Antibirth

Here's a film that I didn't know too much about outside of the fact that the artwork for the film was quite alluring. I'm really starting to think that a good poster is really a great indicator for my interest in checking out a film. The film stars Natasha Lyonne (of Orange is the New Black fame) and Chloe Sevigny. While the film isn't anything amazing I still think its worth checking out if you enjoy old fashioned body horror and psychedelic elements expressed in film.

This film is about a drug addicted party girl who mysteriously becomes pregnant. However, the symptoms of the pregnancy and the actual circumstances leading to the pregnancy are not quite "regular." As a matter of fact, her baby is not exactly a healthy human. I'll leave the plot at that to not give away much more. Acting wise Lyonne has it down, as this is basically an extension of the drug addicted inmate she plays on Orange is the New Black. Sevigny is also fine for the role as this isn't a challenging role for her either based on her past work.

The film can get quite gory and if that's not something you can stomach, this may not be for you. Its reminiscent of the body horror films that came before in generations passed, a tribute to the work of the masterful David Cronenberg. There's plenty of bright neon lights and crazy imagery in the form of psychedelic hallucinations. Its a joy to watch if you are a fan of visual cinema, quite like I am. In this specific aspect the film really does deliver.

I'd say the film isn't always interesting or leave an everlasting impression but this isn't really an issue because the film offers a nostalgic and trippy vibe that I really appreciated (but this may not resonate well for other film watcher's). I think Lyonne could probably get offered bigger roles in the future but whether she will be able to branch out and take on a different kind of role is still up for question. All in all, its under the radar but worth a watch.

6.5/10

In a desolate community full of drug-addled Marines and rumors of kidnapping, a wild-eyed stoner named Lou (Natasha Lyonne) wakes up after a wild night of partying with symptoms of a strange illness and recurring visions as she struggles to get a grip on reality while stories of conspiracy spread.

The film seems to begin with a kernel of truth: that drug use can be terrifying. While I have no personal experience as far as that goes, we are all familiar with the idea of a "bad trip". One could say that what happens to Lou is the worst kind. Although not directly connected to her, we also see the dark edges of drug use, which can lead to addiction, or even to prostitution. Is that aspect "horror"? No. But it is certainly scary in its own way.

Leading the film are two great actresses: Natasha Lyonne (ORANGE IS THE NEW BLACK), assisted by Chloe Sevigny (AMERICAN HORROR STORY). Lyonne has mastered the trashy woman act (and unlike the caricature rednecks of Rob Zombie's world, this story is grounded in reality). Films with such protagonists do a dangerous balancing act. We feel obligated to have sympathy on Lou (she is our humble narrator), but in many ways we cannot help but feel she brought this on herself.

One review summarized the film as "really, really weird". Now, I happen to disagree. Sure, we have talk of aliens, and some impressive creature effects in third act. We have a bizarre pregnancy, and some hallucinations. But it still has a coherence that keeps it very real. This is not David Lynch's "Eraserhead". You aren't left with endless questions.

Writer-director Danny Perez (ODDSAC) has crafted a smart horror-drama, with a big pinch of science fiction thrown in. He has created not only a solid film, but another world. If he happens to return to this snowy wasteland, I suspect there are more stories for him to tell.

Honestly, I was very sceptic going into this movie, however after letting my guard down and allowing the film to get going, I was drawn into its strange world. The whole experience was a rollercoaster ride. Some of the scenes are immaculately shot, the cinematography really impressed me and took me off guard more than once. And then, during some other scenes I just kept thinking: "oh my god why did they edit it this way?"

The performances are mostly good, the editing, as stated before, has its ups and downs. Honestly just give this movie a shot if you like campy weird horror movies.

"Antibirth" starts out promising with some really intriguing characterizations from Natasha Lyonne and Chloe Sevigny. The screenplay has some great dialogue, and Ms. Lyonne in particular is, as usual, fascinating to watch. Unfortunately, as the film begins to develop a plot it becomes more and more derivative, confusing and absurd and stops being enjoyable; it just becomes plodding and dull. There are so many stereotypical subplots from body-horror films as well as ripoffs from "Rosemary's Baby," "Demon Seed" and others that "Antibirth" just becomes another minor product aimed at the quickie Hollywood horror market. Meg Tilly is wasted and looks as though she's still trying to figure out the plot herself during her scenes. I recommend watching the first fifteen minutes and then turning it off and doing something more productive... I stayed until the end and felt ripped off waiting for something to original to happen.

So, I can't say that this was my all-time favorite movie of the year, nor can I say it didn't lack substance. However, I did watch this movie 2 times, being an indie film producer and writer before giving any rating or review. This film, in my opinion, is meant to be satirical and humorous while also being horrifying and bloody grisly fantastic. We have Natasha Lyonne, perfectly cast, as the main character who basically wakes up pregnant and has all these strange things start to happen to her. I will say, this film is not a stand alone "Thriller" so do not be confused. After my second go around with this film, I realized the meaning of it. Also, while watching, keep an ear out for the music choice as it is perfectly placed and could not have been picked better. 10 stars on music and Natasha Lyonne's performance. This movie will either be your cup of tea, or it will not. Think, Trainspotting. This movie is nothing like it, but you either loved or hated it. I loved both.