Madea - Matrimonio alle Bahamas

Twenty years ago madea bust out into cinemas and went number one. You almost have to have grown up around a family like this to understand the humor. The soundtrack and humor were fun.

Today it's been seen and done several times over. This time around the gang is back together for a wedding. Turns out the kids from earlier movies are grown and now the little girl is the one engaged. Along the way there are some dilemmas and crisis that arise that need fixing. It's been said and done and seen before.

Theres nothing new here but I came along for the ride anyway because I grew up on these plays. This is a watchable 2hrs with humor and decent music. Along the way a lesson gets learned too. Not a bad movie just nothing new.

As a longtime fan of Madea, I came into Madea's Destination Wedding with some hope - but unfortunately, this one just didn't land. The plot is confusing, and the pacing is all over the place. Scenes jump around without much cohesion, and the overall structure feels like a rough first draft rather than a finished movie.

The comedy, which is usually a highlight in Madea films, was surprisingly lackluster. While there are a few funny moments, they're drowned out by how disorganized the movie feels. The humor often falls flat or gets lost in the chaos.

Xavier Smalls' performance, in particular, felt underwhelming and out of place. His character seemed like an afterthought - not well written and barely contributing to the story. Honestly, it felt like he was just there to fill time.

More than anything, this film doesn't feel like a wedding movie. It feels more like Madea, Joe, Cora, and Aunt Bam randomly ended up on vacation with a camera crew following them. There's no real emotional payoff, no meaningful wedding story - just scattered jokes and random subplots.

Not the worst thing I've ever seen, but definitely one of the weaker entries in the Madea franchise. Predictable, unoriginal, and missing the heart and hilarity that made earlier films so enjoyable.

I was disappointed with this. Madea seemed kinder and softer - remember when Omarosa said this about Wendy Williams. The tv version of Wendy Williams was not as hard and tough as the television version.

There were s couple of funny scenes but this was hardly the 2003 Madea we all knew. I do hope though that people watch. Madea still can be salvaged. Truth be told, Madea needs to be back live on stage. Madea is awesome as an on stage grandmother.

Madea ideas are not over. I can think of a few titles - Madea's half sister. A reboot of the Madea farewell play with some of those characters possibly striking it rich! I just need something challenging.

As expected, Madea and the gang bring plenty of laughs-some scenes are genuinely hilarious and over-the-top in a way fans will appreciate. However, the overall storyline felt weak, overly sentimental, and lacked any real intrigue. The acting leaned heavily into caricature territory, making much of it feel unrealistic or forced. While A Jazzman's Blues showed Tyler Perry still has strong storytelling chops, this felt like a quick Madea cash grab. Still, the humor lands enough to make it a decent watch if you're just looking for some laughs.

Also what the heck was with Tyler Perry's eyes at the actual wedding?

The film unfolds with a seemingly vibrant backdrop of a destination wedding in the Bahamas, setting the stage for what initially promises to be an engaging narrative. However, it quickly becomes apparent that the plot is predictable, adhering to familiar tropes often seen in Tyler Perry's previous works. The storyline lacks distinctive elements that could set it apart, resulting in a formulaic progression that offers few surprises.

The comedic elements fall flat, failing to elicit genuine laughter or evoke strong emotional responses. While the film is not without its merits-it remains watchable and competently produced-it ultimately feels like a routine addition to the genre rather than a refreshing or innovative entry. The overall impression is that of a film created more for commercial appeal than for artistic exploration.