Saw: Legacy

It was a good movie, thrilling, good mystery-puzzle and all that. I am a fan of the Saw series, I just don't see a reason why make a sequel to that and continue it while unnecessary and ruin the ''legacy''! And from what I can gather there will be Jigsaw 2 3 etc. It is a good movie, but not as a Saw sequel. Otherwise I recommend watching it to Saw fans. PS: The graphic works could be better.

I was a huge fan of the original series, although as more films were released the thrill lessened. The first is a Classic and may have one of the best twists of all time, and that's what makes it such a great film. It wasn't about the horror.

This one, although entertaining, same awkward acting by many characters, same grizzly traps, and most of all a twist, which I believe everyone expects, however I feel there's some major plot holes that leaves me feeling dissatisfied. Of course I won't ruin for anyone, but this film reaches far, way too far, in my humble opinion.

Very reminiscent of the original, but fails in the end. Maybe they'll do better next time because a new Saw film is always welcome to take a swing.

Note: the red headed coroner was super hot, even before she let her hair down and took her glasses off. Way too hot to be a coroner. (not being sexist, just keeping it real)

When a string of dead bodies begin to manifest themselves, the police and a small team of doctors begin to investigate. However, when both doctors and police begin to look in to things further all the evidence points to John Kramer being the suspect despite him seemingly being dead for 10 years...

Like everything that preceded it, Jigsaw is a fun entry you meet the usual antagonists...or are they protagonists??? They all have to face off in Jigsaw's fun house (oddly enough Pat Sharpe is nowhere to be seen on this occasion). Although it's the usual shlock that you'll have seen in the earlier films if you bear with this one then it does have a point and has a story to tell...

One negative, which plagues a lot of these Saw films is the general unlikeability of its leading actors; did you once care for any of these people?? If the answer is No then neither did I... I understand that a lot of Saw films are set up this way, but with this one I really struggled connecting to the characters.

It's also fair to say that the Saw films strain plot credibility, but this one really pushes the boundaries and may make you think "What the hey" Well if it did it for you then it did it for me.

Anyway all joking aside it was nice to see everything tied together here and I have to admit that I was never bored whilst watching this film.

It's a decent ride, but the franchise is skating on thin ice by now. I'm curious about the new film Saw X to see where things are going here, but I'm starting to think that the franchise is getting a bit long in the tooth by now so won't be setting my hopes too high with the latest film.

This is worth a look for the fans, but as with everything that proceeded it if you're watching it then keep your expectations on the low side.

Since the Saw franchise is one of my biggest guilty pleasures when it comes to horror, I've been hoping for a new installment ever since The Final Chapter was supposed to end the franchise back in 2010. Even though the movies got progressively worse, there is something about this franchise that always draws me back and makes me want to re-watch it.

I had high expectations for Jigsaw because of two reasons: one, the producers stated in an interview that they were offered more than a hundred scripts for a new movie from different writers, but had never been pleased with any of them until they discovered a script so good, which ultimately got picked to be adapted; second, the Spierig brothers, Jigsaw's directors, had previously directed Predestination, such a smart and enticing sci-fi time- travel movie that I liked quite a lot.

After seeing Jigsaw, I left the theater disappointed. I'll start with what I enjoyed:

The score by Charlie Clouser is just as fabulous as it has always been and manages to go in line perfectly with each scene.

The performances didn't bother me at all, although none of the actors really gets to shine. Laura Vandervoort and Paul Braunstein stood out here, with the latter generating some funny moments worthy of admiration.

The direction was very polished and the movie was competently filmed, but the Spierig brothers weren't given much to show their creativity on. This leads me to the negatives.

The CGI is very good. There is, however, one scene in which I was feeling as if I was watching one of the most recent Resident Evil movies and that didn't really work for me.

What I didn't like:

The ideas in this movie and its overall plot are somewhat underdeveloped. I know that this is supposed to be a new "beginning" for these movies, but as a franchise starter, I wanted more to be explored. The plot falls flat because the movie cuts from scene to scene so swiftly and tries to cram multiple narratives into 85 minutes, that ultimately none of them makes an impact.

Saw is known for its visceral traps and torture devices, so I was looking forward to seeing more of that. However, the game presented in this movie has next to no memorable traps. That is because they are a lot tamer than what we've seen before and they simply can't hold a candle to all the ingenious traps from the past movies.

The character development is another issue in this movie. The characters are so uni-dimensional, with some of them being there only to fill the screen. And I'm referring to some of the main casting here. Also, character arcs are left unfinished and the movie felt like it ended when the most important part of the story was about to happen.

The editing undermines what could've been some very suspenseful scenes because of its sloppiness, by cutting from one narrative (the game) to the other (the investigation) at random moments.

Now, it all comes down to the twist. Was it good and unexpected? Well, no, not really. It's not necessarily because you can predict it from miles away (for which the movie offers hints throughout the run-time) due to its small set of characters, but because it had no resonance for me. It didn't blow me away and you could've predicted it from the marketing of the movie alone. Just like with the traps, it just doesn't have the same visceral feel as the past movies and it doesn't really make you crave for the release of the next chapter.

Overall, Jigsaw sets itself apart from the previous movies in the series with the help of the two directors who manage to make the movie look stylish and slick, but ultimately, it doesn't succeed in creating the sense of urgency that some of the old movies had and, sadly, disappoints on almost every other level. And yes, there are fan-service moments, but as a fan of this franchise, I felt very little excitement when they happened.

Hopefully, if the movie does well in terms of box office, the sequel will improve upon this franchise "reinvention".

From 2004 to 2010, we were greeted with a Saw film once every Halloween. Each film built on the foundation of the previous film, literally deeming them as iterations of one another. Now that time has past between films and new films and ideas have come out since then in the torture porn genre (I hate using that phrase, especially to describe the first film), new ground had to be broken. There are die- hard Saw fans like myself who know most every little intricacy of the first seven films, but nobody cares about the old formula anymore. It tired itself out. Instead of reiterating, it was now time to innovate. Enter co-writers Josh Stolberg & Pete Goldfinger and co-directors Michael & Peter Spierig, and in Halloween of 2017 you get Jigsaw.

All of this follows an eerily similar path to the Jurassic Park franchise. JP had sequels that, while in-name they hold their own, after a while started turn away some moviegoers and even got close to jumping the shark if it continued down the beaten path. So they created some space between themselves for some years, and came back with a re-branding. Both films (Jigsaw and Jurassic World) serve as standalone films if you so want to treat them as such or jump into them anew, play off their respective first films in terms of content and paying proper homage, modernize themselves and play more to a general casual audience (Jigsaw domestically, JW globally), can and probably will churn out its own set of sequels, and let veterans of the franchises appreciate the small bits that played off any one of the previous installments. Jurassic World lives in a PG-13 setting though and caved in to more Hollywood tropes (including CGI), plus is a much higher budget film, but Jigsaw still breaks a lot of new ground that will not play familiarly to the Saw films of old.

When Darren Lynn Bousman jumped on board to direct Saw II, he noted in the commentary track what some of the 'staples' were for the franchise, including quick-cuts. While I don't agree with that assessment, this continued for his next two films in the franchise, and directors David Hackl and Kevin Greutert followed up with a similar format. The films also found themselves in flashback haven, remained almost exclusively within interior settings, and centralized a set of characters to connect within a small universe. Jigsaw opens up to the feeling that this is taking place in a larger city and environment, letting characters in and out of the games explore more and be realer people (in that they do not just serve the purpose of the film alone, like they have lives outside of what we see). The framing of the film has changed, the color palette has widened, Charlie Clouser's score is not as in-your-face, and the production simply doesn't feel as cheap. Right steps were made in making this film much more accessible, and I see this continuing in the future.

While Jurassic World actually seems to remove the sequels from canon (we will see if that's true with Jeff Goldblum's appearance in Fallen Kingdom), Jigsaw plays strongly in the sense that if you go without seeing, recalling, or keeping in mind Saw 4-7, you will be okay. Hoffman is completely out of the picture in Jigsaw, never once mentioned or concerned about. The only traits to be aware of in those films was that John lost a child, was once in a relationship with Jill Tuck, and there was an autopsy performed on his body. In fact, you could just as easily disregard specifics about Saw II and Saw III, and you will probably be okay. Knowing that John Kramer was killed in the third film just might be enough.

This one really mostly plays off the first film to be most effective, though. Aside from the elaborateness of the traps and games being made (which could transition more smoothly seeing the other seven films first), we can leave the first film understanding that a cancer- stricken individual puts victims in life-or-death scenarios because of moral sins they have committed, and if killed get a puzzle piece cut out of their bodies. Seasoned individuals will also find some of the twists in the new film somewhat predictable simply because they know how Jigsaw thinks (or really, how the writers think). There were over a half-dozen twists, and I probably guessed or suspected the majority of them. Didn't make the film any inferior because I'm sitting and thinking about the casual moviegoer experiencing this film, and I think the best thing you can do for yourself now is at least see the first film and heck even at most know the outcome of the original trilogy. Saw IV, V, VI and The Final Chapter now all end up being fan-service flicks, unless any Jigsaw sequels end up coming back to them more than they have now.

I liked this movie. It could've been a complete garbage escapade like the seventh film was, and it wasn't. This reignites the franchise after it had stalled out and breathes fresh air. Maybe we will get a couple more within the next few Halloweens, because there is something to explore but I don't know how they'll want to do it. It is up to their creative bones now, and I like that facet of it because they can make good films if they try their darnedest in doing so.

If this film interests you enough that you want to give the first film a chance and haven't yet, go to Netflix right now to check it out, consider completing the original trilogy if you loved it enough to see what happens next, and check out this film when you're able to. I've reached my 1000-word limit, so now I'll just leave you here with my franchise ranking:

1, 3, 6, 2, J, 5, 4, 7