As the Gods Will

I frequently like Miike's films, and had missed this one--I only found out about it because of the accusations that it had somehow been ripped off by "squid Game," not that I've seen that series either--so I decided to give it a look. It's certainly well-crafted, but this is a case where his liveliness and skill as a director can't do much with material that is inherently silly and repetitious. It starts to wear out patience even in the first setpiece, and every successive one is the same thing: Another "god" in cutesy CGI critter form killing off teens in a "game" with arbitrary rules just cuz...well, because apparently gods don't have anything better to do.

The characters are too one-dimensional (and mostly too shortlived) to care about, the manga-based action too absurd to work up any real suspense, the action too absurd to be exciting. I admit I didn't make it to the end; there was absolutely nothing of value beyond the slick production values to hold attention. I'm giving it a 5 because it's the sort of "extreme" Japanese cinema some people like (which usually involves comely schoolgirls being slaughtered in "gory" yet patently unrealistic, CGI-heavy ways), but if you want anything more than that pretty dumb level of empty, colorful stimulus, it's one of Miike's least interesting projects. Of course, he makes so many, it hardly affects his batting average.

WOW! This is NOT my normal fare, let me tell you. Normally I would cross to the other side of the 'street' rather than watch many of Takashi Miike's films. BUT... I had indeed kind of braced myself for a bit of a cartoony gore-fest, although that is NOT my first choice in films. But, this premise was SO damn WAAAAAAAAY OUT there, that I just had to check it out.

Man, I truly do not know where to start... I am still kind of reeling a bit from the film, which I JUST finished. Well, firstly, it was not really that realistically gory or graphic; it mostly had a more cartoon-like vibe to it. And, regardless of the director's NOTORIOUS proclivity for extreme, sadistic violence (thus my normal avoidance of his films) this one honestly came off as not really that explicit or 'Real'. Other films of his where he has actual PEOPLE doing horrific, REALISTIC things to other people, I wouldn't come within 100 miles of, but based upon the extremely Fantastical premise, I figured that this would not likely be another one of his super heavy-handed Sadist- fests, and it truly wasn't.

YES, the basic premise of what these 'Gods' are doing to these students is of course in principle quite terrible. But, that really wasn't the point of the film; the primary focus was NOT just a big set-piece for a bunch of gory deaths, although those do happen, but for most part, with a couple of exceptions (where I did FF a bit) they were not graphic or overly explicit.

At the end, without giving anything away, you are left with a feeling that there are more layers to this than seems evident on the surface. As a matter of fact, the last minute or two actually left me kind of puzzled because I didn't quite understand what exactly happened (so I will be frigg'n LIVING on discussion boards until I find that out!) One underlying level of the film is fairly apparent concerning the one fellow learning to appreciate the life that he has (sort of a Psychedelic, Acid-induced 'IT'S A WONDERFUL LIFE' by way of Takashi Miike) But, even beyond that there are other things touched upon and quite unexpectedly thought-provoking.

So, I can fully understand how some here (3/5?) who are likely VERY hard core Miike fans, would be BITTERLY disappointed that this is NOT one of his usual more horrific and sadistic films, and probably just find this one totally Stupid. Understandable... BUT... for me, NOT a usual fan of Miike, heh... what I would call by comparison a 'Normal' person (using the term VERY loosely) I think the movie if you give it some thought, actually is more intriguing and entertaining and surprisingly thought-provoking than what might appear at first glance.

So, I would say that if you are a hard core Miike fan and you really LIKE his usual hard core stuff, than this film will probably leave you flatter than Chaz Bono. BUT... If you like your Horror films REALLY Imaginative, and you aren't just looking for a bunch of torture-porn sadism, and if you can be patient and give the movie some thought, I think that many people will definitely come away from seeing this with several different feelings and levels that the movie touches in you that you would not expect...

I watched this film without reading the manga prior. I've watched some of Miike's ultraviolent movies before this but going in forward, i've not set any expections for this movie.

I'd like to mention the positive things first. I love Miike's violent movies. I think he's the best director for this genre, and there are a lot of em expecially in the first half of the movie. However, the black comedy moments seemed to shine the most in this film. I remembered laughing out loud in a few scenes in this movie and that's an impressive feat.

That's all the about the good stuff, unfortunately. The film was marred by a lot of terrible aspects. One of them was the antagonist. I believe it's a bad casting overall. The antagonist was portrayed as edgy and the actor seemed to hate this role. It was obvious he tried too hard and it ended up being cringe thorughout the film.

The absolute worst of this film is definitely the ending. It lead to more questions and plot holes, leaving all the viewers begging for answers. Let's just say it's the slimiest, hairiest balls that was shoved on your face. You'll get me when you get there.

Here is another good film by one of my favorite Japanese directors Takashi Miike. This film is based off a manga of the same name and shows the first arc of the manga. From the very beginning of the film it's really interesting and catches your attention unlike other films where the attention has to be caught sometime inwards. The basic premise of the film is students having to play games to survive and if you lost at these games you die gruesome deaths. There is a lot of blood and death and the characters in this film are a mix of actual people and CGI characters. I liked the CGI of the fictional characters in this film because it seemed to fit so well with everything. It's not like that completely horrible animation where it sucks.

The synopsis to this toy store killing machine immediately brings an earlier Japanese film to mind, the ruthless and fumingly shocking 'Battle Royale, 2000' from auteur Kinji Fukasaku (Tora! Tora! Tora!, 1970). However Miike's film-cunning and dice rolls are perhaps simply far more simple than the keen viewer would like to imagine. Simple thus unworried, assured, extremely dark-humored, filled with rapid-fire philosophy and at least six blood banks blown to pieces.

Take the sound editing for instance. We know what has happened despite the event not being shown and instead replaced by an elementary sound or a children's song. 'As the Gods Will' is a director's nightmare, a feat only someTHING like Miike can execute.

Splattered with a plethora of psyched out colours and one of the few films where the CGI works like the crown wheel of the Oyster Perpetual, Miike's direction feels more confident as his obsession with Manga and Nao Ômori (Ichi the Killer, 2001) grows into a playful bear, the size of two Transformers, when they're not vehicles.

This film is filled with surreal images and evidently decapitated mannequins with floored extras mixed in with the lot. It is 'Maze Runner' meets 'The Running Man' inside Miike's Daedalian head. Perhaps that is an overstatement, probably I'm still thinking; 'but seriously, what's the deal here?'. However it may be, Miike has paid homage to ancient Japanese films of gore... I mean yore. Well not really, this seems more like the stop motion films from the Golden Age of Japanese cinema and director Ishiro Honda - but 'As the Gods Will' is sort of an antithesis to those films in terms of its antagonist's characterization and build up.

The director's films are far from subtle, including this baby cannibal elephant; however this time there is a certain calm undercurrent to the approach and style of the hypermanic Takashi Miike.

A strangely entertaining film that must be watched to further strengthen faith in the art of cinema.

Absolutely unbelievable.