The Neighbor

The neighbour is a slow burn, but well-paced thriller that takes place in rural America, where a couple finds their Neighbor commuting kidnap-for-ransom. Think of something like 'The Collector' which Josh Stewart is also cast in.

The first intro to the neighbour is near perfect, creates a tense atmosphere, and leaves you guessing what he's up to

The score sets the tone of the movie incredibly; and is probably my favourite aspect of this film.

The setting of this movie makes a lot more sense than something like "The Collector" as The Neighbor is set in a rural town. Less Pele means those people can get away with more. While an underground lair full of women-for-ransom doesn't make much sense; it's more believable than it occuring in a suburban street.

Josh Stewart does a great job with the lead as usual; though I think the show is stolen by the antagonist, played by Bill Engvall. An extremely convincing performance.

Only draw backs are the choppy editing, and even choppier slow-mo scenes, and the awful comic-book-esque punch sound effects.

Overall an entertaining thriller, with solid acting and an semi-interesting story.

I'm a big fan of Marcus Dunstan. I'll never forget being in a hotel room late one night when a movie I'd never heard of called 'The Collector' came on, and I thought I'd give it a look. What followed were 90 of the most intense minutes I can remember seeing on film. While I still enjoyed 'The Neighbor', I can admit it didn't quite live up to those high standards. It's a fun premise, but instead of being tense from whoa to go, it has long sequences that are actually rather dull and hard to focus during. Those are really the only parts that let it down though, because the rest is excellent.

Josh Stewart fills the lead role again. I think he's an under-appreciated actor. He brings a tremendous intensity to a movie and manages to be likable, even when playing a crook (although often a crook who is the lesser of two evils). The main villain isn't quite as memorable as 'The Collector', hence the more toned down film title of 'The Neighbor'. I suspect that is what Dunstan was going for though. A more grounded and realistic story, while still keeping all the suspense of his previous films. He almost pulls it off to perfection and with some simple editing tweaks this could have been something very special. Alas it will have to settle for being an above average thriller.

The 2016 movie titled "The Neighbor" starts out fairly slow and doesn't really progress much at any kind of speed, right up until Rosie sees something through the binocular. But then the movie does kick up into an impressive gear, and leaves behind its former semi-boring pace.

Without going too much into detail about the actual storyline, I will just briefly summarize the movie. John and Rosie are planning to leave town in order to start a new and better life, when Rosie makes a gruesome discovery through a looking glass directed towards their neighbor. And when John comes home, Rosie is nowhere to be found...

What works out in "The Neighbor" is the way that director Marcus Dunstan constructed the movie and managed to build up a good atmosphere and a sense of dread throughout the course of the movie. There is a good flow to the storyline, once it kicks into gear.

And the acting in the movie was quite good, although you shouldn't expect any dramatic Shakespearian thespian performances though. But people did good with their roles and character, taking the genre and fairly simplistic storyline into consideration.

I will say that Josh Stewart (playing John) actually stood out among the acting talents in "The Neighbor", because he really carried the movie quite well.

However, the movie did suffer from an overshadowing predictability. You knew what would happen throughout the course of the movie, and you knew how it would end. To that point, it was somewhat of a disappointment, because "The Neighbor" didn't really bring anything new to the crime / thriller genre which hadn't already been seen countless times before.

"The Neighbor" is a good movie for an evening's worth of entertainment. However, I doubt that you will be putting the movie on a second time around, because once you have seen the movie, there just isn't enough meat on the bone to support more than a single viewing.

The acting is at a good level, as is the camera work. The plot is quite standard. You will not be able to meet any unexpected plot twists. The film was created within the framework of the genre and performs in it at a quite good and solid level. Does not cause any negative emotions, but also joy. It is worth watching, but only for fans of the genre, while others do not need to.

There were many opportunities throughout the movie to make the 'neighbor' more mysterious, more freaky, and more cunning, but these were quickly abandoned in favor of a more clichéd criminal. That is my largest disappointment with this film. Otherwise, it worked well as an action/thriller.

The protagonists are caught up in a mob's smuggling operation, and they use a telescope to spy at people through the window. One day, the girlfriend (Who, I assume by the hero's subsequent panic is never supposed to leave the house) spots something incriminating and is nabbed by the neighbor. (Yes, this is the actual premise of the film, not the more innocent summaries I have read elsewhere. I don't know why they bother hiding the fact that their protagonists are criminals too).

So everybody, who is incidentally criminal, is trying to get one up on each other by sleuthing, tackling, slashing, shooting and your usual hijinks. The movie has good photography, good soundtrack, and is a bit gritty - kind of like the only quality everybody seems to need to survive.