Pan - Viaggio sull'isola che non c'è

Pan bears a lot of similarities to other adventure films, family animation and even role-playing games. It packs myriad of visual antics across the journey of self-discovery. However, it's also painfully one dimensional and predictable, using the "chosen one" plot to a fault. While it's admittedly aesthetically pleasing, this is not the innovative origin story it's advertised to be.

In a world tormented by pirates, one child must discover his destiny. You've seen this before. Some angles have been changed, but this is typical Peter's adventure to Neverland. It's so overused, one might find half the script in Final Fantasy games. Not to mention it's riddled with fantasy genre cliché and uninspiring romance subplot.

To their credit, the actors do a fine job. Hugh Jackman as Blackbeard is a good antagonist, he looks the part by carrying the character with ominous charisma, either it's by his flamboyant dialogues or even timely singing. He can appear funny yet still threatening. Well, as threatening as a villain in family flick can be.

While Blackbeard looks fit for Hook's replacement, Hook himself is played by Garrett Hedlund, who ironically tries too hard to be young Hugh Jackman. His delivery is forced to create a suave persona, but most of the times he just looks out of place. Levi Miller as Peter handles himself pretty well. The story focuses heavily on this boy's fate, and although he can seem rough at some scenes, he brings a commendable performance as the lead.

Graphical prowess plays important role, almost too much, and on its better parts Pan definitely has the stylish charm of fantasy vista. Setting is filled with colorful designs and details, although CGI takes the helm on most cases. Its soundtracks are splendid, it simply doesn't let go. From subtle chimes, loud symphony and even shanty version of popular songs, the audio is brilliant.

Pan would've been great if it didn't copy so many elements from other movies. In nearly every scene, there's a hint of Pirates of Caribbean, Mad Max and multitude of classic Disney flicks. The straightforward plot doesn't help either, it's tedious to see the predictable developments ahead. Ancient prophecies, letter from the past and hidden power manifestation are tired gimmicks. Please, you know he's gonna fly at some point.

For a movie that looks so appealing, Pan never really takes flight. One might find happy thoughts on the visual and songs, but the CGI charm and adventure gimmicks will not last through its boring plot.

I took my nephew and niece to see this movie this past week, and one thing was clearly noticeable. The movie is a bit to overwhelming for small kids.

However, if you don't go to this movie to see a funny and uplifting 'Hook' remake, but instead go to see a more deep and thrilling retelling of a childhood tale, you will be most pleasantly surprised. The movie, from this point of view, is fantastic.

I feel bad that it has received such harsh reviews from parents that apparently took their small kids to a movie without first at least watching the trailer. Its a bit darker then its predecessors, but is clearly shown that way through the trailer.

Let me put it this way, if the trailer looks like a movie you want to see, you will not be disappointed here.

Going into this movie, I knew it wouldn't do well at the box office. Unfortunately, that is true, due to the negativity surrounding it. It did indeed bomb at the box office... By default, does that mean it's a bad film? Absolutely not. As a matter of fact, I found it a ton of fun to watch!

The biggest problem the movie has is there are quite a few scenes that seem to rush themselves. Aside from that, the characters are a sheer delight to watch; all the cast members were clearly having a ton of fun in their respective roles and one can't help but feel that when watching. The music is absolutely enchanting and the visual effects are gorgeous; one scene in particular, though barely a minute long, has a beautiful combination of music, cinematography, and character intensity.

Fans of the source material may not like the changes they made, but try to watch this movie with the unbridled ambition of a child's imagination and judge the movie as a movie on its own merits first... and who knows? You may enjoy it too!

Like the recent "The Force Awakens," this is a movie that should really only be seen in 3D on a 100-foot screen and all-around loudspeakers. Why? Because where it excels is in its visual and audio presentation, which is simply superlative. As a viewer, you need to be captivated by this aspect of the cinematography because, in all other respects, it's a so-so film.

To be fair, it's decently acted, although perhaps not outstandingly so. None of the acting performances stank, but the actors weren't given a lot to work with so far as character depth was concerned. Some of the parts were played for laughs which, of course, is fair enough in a film of this genre. The part of Hook was ambiguous -- we all know that Hook turns out to be a villain, so it isn't clear why he's a good guy (and a rather insipid one) here. Still, perhaps the film-makers are already planning a sequel that will do for Hook with "Revenge of the Sith" did for Darth Vader?

In the end, what lets Pan down is the storytelling. If this were a children's book, rather than a blockbuster movie, by about page ten you'd be wondering what the heck was going on. So much of the plot makes no sense. Why is it such a big deal that Peter can fly? What does it prove if he can? The fantasy world is full of ships that fly about with no visible means of support, so clearly magical flight is unremarkable. Why do the characters keep bursting into song? It's not a musical, right? The characters in the original book have a certain amount of depth, and as a reader you can't help wondering what their back-stories are (which, of course, is a hallmark of great character writing). Pan ought to answer that question, but it doesn't -- we don't really learn anything about why Peter, Tiger Lily, Smee, et al., are who they are.

You can have the original Peter Pan performed on a packing-crate stage by high school kids, and it can still be magical. But if you take all the high-tech whizzbangery away from Pan, I wonder what is left? Not a great deal, I suspect.

For all that, worth watching in the right environment.

If there was a more awkward movie than Pan released in the last few years I'd certainly like to know about it as Joe Wright's big budgeted wannabe franchise starter is a lavishly coloured and extravagant picture that lacks knowledge of what it actually wants to be or who in fact it's aimed at and judging by the films flopping at the box office the world over, it seems as though audiences too struggled to figure out who should be watching this revamping of J.M Barrie's classic material or why they should be watching it.

Tonally all over the place and with a story that seems to meander about the motions until a highly lacking finale and lack of answers regarding certain story questions (a glaring one being how Hook and Pan in fact become enemies as they are adventures together here), for the first time in his quietly impressive directing career Wright seems completely lost within his narrative and fails to liven up proceedings despite throwing every known colour onto the screen, plopping in Nirvana songs and letting many of his actors ham it up to level 11 to try and cover up the fact Pan's story is actually rather dull in a world that should be anything but.

Our Pan here is played by newcomer Levi Miller and the poor young performer labours in his first major turn injecting Peter with neither the charm, smarts nor emotion that was needed for the role. When you consider however how his cast alongside a horribly miscast double act of Garrett Hedlund (who continues to frustrate as a lead actor) and the beyond bad Rooney Mara, the child performer didn't really stand much of a chance. The films only saving grace acting wise is Hugh Jackman who has a blast playing Blackbeard the fearsome pirate who will stop at nothing to collect that sought after pixie dust but while he has fun it still doesn't make a whole lot of sense having Blackbeard in this beloved tale.

Whilst normally it would not be something called out for by the masses it would've actually been nice for Pan to stick more closely to the original Peter Pan story that has enchanted readers and viewers for decades upon decades and while its commendable for a big budget film to take such a risk on a new take on a well-trod property, Pan is a stinging reminder of what can go wrong when money is thrown all over the place and scripts seem doctored to tick off as many set piece wish lists as possible and for the first time in his career Joe Wright has crafted an almost irredeemably bad piece of cinematic entertainment.

All those seeking a Peter Pan fix are much better off seeking out a copy of Disney's beloved animated take or even the similarly styled Steven Spielberg event Hook.

1 ½ awkwardly used Nirvana song out of 5