Antibirth

I'm going spoiler free on this review, so you'll have to forgive me for being vague. The only joy you'll get from this movie is watching it without knowing where it is going. If you know too much, there's nothing worth watching.

I think there is some merit in seeing this film. My biggest issues with it were the direction it took, which isn't my preferred genre. I really can't say more than that without spoiling it, and I'm sure you're going to rate my review as "not helpful" for saying that, but everyone I said that to at the Phoenix Film Festival (where I saw this film) immediately understood.

What that means for you, dear viewer, is you're going to have to take a gamble. Do you like non-mainstream horror? How open-minded are you? If you like formulaic horror, move along. The movie is bizarre in many ways.

My rating reflects that I was not at all happy with the direction it took (as a personal preference...you might think it was the best ending ever), but I'm actually glad I saw it. If nothing else, it's interesting. The soundtrack is also a nice bonus. Loved the music!

"Antibirth" starts out promising with some really intriguing characterizations from Natasha Lyonne and Chloe Sevigny. The screenplay has some great dialogue, and Ms. Lyonne in particular is, as usual, fascinating to watch. Unfortunately, as the film begins to develop a plot it becomes more and more derivative, confusing and absurd and stops being enjoyable; it just becomes plodding and dull. There are so many stereotypical subplots from body-horror films as well as ripoffs from "Rosemary's Baby," "Demon Seed" and others that "Antibirth" just becomes another minor product aimed at the quickie Hollywood horror market. Meg Tilly is wasted and looks as though she's still trying to figure out the plot herself during her scenes. I recommend watching the first fifteen minutes and then turning it off and doing something more productive... I stayed until the end and felt ripped off waiting for something to original to happen.

In a desolate community full of drug-addled Marines and rumors of kidnapping, a wild-eyed stoner named Lou (Natasha Lyonne) wakes up after a wild night of partying with symptoms of a strange illness and recurring visions as she struggles to get a grip on reality while stories of conspiracy spread.

The film seems to begin with a kernel of truth: that drug use can be terrifying. While I have no personal experience as far as that goes, we are all familiar with the idea of a "bad trip". One could say that what happens to Lou is the worst kind. Although not directly connected to her, we also see the dark edges of drug use, which can lead to addiction, or even to prostitution. Is that aspect "horror"? No. But it is certainly scary in its own way.

Leading the film are two great actresses: Natasha Lyonne (ORANGE IS THE NEW BLACK), assisted by Chloe Sevigny (AMERICAN HORROR STORY). Lyonne has mastered the trashy woman act (and unlike the caricature rednecks of Rob Zombie's world, this story is grounded in reality). Films with such protagonists do a dangerous balancing act. We feel obligated to have sympathy on Lou (she is our humble narrator), but in many ways we cannot help but feel she brought this on herself.

One review summarized the film as "really, really weird". Now, I happen to disagree. Sure, we have talk of aliens, and some impressive creature effects in third act. We have a bizarre pregnancy, and some hallucinations. But it still has a coherence that keeps it very real. This is not David Lynch's "Eraserhead". You aren't left with endless questions.

Writer-director Danny Perez (ODDSAC) has crafted a smart horror-drama, with a big pinch of science fiction thrown in. He has created not only a solid film, but another world. If he happens to return to this snowy wasteland, I suspect there are more stories for him to tell.

It seems that hard-drinking, bong-ripping, up-for-anything Lou might be pregnant-- although she has a hard time understanding how that could possibly be the case.

Antibirth isn't much of a horror movie, even if it has some decent early creep. It's more of the "independent" genre: high weirdness, with a plot that plays second or third fiddle to its characters. But there is a bit of gross-out thrown in, maybe just for fun. And you might find the prospect of watching a pregnant woman down a fifth of vodka horrifying.

Horror movie or not, AB is a good movie, mostly because of the well-written and well-acted characters. In particular, Natasha Lyonne plays her part perfectly. She makes the entire film work with her drunken, stoned charm.

The actual plot is a little thin; it ends up being just an excuse to make a movie. The pacing is just a tad slow. And the budget is obviously tight (but still, top notch characters).

It's not horror, but if you don't like horror, don't watch it. If you spent your youth being useful rather than getting high, don't watch it. If you just want to be scared, don't watch it. But otherwise, check out Antibirth.

Of course, I freely admit I would watch just about anything starring both Natasha Lyonne and Chloë Sevigny . . . what could possibly go wrong?

OK, all joking aside (well, sort of), Natasha and Chloe are absolutely brilliant here, they nail their characters perfectly, and then some.

As for the film itself, the best description that comes to mind is bizarre, twisted, completely ridiculous . . . and very fun to watch.

This is definitely a low budget, B minus sci-fi horror genre' production, with a dash of evil ET conspiracy twists submerged in a veritable swamp of drug dazed existence. Even if the story, such as it is (or perhaps tries to be) is murky at best, the characters are perfect exaggerations of characters I've seen or met over the years.

If anything, this production consists of a very loosely connected jigsaw puzzle of plot pieces, which serves as a sort of ecosystem for the aforementioned exaggerated real life type characters to flourish in.

Well, maybe flourish isn't exactly the appropriate description here.

But however one may want to judge this production, it certainly can't be criticized for lack of uniqueness.

Chloë is particularly adept at playing various roles in unique productions ("Hit and Miss" immediately comes to mind), but this definitely rates as one of the more, well, experimental sorts of indie film productions she has appeared in.

This film is certainly not for everyone, or even most, but for those with an proclivity toward indie projects more than just a bit outside the box, this just could be your cup of tea.

I'll offer a somewhat tentative 6 stars for this one . . .