Un ex lottatore di pesi medi dell'UFC finisce a lavorare in un bar chiassoso nelle Florida Keys, dove le cose non sono come sembrano.Un ex lottatore di pesi medi dell'UFC finisce a lavorare in un bar chiassoso nelle Florida Keys, dove le cose non sono come sembrano.Un ex lottatore di pesi medi dell'UFC finisce a lavorare in un bar chiassoso nelle Florida Keys, dove le cose non sono come sembrano.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Post Malone
- Carter
- (as Austin Post)
Hannah Love Lanier
- Charlie
- (as Hannah Lanier)
Bob Menery
- Jack
- (as Robert Menery)
Recensioni in evidenza
Jake Gyllenhaal was fine, but outside of that this film was horrible! Doug Liman directed this? Seriously?
The storyline was weak. Casting was terrible (i hate films that cast for political correctness vs. Talent). Script was true cornball. They made Conor McGregor into a ridiculous, maniacally grinning robot.
I actually feel bad for Gyllenhaal who obviously trained hard for this disaster, and he has nothing to show for it.
The original was no great masterpiece but at least it was fun to watch and it had a good story to it. This can't hold a candle to that one.
(btw, who keeps giving Post Malone these opening cameos?)
The storyline was weak. Casting was terrible (i hate films that cast for political correctness vs. Talent). Script was true cornball. They made Conor McGregor into a ridiculous, maniacally grinning robot.
I actually feel bad for Gyllenhaal who obviously trained hard for this disaster, and he has nothing to show for it.
The original was no great masterpiece but at least it was fun to watch and it had a good story to it. This can't hold a candle to that one.
(btw, who keeps giving Post Malone these opening cameos?)
One of the great things about the original Road House was seeing Dalton clean house and improve the bar bit by bit. That is severely lacking here with next to no time spent in the actual Road House and barely any screen time is given to the people at the bar. One of the highlights of the Swayze movie was him getting to know the staff and getting rid of the bad elements at the bar. Nothing of the sort goes on in this movie.
Jaoquim de Almeida is wasted as the sheriff and has little to do while Daniela Melchior has less of a role than Kelly Lynch had in the original if that was possible.
The movie's saving grace is Jake Gyllenhaal who is clearly having a lot of fun in the role and has good chemistry with an OTT Conor McGregor in the movies best moments. Best stick to the original cult classic.
(Glad to see Arturo Castro's Moe live, by far and away the best character in the whole movie).
Jaoquim de Almeida is wasted as the sheriff and has little to do while Daniela Melchior has less of a role than Kelly Lynch had in the original if that was possible.
The movie's saving grace is Jake Gyllenhaal who is clearly having a lot of fun in the role and has good chemistry with an OTT Conor McGregor in the movies best moments. Best stick to the original cult classic.
(Glad to see Arturo Castro's Moe live, by far and away the best character in the whole movie).
Remakes of old films are all too often disappointing since they just try to rehash what made the first film work. That's not what this film is. There are some similarities (a tough guy saving a roadhouse from a greedy rich guy) but it's different film with different themes and a different atmosphere and Jake Gyllenhaal is stellar in the role of Dalton, a kind, brooding guy who has a lethal aspect which scares him.
Right now, this film has a 6.2 on IMDb, which I think under rates it. If you look at this without the lens of the original Roadhouse, it stands well enough on its own to be worth more than that.
Right now, this film has a 6.2 on IMDb, which I think under rates it. If you look at this without the lens of the original Roadhouse, it stands well enough on its own to be worth more than that.
I don't understand the bad reviews for this. It's a film that doesn't take itself too seriously and it's obvious literally from the very beginning that it's self-aware. It knows how to laugh at itself with its over the top fight scenes and at times bad and cheesy dialogue or even the constant wild music being played in the background. Even the way Conor Mcgregor walked and talked was not serious in itself. I mean come on, it's impossible to hate on a film like this. Sure, some movies that don't take themselves seriously can still be very bad, but this one was actually pretty alright if you don't compare it to the original or just go into it with lower expectations. I'd definitely recommend this as a fun popcorn action flick if you're bored.
"Road House" feels like the highest budget 'made for TV' movie ever. Despite the money thrown at it, blockbuster director, and casting of Jake Gyllenhaal the movie overall falls completely flat with awful dialogue, uninteresting characters, and a storyline so thin you can see through it.
The only positive about this movie is there were some very creative shots in the fight scenes, but even those were relatively uneven. And Connor McGregor was given far too much (poorly written) dialogue which combined with his vapid delivery takes you right out of the movie.
Overall it feels like "Road House" was the product of someone giving a 13 year old boy absolute control of a Hollywood production. The upside to this is the chaotic mess they left behind is somewhat entertaining.
The only positive about this movie is there were some very creative shots in the fight scenes, but even those were relatively uneven. And Connor McGregor was given far too much (poorly written) dialogue which combined with his vapid delivery takes you right out of the movie.
Overall it feels like "Road House" was the product of someone giving a 13 year old boy absolute control of a Hollywood production. The upside to this is the chaotic mess they left behind is somewhat entertaining.
Lo sapevi?
- QuizThe film was shot in the Dominican Republic, with the only shots actually in the Florida Keys being that of Fred the Tree. Fred is an Australian pine, which is not local to the area and likely brought via bird droppings. It took root in the old abandoned bridge where it lacks soil and is exposed to the sun, salt water, and winds. Locals view it as a symbol of surviving and growing in adversity. After Hurricane Irma in 2017, locals were surprised to find it alive. Locals will even decorate it for the holidays.
- BlooperWhen Dalton takes off the knife he gives Frankie a tape to hold, the tape appears and disappears from his hand several times.
- ConnessioniFeatured in The 7PM Project: Episodio datato 20 marzo 2024 (2024)
- Colonne sonoreHorsepower
Written by Post Malone (as Austin Post) & Louis Bell
Performed by Post Malone
Courtesy of Republic Records
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 85.000.000 USD (previsto)
- Tempo di esecuzione2 ore 1 minuto
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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