VALUTAZIONE IMDb
5,4/10
11.945
LA TUA VALUTAZIONE
I rimpianti di un ragazzo per essersi trasferito con la sua ragazza si aggravano quando lei muore e torna come uno zombi.I rimpianti di un ragazzo per essersi trasferito con la sua ragazza si aggravano quando lei muore e torna come uno zombi.I rimpianti di un ragazzo per essersi trasferito con la sua ragazza si aggravano quando lei muore e torna come uno zombi.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 1 candidatura in totale
Wyni Landry
- Goth Girl #1
- (as Wyndoline Landry)
- …
Katie Roberts
- FHM Centerfold
- (as Katie Ross)
London May
- Black Metal Bar Goth
- (non citato nei titoli originali)
Mindy Robinson
- Mindy
- (non citato nei titoli originali)
Recensioni in evidenza
More often than not, when I rate a film two or two and a half stars, I'm coming from a place of "Well it's not really for me, but I guess I could see why it might have appeal". Burying the Ex on the other hand comes from a place exactly opposite to that. It's like every five minutes there was something dropped precisely to cater to my interests, but there's no appeal at all. And no amount of goth bars I'd kill to have in my town, horror-themed ice cream parlours, Joe Dante directorial credits or Alexandra Daddario getting her kit off in a graveyard can make up for that.
It's not outright boring, which is certainly welcome, but it's horror that's not scary, comedy that's not funny, and bears not one but two life lessons that seem well learned until they're *both* dropped in the final scene.
I'm not going to make any "Should have stayed buried" digs, because it's really not *that* bad, but I'm not going to recommend it either.
It's not outright boring, which is certainly welcome, but it's horror that's not scary, comedy that's not funny, and bears not one but two life lessons that seem well learned until they're *both* dropped in the final scene.
I'm not going to make any "Should have stayed buried" digs, because it's really not *that* bad, but I'm not going to recommend it either.
Wuss (Anton Yelchin) works up the courage to break up with his girlfriend (Ashley Greene) but, before he can go through with it, she's hit by a bus and killed. Just as he is about to start a new relationship with another hottie (Alexandra Daddario), the dead girlfriend returns as a zombie.
I had a hard time liking Anton Yelchin's character. He's this wimpy hipster unmotivated guy that I doubt I could stand for five minutes in real life. Surprisingly, there's no mention of his smoking weed as there usually is with characters like this. You're slacking on your clichés, Joe Dante. He also doesn't contribute much in the humor department. That's left on Ashley Greene's shoulders. Oliver Cooper plays Yelchin's half-brother, which is itself supposed to be a joke of some kind. It's repeated throughout the movie despite never being funny. Some people have half-siblings. I don't get what's funny about that. Outside of that 'joke,' he's pretty much the Jonah Hill character. You know, the fat gross guy who is inexplicably attractive to women and whose material is something that was envelope-pushing decades ago but now seems trite. Consider yourself warned he is naked in this so don't eat while watching. As for Ashley Greene, she owns this thing. She delivers all of the movie's laughs and things just seem less interesting when she's off-screen. Sexy Alexandra Daddario is given little to work with but does fine.
I'm glad to see Joe Dante is still around and hasn't completely lost it. I mean, this is nowhere near the stuff he made in his prime, but it's better than anything John Landis has made lately. It's got a lot of the expected Dante touches (perhaps too many), such as old horror movies constantly playing in the background, a moving truck with the name Romero on it, and an amusing guest appearance from Dick Miller. It almost feels like Dante is homaging himself at this point. Aside from these touches, there really is nothing about this that stands out from a thousand other directors with less status. The movie looks as though it could have been made for television, honestly. It's a watchable horror comedy, funny in parts and gross in others. Worth a look but don't expect much.
I had a hard time liking Anton Yelchin's character. He's this wimpy hipster unmotivated guy that I doubt I could stand for five minutes in real life. Surprisingly, there's no mention of his smoking weed as there usually is with characters like this. You're slacking on your clichés, Joe Dante. He also doesn't contribute much in the humor department. That's left on Ashley Greene's shoulders. Oliver Cooper plays Yelchin's half-brother, which is itself supposed to be a joke of some kind. It's repeated throughout the movie despite never being funny. Some people have half-siblings. I don't get what's funny about that. Outside of that 'joke,' he's pretty much the Jonah Hill character. You know, the fat gross guy who is inexplicably attractive to women and whose material is something that was envelope-pushing decades ago but now seems trite. Consider yourself warned he is naked in this so don't eat while watching. As for Ashley Greene, she owns this thing. She delivers all of the movie's laughs and things just seem less interesting when she's off-screen. Sexy Alexandra Daddario is given little to work with but does fine.
I'm glad to see Joe Dante is still around and hasn't completely lost it. I mean, this is nowhere near the stuff he made in his prime, but it's better than anything John Landis has made lately. It's got a lot of the expected Dante touches (perhaps too many), such as old horror movies constantly playing in the background, a moving truck with the name Romero on it, and an amusing guest appearance from Dick Miller. It almost feels like Dante is homaging himself at this point. Aside from these touches, there really is nothing about this that stands out from a thousand other directors with less status. The movie looks as though it could have been made for television, honestly. It's a watchable horror comedy, funny in parts and gross in others. Worth a look but don't expect much.
Not exactly of course, although this does feel like its aimed at a specific audience. Some might feel it's a bit too soft for them and that it feeds too many clichés throughout, but that would take all the fun out of it, if you'd reduce it to that. I understand that that's how some will feel (or felt) after watching this.
You missed out on a fun ride though. Yes you know where this is going, from start to finish, but it's fun to watch. Anton Yelcin seems to have a soft spot for the fantastic/light horror entertainment, which is a nice thing. Dante is an experienced director to say the least and he knows how to mix humor with some violence. It might not always work, but when it does (combined with the acting) it's funny
You missed out on a fun ride though. Yes you know where this is going, from start to finish, but it's fun to watch. Anton Yelcin seems to have a soft spot for the fantastic/light horror entertainment, which is a nice thing. Dante is an experienced director to say the least and he knows how to mix humor with some violence. It might not always work, but when it does (combined with the acting) it's funny
A guy (Anton Yelchin)'s regrets over moving in with his girlfriend (Ashley Greene) are compounded when she dies and comes back as a zombie.
Apparently this film has largely negative reviews. That surprises me. I can understand mixed reviews, because this is definitely not Joe Dante's finest film. But where are the horror fans who appreciate all the great references? This is definitely a love letter to horror fans, the ones who are gore to the core.
Maybe the humor was a little off. I thought the sex factor was played up a bit more than it ought to have been (but I am also very prudish). And Ashley Greene was somewhat annoying (though this was how her character was scripted, so that should be a compliment). Overall, this was enjoyable and light. I can see it getting improved reviews as time goes on.
Apparently this film has largely negative reviews. That surprises me. I can understand mixed reviews, because this is definitely not Joe Dante's finest film. But where are the horror fans who appreciate all the great references? This is definitely a love letter to horror fans, the ones who are gore to the core.
Maybe the humor was a little off. I thought the sex factor was played up a bit more than it ought to have been (but I am also very prudish). And Ashley Greene was somewhat annoying (though this was how her character was scripted, so that should be a compliment). Overall, this was enjoyable and light. I can see it getting improved reviews as time goes on.
The Plot.
When Max (Yelchin) learns that his new live-in girlfriend, Evelyn (Greene) is controlling and manipulative, he is afraid to end the relationship.
However, fate occurs and Evelyn is killed in a freak accident.
A couple months have passed and Max meets his dream girl, Olivia (Daddario).
The new romance gets tricky when Evelyn comes back from the grave and insists on continuing their once relationship by all means.
This is NOT a train wreck in the slightest. It's easy to watch and entertaining. Not really sure why Dante never caught fire after the Gremlins. Maybe it's because his style is more suited for TV. Who knows?
This film was a good surprise. If you are a fan of really bad B horror/sci fi films like I am and like Dante is, you'll get a bonus by watching this movie.
Too be sure, it's a small film with a limited budget, but you can do a lot worse.
When Max (Yelchin) learns that his new live-in girlfriend, Evelyn (Greene) is controlling and manipulative, he is afraid to end the relationship.
However, fate occurs and Evelyn is killed in a freak accident.
A couple months have passed and Max meets his dream girl, Olivia (Daddario).
The new romance gets tricky when Evelyn comes back from the grave and insists on continuing their once relationship by all means.
This is NOT a train wreck in the slightest. It's easy to watch and entertaining. Not really sure why Dante never caught fire after the Gremlins. Maybe it's because his style is more suited for TV. Who knows?
This film was a good surprise. If you are a fan of really bad B horror/sci fi films like I am and like Dante is, you'll get a bonus by watching this movie.
Too be sure, it's a small film with a limited budget, but you can do a lot worse.
Lo sapevi?
- QuizNear the beginning of the film a moving truck can be seen with the name Romero & Sons. A reference to George A. Romero who is the father of zombie movies.
- BlooperAt one point early in the movie, Evelyn tells Max he should "replace those incandescent tubes, and get some compact fluorescents". The bulbs shown are in fact fluorescent tubes (not incandescent), and compact fluorescent bulbs would not work in that type of fixture.
- Curiosità sui creditiA behind the scenes clip of the special effects vomit gag is shown after the end credits.
- ConnessioniFeatures Plan 9 from Outer Space (1957)
- Colonne sonoreMain Title
From Destinazione Terra (1953)
Composed by Herman Stein (ASCAP)
Gilead Music Co. (ASCAP)
Courtesy Monstrous Movie Music
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Burying the Ex
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 668.777 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 2.39 : 1
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