Pan - Viaggio sull'isola che non c'è

Like the recent "The Force Awakens," this is a movie that should really only be seen in 3D on a 100-foot screen and all-around loudspeakers. Why? Because where it excels is in its visual and audio presentation, which is simply superlative. As a viewer, you need to be captivated by this aspect of the cinematography because, in all other respects, it's a so-so film.

To be fair, it's decently acted, although perhaps not outstandingly so. None of the acting performances stank, but the actors weren't given a lot to work with so far as character depth was concerned. Some of the parts were played for laughs which, of course, is fair enough in a film of this genre. The part of Hook was ambiguous -- we all know that Hook turns out to be a villain, so it isn't clear why he's a good guy (and a rather insipid one) here. Still, perhaps the film-makers are already planning a sequel that will do for Hook with "Revenge of the Sith" did for Darth Vader?

In the end, what lets Pan down is the storytelling. If this were a children's book, rather than a blockbuster movie, by about page ten you'd be wondering what the heck was going on. So much of the plot makes no sense. Why is it such a big deal that Peter can fly? What does it prove if he can? The fantasy world is full of ships that fly about with no visible means of support, so clearly magical flight is unremarkable. Why do the characters keep bursting into song? It's not a musical, right? The characters in the original book have a certain amount of depth, and as a reader you can't help wondering what their back-stories are (which, of course, is a hallmark of great character writing). Pan ought to answer that question, but it doesn't -- we don't really learn anything about why Peter, Tiger Lily, Smee, et al., are who they are.

You can have the original Peter Pan performed on a packing-crate stage by high school kids, and it can still be magical. But if you take all the high-tech whizzbangery away from Pan, I wonder what is left? Not a great deal, I suspect.

For all that, worth watching in the right environment.

I took my nephew and niece to see this movie this past week, and one thing was clearly noticeable. The movie is a bit to overwhelming for small kids.

However, if you don't go to this movie to see a funny and uplifting 'Hook' remake, but instead go to see a more deep and thrilling retelling of a childhood tale, you will be most pleasantly surprised. The movie, from this point of view, is fantastic.

I feel bad that it has received such harsh reviews from parents that apparently took their small kids to a movie without first at least watching the trailer. Its a bit darker then its predecessors, but is clearly shown that way through the trailer.

Let me put it this way, if the trailer looks like a movie you want to see, you will not be disappointed here.

Going into this movie, I knew it wouldn't do well at the box office. Unfortunately, that is true, due to the negativity surrounding it. It did indeed bomb at the box office... By default, does that mean it's a bad film? Absolutely not. As a matter of fact, I found it a ton of fun to watch!

The biggest problem the movie has is there are quite a few scenes that seem to rush themselves. Aside from that, the characters are a sheer delight to watch; all the cast members were clearly having a ton of fun in their respective roles and one can't help but feel that when watching. The music is absolutely enchanting and the visual effects are gorgeous; one scene in particular, though barely a minute long, has a beautiful combination of music, cinematography, and character intensity.

Fans of the source material may not like the changes they made, but try to watch this movie with the unbridled ambition of a child's imagination and judge the movie as a movie on its own merits first... and who knows? You may enjoy it too!

Sassy British descendant of Time Lord Cosette and Thumbelina's Prince Cornelius is orphaned with his flute necklace and surrounded by ninja-kicking nuns who sell children on the black market. After being abducted by Jean Valjean the Nirvana-loving dictator, he befriends Indiana Jones, who falls in love with Emily Blunt's Native American alter ego. He is then saved from flying crocodiles by the Cara Delevingne mermaid quadruplets (with glowing Rapunzel hair) who live in a sea of memories. He proceeds to discover he has the force, pixie-edition, and saves Atlantis the lost fairy-kingdom empire, adopting the title of "The Chosen One". And after all of this, we still don't find out what caused the proverbial bad blood between Peter Flute and Captain Indiana Hook. So there's that.

Despite all of this (or maybe because of it), I actually did enjoy the movie quite a bit. Even if the singing of Smells Like Teen Spirit left me confused and thinking of Moulin Rouge.

The visuals are stunning. Hugh Jackman is just great, clearly relishing his role. His performance alone makes the film worth a watch. The story is capable of dragging you in. You have to forget your Peter Pan pre-conceptions and accept that this is different. Be prepared to go with the flow.