Byeon-ho-in

The almost first half of the movie was average but it grips up after the first half and it is really awesome to watch the second half of the movie.

The Attorney is about a self-studied lawyer who did not graduate from college. He makes a name for himself doing taxes but gradually his eyes start to open to the state of Korea's oppressive regime and he takes the fight to the National Security Act.

The movie never says it is based on a true story but the events depicted have a sense of reality about it. A simple wiki told me that it is based on Roh Moo-hyun, the former South Korean president who did passionately defend the accused in 1981 and then became a notable leading figure of democratization movement since that trial. After his presidency and following tragic suicide in 2009, his name and legacy have been virtually tarnished and butchered by the local right-wing politicians including the current South Korean president. The movie doesn't depict his Presidency days onwards but focus on his days of political awakening. I remembered reading the tragic suicide in the papersbut had no idea what the man was about.

The movie is not without its flaws. The transition from light comedy to full-on drama is hardly seamless (this is probably the case with most Korean films). The narrative in first act feels uneven and I wasn't sure what the focus was until it hits the second hour. Some characters also suffer from an illness of under-development. However there are two good reasons to see this. Number one is Song Kang-Ho. The actor is definitely the most dependable actor in Korean cinema. His portrayal of the shady lawyer smooths away all the rough spots and he gives the role a humility that will make your heart ache. The second reason is the superb rousing courtroom drama with lots of twist and turns.

It is not just about a desperate attorney. It is the portrait of Korean culture in its most aching and general aspect in the last 100 years. It depicts the most serious mental and social aspect of Koreans in terms of politics. To understand Korea, you need to be able to identify the different roles of the parties shown here. Mr. Song, the attorney, is the person who had the most typical life of 1970-1980s, as a social survivor in 1990s, and the political figure of 2000s. He is the late president of Korea who represented Korean minds in so many ways. If I have to pick the most Korean Korean in last decades out of media, he is the one. He is the very Korean boy, the young man, and mid-age uncle, and Korean system. This movie's value lies not on anything in its plot, shooting, or else, but it is so accurate in depicting the thinking of Koreans in the last 30 years. It is so reliably and genuinely Korean, any human being can see that it transcends the boundary of a region and country. It is well-done without much exaggeration and over acting. A master-piece and the best actors.

I have to admit, of all the Korean films I have seen over the years, The Attorney has to be one of the most relateable internationally. Through this film, I was constantly reminded of our own injustices within the American system, specifically during the times when the U.S. was going after supposed communists. But the film goes beyond, carrying a huge heart and an intense drama, well portrayed by it's actors. While it starts slow, it turns into a riveting and surprising court drama.

The focus is on Song Woo-seok, an attorney who, for the sake of his family, seeks to gain money and prosperity as fast as possible. In turn, however, he tries to keep out of the growing political movement of the times and focus on property and tax law. However, this changes when the son of a friend is arrested and tortured as a suspected communist. His attention turns to exposing the corrupt laws and officials responsible.

The film starts off slowly, with the first hour or so spent focused on Song's journey to building his practice, his motivations for doing so, and the troubles he faces as he does this. This beginning part is almost wholly different from the latter half of the film. Song is mostly carefree, with his budding, successful practice, the love of his family, and his growing relationships with those around him. It's both touching and humorous in some instances, and Song Kang-ho is incredibly likable as the ambitious, but big hearted Woo-seok. He's easily identifiable in his reluctance to engage in the changing political atmosphere and his ambitions to be successful for his family's sake. It would have been easy to turn him into a greedy, cold lawyer, but he is far from so. So, it is only that much more enjoyable to see him tackle such an important subject in the latter half of the film.

At the same time, it is quite riveting and you genuinely fear for the safety and security of Song as he takes on an entire justice system. While there are many surprises, it is ultimately pleasant to see Song take such a stand against an unjust system. It is at this point that the film becomes a courtroom drama, with cinematography that moves and edits that ramp up the pacing. There is genuine intrigue as to how this underdog will take on the system, and even if he can win. I won't spoil the surprises, but I will say that the film does have a few. The ending could be debated, but it is very fitting for this story and I was left with a smile. I can honestly say I was incredibly pleased with this film. Last year, Korea delivered New World, and it ended up being my favorite film of the year. This year, I had the pleasure of watching this film, and I can easily say this may very well end up as high, or nearly as high, on my list as New World. I can't recommend this film enough.

Watching this movie as an Indian audience The story of establishments targeting and branding a group of people is so relatable. History shows this has happened many times in different parts of the world and is still happening.

Excellent acting , superb script. Movie picks up pace after initial establishing of the lead characters. The last part is a thrilling courtroom drama.