Queen

This film is a good example of Director's clarity of mind regarding characterization, mood of scenes and way of approach. Director Mr Vikas Bahl work is fantastic. In spite of very thin story line he projected this movie in a very unique, interesting and entertaining way. This movie speaks less and shows maximum. Screenplay is average. Dialogues by Anvita Dutt and Kangana Ranaut are very good. Even very average scenes are so good just because of expression and the way of taking the scene i.e When Rani goes on stage for dance, she copies other dancers and removes her sweater, rolls it like them but in spite of throwing it like them she keeps it in her bag. The way she struggles with the bag snatcher that this average scene comes out a laughter riot. Director inserted some flash back between the scene, which enhanced the scene very well and also projected some different emotions. Even the small characters are minutely observed . In a scene Rani goes to meet her family friend in Paris but that family ladies discuss about the money given to her just for a good luck or rituals. They minimize the amount because Rani is a distant relative. When Rani lives in Paris with her wonderful room mates, in this complete sequence Rani is wondered so director chose a T-shirt for Rani with quotation Alice in wonderland. This quotation clearly reflects Rani state of mind. Director never goes over board and never let the actors go over board. So, interest and entertainment remain intact. Of course Director has been supported by fantastic performance of actors. Kangana Ranaut is out standing. No one could have have performed better than her. Raj Kumar Yadav is OK. Lisa Haydon as Vijaylaxmi is fantastic. All actors are very good including Rani's Paris room mates. Music by Amit Trivedi suits the mood of film.

GO and WATCH this movie in theater. Bollywood needs high quality movies like this, which are not only meaningful but also provide full entertainment and fun without appearing pretentious/ fake. These are the kind of movies that need to make money so that producers invest in them.

I feel a bit out-of-league reviewing this movie. When all the movie critics and stalwarts of Bollywood such as Karan Johar and Aamir Khan have highly praised this movie and Kangana Ranaut's performance in almost unanimous voice, it really leaves one with nothing more to say. So I am going to only mention few things in more detail.

Ranaut's performance: One of the best performances to come out of Hindi cinema in several years, this is not about shedding tears, yelling, looking cute/ gorgeous or dancing (which interestingly accounts for "good acting" for most Indian audience). It is marked by subtleties, such as faintly raised eyebrows, shrunk nose, narrowed eyes, aversive gaze, awkwardly positioned arms/ legs, contorted body, crestfallen face, shadow of a smirk, etc. Even when she cries, her wailing makes you wonder if you are really watching an act? Ranaut, who in real life is well-known as a fashionista, has transformed her body language, her mannerisms and her expressions completely for this role. One thing is certain - it is hard to imagine any other actress in this role and hard to imagine this movie without Kangana Ranaut as Rani.

Vikas Bahl's direction: The credit also goes to the director, Vikas Bahl. Without him, the movie could have been a wreck. The movie has a very simple plot and is therefore not an easy story to make a movie with. But Bahl manages to steer clear of all traps for derailment that the story provides. The movie may seem a bit slow in the middle, but then, without sufficient time to develop the emotions and attitude of the character, the movie would not be as effective. He is also one of the very few directors who have managed to utilize Ranaut's potential as an artist. I heard in an interview that Bahl allowed Ranaut creative freedom, allowing her even to pen her own dialogs for some parts of the movie - wish all those control freaks out there are hearing!

Story/ Screenplay/ Dialog: Rani's challenges in this story are not hers alone - they are the trials of every person, man or woman, who has felt diffident owing to their cultivated nature or low-spirited when bowed down by circumstances. This is a story of gaining perspective and discovering one's potential through travel, cross-cultural exposure and external support. That is why the story is so meaningful for every person. One of the reasons the movie works is because it has realistic dialog - dialog as Indians use in normal daily life, nothing cheesy that Hindi movies are so used to.

Music: The movie is aptly supported by Amit Trivedi's foot-tapping and innovative score. That said, if I could, I would either eliminate some songs or shorten them just to reduce the length of the movie.

Entertainment factor: Make no mistake, this is NOT an "art film" or parallel cinema. This is a highly entertaining and fun movie that also happens to be high quality and meaningful. Though the protagonist of the movie is a woman, the movie is equally entertaining for all men and women.

Wanna experience a hot air balloon ride? If not literally, Vikas Bahl's 'Queen' will surely give you the feel! This one too takes off after fire of strife but gradually zooms up in the air higher and higher, all liberated from the shackles of earthly rules and grief. 'Queen' is a journey of discovering oneself. Simply put – "When things go wrong, cry not; gather your guts, not just move over but fly!". A more detailed analysis follows:

• Plot: The plot resembles Gauri Shinde's 'English vinglish' in its theme but it is the execution and premises which makes 'Queen' more exuberant. While the former was poised and mature, this one is raw, yet sensitive, sensible, effervescent, all at the same time. How an otherwise banal story on paper could become so entertaining on-screen, only Bahl can tell. He injected the same positivity in his debut venture 'Chillar party' earlier. Another endearing fact is the handling of 'haww'-type (by Indian sanskriti standards) cheeky humor gracefully enough to make it watchable with family. Dialogues by Anvita Dutt and Kangana (yes, she has contributed here too) are pertinent. Despite lot of French and little Japanese here & there (with no subtitles), you don't mind as the situation and emotions say it all. Dilliwali Punjabi lingo, though, adds credibility. Heartiest congratulations to Anurag Kashyap and Vikramaditya Motwane for shelling put money for such a cinematic delight!

• Cast: It is out and out Kangana's film, with all others in supporting role. Bahl is believable in saying he penned Rani's role keeping only her in mind. No other actress would have better lived the vulnerability, innocence, craziness, elegance and emotions of Rani, the way Kangana did. This movie will definitely mark as a milestone in her career and give all reasons to other filmmakers to look beyond her fashionistic persona. Donning demure, no make-up, plaited look and wearing kurti with sweaters, she looks perfectly the Indian girl next door. At the climax too, she looks glamorous not out of the dress but the confidence she wears! Full marks to casting directors as all actors play within the skin of their respective characters, be it the confused Rajkkumar Rao, Rani's family (Dadi is esp. lovable), sensuous smart Lisa Hayden or Rani's endearing firangi friends.

• Cinematography: On Rani's canvas, you get to move from rues of Lajpat Nagar to the majestic Eifel Tower to the picturesque bridges of Amsterdam! Kudos to Siddharth Diwan and Bobby Singh for the awesome camera work!

• Music: Amit Trivedi is a winner all the way. Already hit "London thumakda" gives way to "Ranjha", classical pop 'Badra bahaar' and 'O gujariya'. However, it is the remixed "Hungama ho gaya" from 'Anhonee' (1973) rendered emphatically by ever boisterous Asha Bhosle, which stays with you even after you leave the theatre. Songs are nowhere a speed- breaker in this flick.

• Flaws: I failed to find any. :)

The film ends with a confident rejuvenated Rani thanking her betrayer for giving her the opportunity for self-awakening; we as audience thank the director for infusing optimism into the minds and hearts of esp. female watchers. Go ladies, this one's the best Woman's day gift you can give to yourself. Men too will surely enjoy it for all its youthfulness. It's a movie for all. HIGHLY RECOMMENDED.

My rating: ****1/2 (my favourite in the last 1 year)

P.S.: Ending credential FB ishtyle are not to be missed!

Queen (Hindi): The Phantom Productions are back with a bang this year after their fresh romance in "Hasee Toh Phansee" with the story of a typical Punjabi girl whose journey causing the change of her real identity which has been shown brilliantly in the film which has shades of films like "Jab We Met" , "Zindagi Milegi Na Dobara" and even some of the Satyajit Ray's films like "Charulata" and "Mahanagar" . Hatsoff to director Vikas Behl for showing the brilliant character development of the protagonist (played by Kangana Ranaut) from Rani to Queen which scores in its riveting screenplay (Behl, Parveez Sheikh and Chaitily Parmar) along with crackling dialogues (Anvita Dutt and Kangana Ranaut), the cinematography by Bobby Singh and Siddharth Diwan actually reminds of the film 'Dev D' and it captures the locales beautifully along with the moments in the film and then comes the music score by Amit Trivedi which is simply fabulous and scores in making the narrative flow like anything. In the performances, the foreign cast (Bokyo Mish, Jeffery Ho and Joseph Guitobh) are simply superb and riveting. Rajkummar Rao and Lisa Hayden provide shoulder brilliantly to the protagonist and it's development. Last but not the least, it's Kangana Ranaut who brilliantly carries the film on her shoulders and she repeats her brilliance what we saw in films like "Gangster" and "Fashion" and she comes out as a real winner and a real Queen. Despite some draggy moments, director Behl's narration succeeds in making the film worth a watch for some fresh cinematic experience. My rating would be: 4/5.

Today is international women's day and this movie is a perfect gift. Kangna acts super fantastic with her cute expressions as a typical Desi girl who loves her family, gets over the fear and humiliation of no marriage and lives her own life to the full. First half is very pleasant, Lisa has a good comeback to this movie and impresses well. "London Thumukda" song makes audience tap their feet once. I had no idea that Kangna can live up to this mark, her appearance is quite impressive and i guess every Indian girl will like her. If you are assuming her to be the same as in "Tanu weds Manu", you are mistaken. You will not be disappointed. My rating: 8/10