Aggiungi una trama nella tua linguaMusical set in 1969, with flashbacks to 1929. A middle-aged couple find love after meeting on a TV programme about a choir they both sang in as children.Musical set in 1969, with flashbacks to 1929. A middle-aged couple find love after meeting on a TV programme about a choir they both sang in as children.Musical set in 1969, with flashbacks to 1929. A middle-aged couple find love after meeting on a TV programme about a choir they both sang in as children.
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Warm and witty, just as we'd expect from Victoria Wood's writing, this is an underseen joy.
Wonderful stuff, perfect for the post Christmas slot it was given when it first aired.
How we miss Victoria Wood.
Wonderful stuff, perfect for the post Christmas slot it was given when it first aired.
How we miss Victoria Wood.
A week on from watching this I find myself absentmindedly humming a couple of the tunes from the show - "If Life were movies" is one , I cant identify the other but this goes to show how memorable it was. I loved the witty use of rhyme and ideas - who'd have thought of using "Swarfega" in a song about being a bit of a mouse called Enid? and as for "cake in drag" . . . just such fun! The romance plot is utterly charming and as intended very much hopeful. I quite like the idea of being a bit stuck in the 50s - so cozy. The character development through the plot was joyful to watch. Loved the music; tunes I can hum now and really effective orchestrations of some of the background music underpinned mood and plot superbly.
As the other reviewer said this was just delightful festive viewing;the whole embedded in beautiful nostalgia wrought of true empathy for the period and subject. I was transported to the Berni Inn I had my 18th Birthday (coming of age) dinner at. Hilarious ! I hope it comes out on DVD as , like "Housewife 49" I will enjoy watching this again. Probably try and get hold of the book written about the 1929 story by a choir member as an additional aspect - really didn't need the '29 story examining or analyzing in this musical. Its focus in perfect.
As the other reviewer said this was just delightful festive viewing;the whole embedded in beautiful nostalgia wrought of true empathy for the period and subject. I was transported to the Berni Inn I had my 18th Birthday (coming of age) dinner at. Hilarious ! I hope it comes out on DVD as , like "Housewife 49" I will enjoy watching this again. Probably try and get hold of the book written about the 1929 story by a choir member as an additional aspect - really didn't need the '29 story examining or analyzing in this musical. Its focus in perfect.
I am watching this now - I recorded it and have put off watching it. I am a big Victoria Wood fan and did not want to be disappointed. The only other VW thing I was disappointed with was her Christmas offering which parodied Larks Rise to Candleford a couple of years ago. Most of her output verges on genius. While not her very best,That Day We Sang is very entertaining and works very well. Michael Ball is great as Tubby and Imelda Staunton plays very well against him. The smaller parts are, as usual in VW vehicles, good studies in "types". The musical numbers work well, too and her lyrics are sharp as ever. It is a period piece set in the Thirties and Sixties and is well observed and set. The young actor who plays Tubby as a child is engaging and quite a find.
What a wonderful little film I hope that this is played every Christmas on television. It is so heart-warming and spirit lifting. What can you say about Victoria Wood, a true national treasure and so sad that there will be no more new material. So we all should rejoice in the work she left us. Some say this is not a true musical, well it's not, it is a piece in Victoria's own inimitable style. It is simplistic, funny and very enjoyable, one which as you watch it, you know it's a Victoria Wood masterpiece. For anyone who watches on DVD I recommend the documentary presented by Victoria which fills in the background to the film. A film to honour those who made the recording and to highlight middle age second chance love. Thank you Victoria, may you rest in peace.
Based on a stage musical, THAT DAY WE SANG is a piece that celebrates the city of Manchester through a parallel structure contrasting the life of young Tubby (Harvey Chaisty) growing up in 1929 with that of the older Tubby (Michael Ball), living a humdrum life four decades later. In 1929 Manchester is full of terraced houses, cozy back- streets and cramped living-rooms; when Jimmy goes for an audition to join the city choir, he does so in an oak- paneled, poorly lit school-room. Forty years later the cityscape might have changed somewhat, with functional maisonettes replacing the old terraces; but the major landmarks remain such as Piccadilly Square, a testament to the city's Victorian confidence.
In terms of plot, THAT DAY WE SANG focuses on the humdrum lives of Tubby and Enid (Imelda Staunton), both of whom have reached middle age without actively doing anything. They both work in anonymous offices, bound by routines and finding visceral pleasures where appropriate (Enid has a squalid little affair with her boss Mr. Kirkby (Daniel Rigby). The two protagonists meet, and together reminisce about the time when they were members of the choir and sang "Nymphs and Shepherds" for a gramophone recording. The memories help to stimulate their imaginations, and they look forward to a brighter future together.
The musical has plenty of what might be termed Victoria Wood touches - the lyrics often involve complicated rhymes; whenever we can hear them, we understand just what a talented artiste she is. The dialogue contains plenty of references to domestic products (hand- creams, bathroom cleaners, etc.) reminding us of just how comic brand names can be. There are also intertextual references to some of Wood's earlier hits, such as the appearance of dinner (or should it be tea) ladies wheeling their trolleys around the office building.
The songs are mostly upbeat, giving plenty of opportunity for Ball and Staunton to show off their vocal prowess. In truth, however, the most memorable number is a specialty piece set in a Berni Inn - a long-forgotten chain of steakhouses, all red plush and prawn cocktails. Enid and Tubby are taken to dinner there by their social climbing neighbors Frank (Confeth Hill) and Dorothy (Sophie Thompson), who take the opportunity to show off their social advantages, accompanied by a bevy of dancing servers. The number is extremely funny with an unexpected dénouement.
THAT DAY WE SANG may be slight, but its sheer joyousness and the zest of the performances render it a piece of memorable entertainment.
In terms of plot, THAT DAY WE SANG focuses on the humdrum lives of Tubby and Enid (Imelda Staunton), both of whom have reached middle age without actively doing anything. They both work in anonymous offices, bound by routines and finding visceral pleasures where appropriate (Enid has a squalid little affair with her boss Mr. Kirkby (Daniel Rigby). The two protagonists meet, and together reminisce about the time when they were members of the choir and sang "Nymphs and Shepherds" for a gramophone recording. The memories help to stimulate their imaginations, and they look forward to a brighter future together.
The musical has plenty of what might be termed Victoria Wood touches - the lyrics often involve complicated rhymes; whenever we can hear them, we understand just what a talented artiste she is. The dialogue contains plenty of references to domestic products (hand- creams, bathroom cleaners, etc.) reminding us of just how comic brand names can be. There are also intertextual references to some of Wood's earlier hits, such as the appearance of dinner (or should it be tea) ladies wheeling their trolleys around the office building.
The songs are mostly upbeat, giving plenty of opportunity for Ball and Staunton to show off their vocal prowess. In truth, however, the most memorable number is a specialty piece set in a Berni Inn - a long-forgotten chain of steakhouses, all red plush and prawn cocktails. Enid and Tubby are taken to dinner there by their social climbing neighbors Frank (Confeth Hill) and Dorothy (Sophie Thompson), who take the opportunity to show off their social advantages, accompanied by a bevy of dancing servers. The number is extremely funny with an unexpected dénouement.
THAT DAY WE SANG may be slight, but its sheer joyousness and the zest of the performances render it a piece of memorable entertainment.
Lo sapevi?
- QuizWas originally written as a stage play. Victoria Wood (who wrote it) helped adapt it for TV.
- ConnessioniFeatured in Breakfast: Episodio datato 25 novembre 2014 (2014)
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