movie doesn't take place in a penal institution, 'cos that would cost too much money; instead, it's set in a swamp, where a group of big-breasted jailbirds (dressed in regulation tight white vest and denim hot-pants) are on work detail when they are attacked by prehistoric fish released from an underground ocean by fracking explosions. Meanwhile, Detective Kendra Patterson (Lords) and her partner are on the lookout for the missing prisoners.

Even though the ladies in this film are well-endowed, their impressive mammaries are kept under wraps, the closest the film comes to delivering any nudity being a quick dip in a hot-tub, although the bikinis stay on throughout. As for the shark action, there's a lot of shots of dorsal fins sticking out of the ground as they burrow through the dirt (these sharks are as deadly on land as they are in the water), but not much else is seen of the fish. Not only does the film scrimp on the bare flesh and the sharks, but there's not much gore either. In fact, unless you're a particularly big fan of any of the 'actresses' involved, or a sucker for punishment, I would probably avoid this like a hungry great white.

This film is rather unique in that it combines the horror of a "shark movie" with the implicit sexuality of a "Woman-in-Prison" film while maintaining a made-for-television format. To that effect there isn't much gore, sex or nudity. However, there are a number of attractive actresses and plenty of action to keep things interesting for the most part. I especially liked the presence of Dominique Swain (as "Honey") and Christine Nguyen ("Michelle Alika") but there were several other young ladies that certainly brightened the scenery as well. On the other hand, the special effects were quite bad and the ridiculous plot involving prehistoric sharks that are able to move about on both land and water certainly didn't help this film overcome its low-budget nature to any degree. But let's face it, this movie was never intended to win an Academy Award in the first place. That being said, although I doubt most viewers will probably enjoy this particular picture, I found it somewhat entertaining--in spite of its rather obvious flaws--and for that reason I have rated it a bit higher than it might deserve. Slightly below average.

This movie was actually pretty good for a terrible shark movie. The only thing that really hurts it is the gigantic plot hole near the end.