VALUTAZIONE IMDb
6,9/10
17.452
LA TUA VALUTAZIONE
La storia del re Seretse Khama del Botswana e di come il suo matrimonio d'amore e controverso con una donna bianca britannica, Ruth Williams, portò il suo regno a fermenti politici e diploma... Leggi tuttoLa storia del re Seretse Khama del Botswana e di come il suo matrimonio d'amore e controverso con una donna bianca britannica, Ruth Williams, portò il suo regno a fermenti politici e diplomatici.La storia del re Seretse Khama del Botswana e di come il suo matrimonio d'amore e controverso con una donna bianca britannica, Ruth Williams, portò il suo regno a fermenti politici e diplomatici.
- Premi
- 6 vittorie e 5 candidature totali
Recensioni in evidenza
6.8 does not do justice to a film that tells a story of how love can overcome boundaries. In this case, this is one of the rare African stories that we tend to get to hear about. For a long time, stories to do with Africa have been about disease, poverty and undernourishment. Asante's take on this film does indeed tell the viewer that there is more to Africa than what meets the eye.
I believe that this film should set a precedent for more African stories to be told . This film tells you that there is a lot more than just about Mandela. There is need to learn about other Africans namely Jomo Kenyatta, Hastings Kamuzu Banda, John Chilembwe and many others. These are perhaps some of the few names that I can think of. I commend Asante for taking a bold stand in producing a film of a figure(s) that most people out there may have not heard.
For those of you that may want to get a different side to Africa, I would recommend that you begin by watching "A United Kingdom". In my view, it is one of the more decent films of 2016/17 combined.
I believe that this film should set a precedent for more African stories to be told . This film tells you that there is a lot more than just about Mandela. There is need to learn about other Africans namely Jomo Kenyatta, Hastings Kamuzu Banda, John Chilembwe and many others. These are perhaps some of the few names that I can think of. I commend Asante for taking a bold stand in producing a film of a figure(s) that most people out there may have not heard.
For those of you that may want to get a different side to Africa, I would recommend that you begin by watching "A United Kingdom". In my view, it is one of the more decent films of 2016/17 combined.
The story of Seretse Khama and Ruth Williams is a fascinating one, and is of a good deal of importance and relevance now. 'A United Kingdom', which had such potential from the get go with the talent involved, doesn't disappoint and tells this story beautifully.
Admittedly, this kind of story has a fair few potential traps with the themes displayed, being very difficult to get the right tonal balance and to get it completely right. 'A United Kingdom' could easily have been preachy and over-sentimental with any messaging laid on too thick, any feel-good-factors coming over as corny, characters being one-dimensional and too black and white and the sentimentality being too hard to stomach. Luckily, almost all of those traps are avoided, making 'A United Kingdom a truly absorbing and moving film.
Do agree completely with all but one of the positive reviews, and can understand totally why some may not be as enamoured with it. Usually don't comment on previous reviews, as strictly it's not really supposed to be done here but is frequently done by many, but I too take issue with the content and tone of the top rated review, which is not a review and more a quite incoherent condemnation towards those who rate it low, with ridiculous conspiracy theories that do completely against what 'A United Kingdom' is really about. The number of 1 star ratings in a short space of time may raise eyebrows and can easily be questioned, even if the film didn't do much for me because the production values, directing, storytelling and acting are so well done and what it set out to do is to be admired it would not get less than a 4 or 5. This is all personal opinion of course, and do apologise for the irrelevance.
'A United Kingdom' is not perfect. Some of the dialogue at the beginning is too in your face and forced and the acting of the extras is a little dodgy agreed, can definitely see why anybody may be put off from continuing. Can also understand any criticisms of the supporting characters (the two lead characters are very compelling and beautifully written characters) being one-dimensional and too neatly black and white, the villains especially.
However, 'A United Kingdom' does look absolutely gorgeous, the period detail evocative, the scenery a feast for the eyes from the darker and more drab London location to the sweeping and colourful Botswana ones. Amma Asante directs remarkably and with assurance. Patrick Doyle provides another winner of a music score, coming from someone who has liked a lot of what he's done, full of beauty and emotional power in an understated way.
While not all the script works, much of it is intelligent and thought-provoking, never taking on too much of a heavy-handed tone while making its point clearly, having much to say about the conflicts and explores and balances them with skill and the over-sentimentality never obviously creeps in. The story is beautifully and absorbingly told, told with sensitivity, tension dealt with subtlety but also hard-hitting power and poignant emotion. Seretse and Ruth's love is evident throughout, David Oyelowo and Rosamund Pike's chemistry resonating believably and, even when apart in large stretches of the film, disconnect never creeps in despite the potential to.
Great performances all round, apart from reservations about the extras. Oyelowo plays Seretse with towering dignity and passionate sensitivity, his speeches very moving in a gut-wrenching and powerful sense. Pike, fresh from her exceptional career-best performance in the brilliant 'Gone Girl', gives one of her best performances and certainly more than just eye-candy (being one of the most naturally gorgeous actresses today), playing Ruth with calmness, sensitivity and commanding steel, Ruth's progressive attitude to race admirably portrayed and got under the skin well.
Jack Davenport makes for a slimy diplomat, and Tom Felton (who could easily have been out of place, was admittedly expecting him to be) is surprisingly effective and a long way from lightweight. Anastasia Hille and Nicholas Lyndhurst portray Ruth's parents' disapproval very well, Arnold Oceng is very good and there is a quite powerful scene with Pike and the very emotive actress who portrays the mother-in-law.
Not without its issues, but in summary 'A United Kingdom' is a very good film, telling a fascinating and important true story beautifully. 8/10 Bethany Cox
Admittedly, this kind of story has a fair few potential traps with the themes displayed, being very difficult to get the right tonal balance and to get it completely right. 'A United Kingdom' could easily have been preachy and over-sentimental with any messaging laid on too thick, any feel-good-factors coming over as corny, characters being one-dimensional and too black and white and the sentimentality being too hard to stomach. Luckily, almost all of those traps are avoided, making 'A United Kingdom a truly absorbing and moving film.
Do agree completely with all but one of the positive reviews, and can understand totally why some may not be as enamoured with it. Usually don't comment on previous reviews, as strictly it's not really supposed to be done here but is frequently done by many, but I too take issue with the content and tone of the top rated review, which is not a review and more a quite incoherent condemnation towards those who rate it low, with ridiculous conspiracy theories that do completely against what 'A United Kingdom' is really about. The number of 1 star ratings in a short space of time may raise eyebrows and can easily be questioned, even if the film didn't do much for me because the production values, directing, storytelling and acting are so well done and what it set out to do is to be admired it would not get less than a 4 or 5. This is all personal opinion of course, and do apologise for the irrelevance.
'A United Kingdom' is not perfect. Some of the dialogue at the beginning is too in your face and forced and the acting of the extras is a little dodgy agreed, can definitely see why anybody may be put off from continuing. Can also understand any criticisms of the supporting characters (the two lead characters are very compelling and beautifully written characters) being one-dimensional and too neatly black and white, the villains especially.
However, 'A United Kingdom' does look absolutely gorgeous, the period detail evocative, the scenery a feast for the eyes from the darker and more drab London location to the sweeping and colourful Botswana ones. Amma Asante directs remarkably and with assurance. Patrick Doyle provides another winner of a music score, coming from someone who has liked a lot of what he's done, full of beauty and emotional power in an understated way.
While not all the script works, much of it is intelligent and thought-provoking, never taking on too much of a heavy-handed tone while making its point clearly, having much to say about the conflicts and explores and balances them with skill and the over-sentimentality never obviously creeps in. The story is beautifully and absorbingly told, told with sensitivity, tension dealt with subtlety but also hard-hitting power and poignant emotion. Seretse and Ruth's love is evident throughout, David Oyelowo and Rosamund Pike's chemistry resonating believably and, even when apart in large stretches of the film, disconnect never creeps in despite the potential to.
Great performances all round, apart from reservations about the extras. Oyelowo plays Seretse with towering dignity and passionate sensitivity, his speeches very moving in a gut-wrenching and powerful sense. Pike, fresh from her exceptional career-best performance in the brilliant 'Gone Girl', gives one of her best performances and certainly more than just eye-candy (being one of the most naturally gorgeous actresses today), playing Ruth with calmness, sensitivity and commanding steel, Ruth's progressive attitude to race admirably portrayed and got under the skin well.
Jack Davenport makes for a slimy diplomat, and Tom Felton (who could easily have been out of place, was admittedly expecting him to be) is surprisingly effective and a long way from lightweight. Anastasia Hille and Nicholas Lyndhurst portray Ruth's parents' disapproval very well, Arnold Oceng is very good and there is a quite powerful scene with Pike and the very emotive actress who portrays the mother-in-law.
Not without its issues, but in summary 'A United Kingdom' is a very good film, telling a fascinating and important true story beautifully. 8/10 Bethany Cox
10pyor66
I lived in Botswana for twenty-five odd years and enjoyed every single moment of it, almost certainly due in large measure to Seretse's enlightened politics and the genuine and natural warmth of the Botswana people. I knew both main characters quite well. Seretse was a very approachable man, even as president, and it was a pleasure to spend some time in his company. He was a man well loved by everyone, black and white. In fact, in Botswana one scarcely thought in those terms. As a politician he had huge charisma and was a great orator. He was also a born leader. I remember well being told by insiders that government Ministers who were in trouble for minor abuse of office or the like, would tremble in fear outside his office when they were to be 'carpeted'.
Ruth was an extraordinarily capable woman and even in her later years had more stamina than almost anyone I have known. She was at work in her office in Gaborone from early morning to the end of the day, patron of the Red Cross, Botswana Council of Women etc etc. Contrary, however, to one reviewer's criticism, Rosalind Pike's portrayal was quite accurate. She was not a strident campaigner but a very effective mover who enjoyed a social life and had many friends. In her widowhood she received constant visits from senior members of the tribe and government and was widely loved and respected by her people. She was most certainly "Mohumagadi" - Mother of the Nation.
This film portrays their personalities pretty accurately and the characterisation of the actors is extraordinarily true to life. Both David Oyelowo and Rosamund Pike were absolutely convincing. The quality of the acting very quickly overcame my initial niggling concern that the physical likenesses were not quite there. The photography of Botswana was outstanding and the familiar views of Serowe from the Palapye 'road' and the scenes in the kgotla were quite emotional for me; I unexpectedly found I had a lump in my throat.
I can understand that, for others, the film may not have the immediacy it has for me, perhaps, but previous criticisms of 'cold' and 'unemotional' - No! Leaving aside my personal interest, it deserved to be the opener for the London Film Festival. Maybe not a total "blockbuster" but an unusual and great film nonetheless. Very close to fact.
Ruth was an extraordinarily capable woman and even in her later years had more stamina than almost anyone I have known. She was at work in her office in Gaborone from early morning to the end of the day, patron of the Red Cross, Botswana Council of Women etc etc. Contrary, however, to one reviewer's criticism, Rosalind Pike's portrayal was quite accurate. She was not a strident campaigner but a very effective mover who enjoyed a social life and had many friends. In her widowhood she received constant visits from senior members of the tribe and government and was widely loved and respected by her people. She was most certainly "Mohumagadi" - Mother of the Nation.
This film portrays their personalities pretty accurately and the characterisation of the actors is extraordinarily true to life. Both David Oyelowo and Rosamund Pike were absolutely convincing. The quality of the acting very quickly overcame my initial niggling concern that the physical likenesses were not quite there. The photography of Botswana was outstanding and the familiar views of Serowe from the Palapye 'road' and the scenes in the kgotla were quite emotional for me; I unexpectedly found I had a lump in my throat.
I can understand that, for others, the film may not have the immediacy it has for me, perhaps, but previous criticisms of 'cold' and 'unemotional' - No! Leaving aside my personal interest, it deserved to be the opener for the London Film Festival. Maybe not a total "blockbuster" but an unusual and great film nonetheless. Very close to fact.
This is an outstanding film about a story I knew nothing about. However, my review is more a review of IMDb and its voting system.
I note that this film has, at the time of writing twenty-two 1 star reviews. Maybe these are genuine but I suspect they are not. For one thing the film has not had many screenings so have as many as twenty-two different people really hated it that much?
Secondly, 1 star films do not get selected for the Toronto Film Festival or for the opening night film for the London Film Festival. The programmers and selectors of these highly regarded festivals are at the top of their game and each year they are offered several thousand films. None of them are going to risk their hard fought reputations on selecting a bad 1-star film.
My feeling is that these 22 people are members of the KKK who hate black people or else they are people who are jealous of the those involved in the production.
Either way IMDb needs to have an algorithm that can deduce whether these people are genuine, or not. Maybe they are and the press reviews so far, which rave about the film, are wrong, but maybe these people are racist bitter bigots who hate the success of others because they themselves are failures and they have nothing better to do in their small sad lives but set up false IMDb accounts and vent their spleen in the only way they can.
Time as they say will tell.
I note that this film has, at the time of writing twenty-two 1 star reviews. Maybe these are genuine but I suspect they are not. For one thing the film has not had many screenings so have as many as twenty-two different people really hated it that much?
Secondly, 1 star films do not get selected for the Toronto Film Festival or for the opening night film for the London Film Festival. The programmers and selectors of these highly regarded festivals are at the top of their game and each year they are offered several thousand films. None of them are going to risk their hard fought reputations on selecting a bad 1-star film.
My feeling is that these 22 people are members of the KKK who hate black people or else they are people who are jealous of the those involved in the production.
Either way IMDb needs to have an algorithm that can deduce whether these people are genuine, or not. Maybe they are and the press reviews so far, which rave about the film, are wrong, but maybe these people are racist bitter bigots who hate the success of others because they themselves are failures and they have nothing better to do in their small sad lives but set up false IMDb accounts and vent their spleen in the only way they can.
Time as they say will tell.
The English film A United Kingdom (2016) was directed by Amma Asante. It's an interesting love story, based on real events. David Oyelowo plays Prince Seretse Khama, a young African man studying law in London. Rosamund Pike plays Ruth Williams, an intelligent, fun-loving civil servant. They fall in love, and we know that their marriage will be a difficult one, because of prejudice both in England and in Africa.
What we don't know is that their marriage has implications far beyond each of them. In 1947, South Africa was gearing up for its apartheid program. Bechuanaland was a British protectorate, and Seretse Khama was its rightful prince. However, South Africa borders Bechuanaland, and the South African government refused to tolerate a mixed race couple in a neighboring protectorate.
That meant that not only did Seretse and Ruth face prejudice from the people around them, but they were pawns in an international standoff in which Great Britain was willing to sacrifice them to appease South Africa. What happened next became the plot of the movie.
David Oyelowo is a superb actor. So is Rosamund Pike. Ms. Pike has 42 movie credits, but I believe the only other film in which I saw her was Pride and Prejudice (2005), in which she portrayed Jane Bennet. I reviewed that movie for IMDb, and wrote that her performance was "luminous."
Director Asante is skillful, and the acting and cinematography are wonderful. We saw the movie at the excellent Little Theatre in Rochester, NY. It won't work quite as well on the small screen, because the film has some breathtaking scenes of the African desert.
For some reason A United Kingdom has a dismal IMDb rating of 6.7. I don't understand this--it's much better than that. Find it and judge for yourself.
What we don't know is that their marriage has implications far beyond each of them. In 1947, South Africa was gearing up for its apartheid program. Bechuanaland was a British protectorate, and Seretse Khama was its rightful prince. However, South Africa borders Bechuanaland, and the South African government refused to tolerate a mixed race couple in a neighboring protectorate.
That meant that not only did Seretse and Ruth face prejudice from the people around them, but they were pawns in an international standoff in which Great Britain was willing to sacrifice them to appease South Africa. What happened next became the plot of the movie.
David Oyelowo is a superb actor. So is Rosamund Pike. Ms. Pike has 42 movie credits, but I believe the only other film in which I saw her was Pride and Prejudice (2005), in which she portrayed Jane Bennet. I reviewed that movie for IMDb, and wrote that her performance was "luminous."
Director Asante is skillful, and the acting and cinematography are wonderful. We saw the movie at the excellent Little Theatre in Rochester, NY. It won't work quite as well on the small screen, because the film has some breathtaking scenes of the African desert.
For some reason A United Kingdom has a dismal IMDb rating of 6.7. I don't understand this--it's much better than that. Find it and judge for yourself.
Lo sapevi?
- QuizThe house used as Ruth & Seretse's home in the film was the home of the real Ruth & Seretse.
- BlooperAt about 1'17, the civil servant refers to the new Prime Minister as Sir Winston Churchill. He was not knighted until 1953.
- Citazioni
Seretse Khama: No man is free who is not master of himself.
- ConnessioniFeatured in Film '72: Episodio #45.8 (2016)
- Colonne sonoreNo Baby, No Nobody But You
Lyrics and Music by Seger Ellis
Performed by Stan Kenton and June Christy
Published by EMI United Partnership Ltd/EMI Music Publishing Ltd
Licensed Courtesy of Capitol Records Inc.
Under Licence from Universal Music Operations Ltd
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- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- A United Kingdom
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.902.185 USD
- Fine settimana di apertura Stati Uniti e Canada
- 66.510 USD
- 12 feb 2017
- Lordo in tutto il mondo
- 14.459.330 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Proporzioni
- 2.35 : 1
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By what name was A United Kingdom: L'amore che ha cambiato la storia (2016) officially released in India in English?
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