VALUTAZIONE IMDb
4,6/10
7357
LA TUA VALUTAZIONE
Mentre studiano gli effetti del riscaldamento globale su un gruppo di balene, una squadra di studenti universitari scopre una navetta spaziale sovietica congelata e rilascia involontariament... Leggi tuttoMentre studiano gli effetti del riscaldamento globale su un gruppo di balene, una squadra di studenti universitari scopre una navetta spaziale sovietica congelata e rilascia involontariamente l'organismo mostruoso all'interno.Mentre studiano gli effetti del riscaldamento globale su un gruppo di balene, una squadra di studenti universitari scopre una navetta spaziale sovietica congelata e rilascia involontariamente l'organismo mostruoso all'interno.
- Regia
- Sceneggiatura
- Star
Kamilla Bjorlin
- Svet
- (as Milla Björn)
Michel Estime
- Dock
- (as Mike Estimé)
Edwin R. Habacon
- Atka
- (as Edwin Bravo)
Kraig W. Sturtz
- Roland
- (as Kraig Sturtz)
Recensioni in evidenza
A crab fishing vessel takes on board a team of conservationists, who are tracking down belugas, they discover something frozen in a block of ice, something that turns out to be a former Soviet space station.
I really wanted to enjoy this movie, I have something of a soft spot for lower budget horrors, but this just doesn't work. On paper, it sounded like fun, I'm all for that idea of a Soviet space shuttle containing something nasty.....
However, the something nasty turned out to be a bit of a poor copy of The Thing. The pink goo may have sounded like a good idea, but it just didn't work, throw in the dodgy CGI, 1980's style Russian agent and a ridiculously simplistic ending, and I'm afraid you're left with a clunker.
Some of the acting wasn't too bad, I thought Camille Balsamo did a decent job as Sadie, her boss though, that was quite something.
I couldn't sit through this one again.
4/10.
I really wanted to enjoy this movie, I have something of a soft spot for lower budget horrors, but this just doesn't work. On paper, it sounded like fun, I'm all for that idea of a Soviet space shuttle containing something nasty.....
However, the something nasty turned out to be a bit of a poor copy of The Thing. The pink goo may have sounded like a good idea, but it just didn't work, throw in the dodgy CGI, 1980's style Russian agent and a ridiculously simplistic ending, and I'm afraid you're left with a clunker.
Some of the acting wasn't too bad, I thought Camille Balsamo did a decent job as Sadie, her boss though, that was quite something.
I couldn't sit through this one again.
4/10.
Then you completely missed the point. You took this far too seriously. Appreciate the funny parts, appreciate Lance Henriksen, appreciate the practical effects, know that it's a cheesy B movie and have fun.
It's mind-boggling that people would actually take this that seriously. It's practically a comedy horror. Guys, relax.
It's mind-boggling that people would actually take this that seriously. It's practically a comedy horror. Guys, relax.
I started hearing about this movie a while ago and was really keen to check it out because of its' interesting Kickstarter origins and because of its' rather refreshing commitment (at least in this day and age) to avoid using any CGI in favor of employing entirely practical on-screen monster effects. It seemed to be, at least philosophically, an attempt to do a throwback to movies like ALIENS and John Carpenter's THE THING (two of my favorite movies), so I was very eager to support the project and primed and ready to go along for the ride.
Unfortunately, this movie only ended up reminding me of the very first and most important rule about visual effects in movies--they only ever matter when they are being used as a tool to serve something that is far more important--a great story and interesting characters. ALIENS and THE THING had great effects that definitely served important roles in those movies, but they're not what made those movies great. It was the incredibly tight writing and story-telling, the engaging characters and actors who brought them to life, and some masterful direction.
As much as I was routing for it, HARBINGER DOWN fails miserably because it uses its story and characters to prop up and serve the visual effects instead of the other way around. The story borrowed so much from THE THING and ALIENS that it brought absolutely nothing new or interesting to the table. The characters were completely forgettable and you didn't really care what happened to any of them.
And the effects? Well, they're definitely solid and it was nice to see a return to the use of practical monsters--but they honestly weren't good enough to live up to the hype that this movie promised. Given how much the filmmakers were trumpeting this movie as a triumphant return to all practical effects, they needed to raise the bar and bring out some mind-blowing, next-level practical on-screen visual magic and it falls well short of that.
Bottom line (and important lesson of the day)--no amount of visual effects wizardry, whether CGI or practical, can save a movie that is lacking good storytelling and characters.
Here's the thing--at the end of the day, real movie magic doesn't come from creating creatures and effects that seem real. Movie magic comes from creating characters that seem real and putting them in a story/situation that we genuinely care about. Here endeth the lesson.
Unfortunately, this movie only ended up reminding me of the very first and most important rule about visual effects in movies--they only ever matter when they are being used as a tool to serve something that is far more important--a great story and interesting characters. ALIENS and THE THING had great effects that definitely served important roles in those movies, but they're not what made those movies great. It was the incredibly tight writing and story-telling, the engaging characters and actors who brought them to life, and some masterful direction.
As much as I was routing for it, HARBINGER DOWN fails miserably because it uses its story and characters to prop up and serve the visual effects instead of the other way around. The story borrowed so much from THE THING and ALIENS that it brought absolutely nothing new or interesting to the table. The characters were completely forgettable and you didn't really care what happened to any of them.
And the effects? Well, they're definitely solid and it was nice to see a return to the use of practical monsters--but they honestly weren't good enough to live up to the hype that this movie promised. Given how much the filmmakers were trumpeting this movie as a triumphant return to all practical effects, they needed to raise the bar and bring out some mind-blowing, next-level practical on-screen visual magic and it falls well short of that.
Bottom line (and important lesson of the day)--no amount of visual effects wizardry, whether CGI or practical, can save a movie that is lacking good storytelling and characters.
Here's the thing--at the end of the day, real movie magic doesn't come from creating creatures and effects that seem real. Movie magic comes from creating characters that seem real and putting them in a story/situation that we genuinely care about. Here endeth the lesson.
Did you see Alien or Aliens? Did you see John Carpenter's The Thing? Did you see Jaws? Have you watched Deadliest Catch? If yes, then you've seen this film, almost everything about it is derivative-- dialogue, plot, characters etc. That being said, this film is surprisingly much better than it's one star rating on Netflix would suggest.
I've recently made it my mission to see as many one stars as possibly and I can assure you this film is pretty well put together. If anything, it could use a more consistent and "big budget" looking color correction and I think the standard viewer's impression might raise their impression of this film up a notch.
I've recently made it my mission to see as many one stars as possibly and I can assure you this film is pretty well put together. If anything, it could use a more consistent and "big budget" looking color correction and I think the standard viewer's impression might raise their impression of this film up a notch.
It's hard to bash bad indie movies generally and Harbinger Down is no exception. So I'll try to keep this short and more critically factual.
This movie was kick-started by The Thing (2011) prequel's SFX leftovers that didn't pan out in the final cut of the movie so this thing got birthed on the actual Kickstarter. Inspired by the above mentioned - The Thing, and a bit of Alien, Harbinger Down storyline follows a group of people that for various reasons end up aboard the Harbinger - crab boat. After a short while, they stumble onto something frozen in ice, shenanigans ensue.
It's almost a classic-legacy horror/scifi setup these days, and sometimes it works, sometimes it doesn't. Here it doesn't and the reasons why that is are numerous. I'll mention just a few of those reasons.
Right of the bat, the movie logo itself contains suspiciously similar fonts to ALIEN (HARBINGER part) and PREDATOR (DOWN part). Not a good sign.
Then there are POV found footage moments that are just random and makes you wonder why's this here? And the rest of the photography is similarly bad. Weird, too close and generally bad camera angles don't make this a pleasant viewing at all.
Characters are blank and the acting is bad most of the time. Lance Henriksen being the exception, everyone else was just not good. Leading lady was boring with some forgettable flat performances. The token white guy with beard and the token black guy were also bad as was the Russian lady.
Ah, the Russian lady. She had some truly brilliant script pieces in this. Moments like "Do you make-up, sis?", or something like that, were the moments where you question yourself why are you watching this in the first place? Also the thing that she looks kinda botoxed and nip-tucked with some super-fake contact lenses and you can see that she is actually wearing some makeup, makes this particular question even more stupid.
So, the story is bleh, script is dumb, acting is the same, are the effects any good? No. I mean, they sold this movie most on that part - the practical special effects, but they are wildly uneven and mostly cheap. Which is kinda the most disappointing, because there are some SFX veteran names in this movie.
If this movie was shot (way) better with better SFX, bad acting and dumb story would be forgiven. But it wasn't and it lacks in almost all the major parts that make a movie. Script is dumb, acting is not that good, story is recycled billion times by now, effects are not that good and as a bonus there are some just cringe, face-palm inducing moments.
It's watchable, but I see no reason why you should do that. Maybe for Lance, but he just sorta breezed through this and didn't make this movie that much better by appearing in it.
This movie was kick-started by The Thing (2011) prequel's SFX leftovers that didn't pan out in the final cut of the movie so this thing got birthed on the actual Kickstarter. Inspired by the above mentioned - The Thing, and a bit of Alien, Harbinger Down storyline follows a group of people that for various reasons end up aboard the Harbinger - crab boat. After a short while, they stumble onto something frozen in ice, shenanigans ensue.
It's almost a classic-legacy horror/scifi setup these days, and sometimes it works, sometimes it doesn't. Here it doesn't and the reasons why that is are numerous. I'll mention just a few of those reasons.
Right of the bat, the movie logo itself contains suspiciously similar fonts to ALIEN (HARBINGER part) and PREDATOR (DOWN part). Not a good sign.
Then there are POV found footage moments that are just random and makes you wonder why's this here? And the rest of the photography is similarly bad. Weird, too close and generally bad camera angles don't make this a pleasant viewing at all.
Characters are blank and the acting is bad most of the time. Lance Henriksen being the exception, everyone else was just not good. Leading lady was boring with some forgettable flat performances. The token white guy with beard and the token black guy were also bad as was the Russian lady.
Ah, the Russian lady. She had some truly brilliant script pieces in this. Moments like "Do you make-up, sis?", or something like that, were the moments where you question yourself why are you watching this in the first place? Also the thing that she looks kinda botoxed and nip-tucked with some super-fake contact lenses and you can see that she is actually wearing some makeup, makes this particular question even more stupid.
So, the story is bleh, script is dumb, acting is the same, are the effects any good? No. I mean, they sold this movie most on that part - the practical special effects, but they are wildly uneven and mostly cheap. Which is kinda the most disappointing, because there are some SFX veteran names in this movie.
If this movie was shot (way) better with better SFX, bad acting and dumb story would be forgiven. But it wasn't and it lacks in almost all the major parts that make a movie. Script is dumb, acting is not that good, story is recycled billion times by now, effects are not that good and as a bonus there are some just cringe, face-palm inducing moments.
It's watchable, but I see no reason why you should do that. Maybe for Lance, but he just sorta breezed through this and didn't make this movie that much better by appearing in it.
Lo sapevi?
- QuizIn 2010 Amalgamated Dynamics (ADI) was hired to create the practical monster effects for the film La cosa (2011). However much to ADI's dismay, the studio had the majority of their work digitally replaced with CGI for the final cut of the film. In response to this, ADI used Kickstarter to fund this film, Harbinger Down, which features entirely practical creature effects created through the use of animatronics, prosthetic makeup, stop motion and miniature effects. There are zero computer animated monsters in this film.
- Blooper(at around 1 min) The coordinates in the opening scene, 58.122 N -178.603 W, are not in the Arctic Circle but south of it in the Bering Sea.
- ConnessioniReferenced in Skin Wars: Man vs. Machine (2015)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Harbinger Down
- Luoghi delle riprese
- Chatsworth, California, Stati Uniti(Filming City)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 61.036 USD
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Proporzioni
- 2.35 : 1
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What is the Brazilian Portuguese language plot outline for Harbinger Down - Terrore tra i ghiacci (2015)?
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