Mura

Since I've been finding good Malayalam movies recently, I started looking for another Telugu-dubbed Malayalam film. That's when I came across Mura. What attracted me to it was Suraj Venjaramoodu. I know him from his previous films like Jana Gana Mana and Mukundan Unni Associates, and I really like his subtle acting. He doesn't hesitate to take on any kind of role-whether it's the protagonist, a side character, or even an antagonist-as long as the character has depth and scope for acting. So if he was in Mura, I knew it had to be something special.

And it didn't disappoint. The story feels fresh and revolves around four young friends who get drawn into a local gang. When they get an opportunity to break into a vault loaded with black money, their lives take an unexpected turn. Now, you might be wondering where Suraj fits into all of this, since the story focuses on these four young men. Well, he plays the role of their gang leader. You should watch the film to see how their bond with him forms and what happens after they take on the risky mission of robbing the vault.

This is only the second Malayalam film in recent times I've seen that directly caters to Kerala's youth (the first being Pani). Mura delivers a message about young people who are drawn to violent crime, often out of thrill or fashion, and the consequences they face when they go too far. I think the filmmakers made a smart choice by having a well-known actor like Suraj lead a cast of relatively unknown young actors, ensuring that the movie got enough attention while still feeling fresh.

The director, Muhammad Musthafa, is a well-known Malayalam actor with plenty of acting credits, and Mura marks his second directorial venture. I really liked his direction style-he hooked us right from the intro scene and tied it back nicely in the climax. The four young actors delivered solid performances, with Hridhu Haroon standing out in particular. The movie starts off casually, showing how these young men get caught up in small gang fights, slowly gaining the trust of Suraj's character. Eventually, he gives them the job of retrieving black money from an abandoned factory. As expected, Suraj delivers a great performance with his signature subtle expressions. There's also a strong sister character who is just as powerful as Suraj's role, and she too did a fantastic job.

The second half of the movie transforms into a bloodbath of action-packed drama, leading to a shocking climax. I haven't seen such intense violence in a smaller Malayalam film before, but it felt justified. Of course, there are a few cinematic liberties taken-like when Suraj's sister's son brutally beats up the four young men to the point that they can barely walk, yet just a few hours later, they're back on their feet, attacking with full force. The same happens in the climax. Perhaps, since they're young, they have the resilience to withstand pain and fight back quickly.

The background score and cinematography are well done. As usual, the film is shot in real locations, something I love about Malayalam movies-they rely on natural settings rather than elaborate sets, making the visuals feel authentic.

If you're looking for a fresh and gripping action drama with Suraj's signature subtle performance, Mura is definitely worth watching.

Rating : 2.5/5

Suraj's acting was as good as the character he portrayed. Suraj is often known for his versatility, and it seems he delivered a commendable performance in this film as well. Maala parvathi ability to connect with the character and deliver a convincing performance likely added significant value to the movie.director had moments of visual brilliance, the overall execution might have lacked consistency.

Certain parts of the film felt dragged out or lacked the necessary pacing to keep the audience engaged.some action sequences to the Korean movie Bedevilled (2010).

I have recommended brutality as blurred sequences.

I watched this movie with zero expecatation and this one surprised me. Nice movie with a decent story. The movie is also packed -with some good action choreography. Suraj and the actor who played the role of the close aid have performed really well. Suraj once again proves that he is super versatile with whatever roles he gets.

The main highlight is the acting of the lead youngsters. Hridhu Haroon's performance is superb in his role and he has a good talent in acting, the other youngsters have also tried their level best. The portrayal of the camaraderie between the youngsters were well executed by the director.

Expecting more movie from Musthafa, the director in the coming years.

Overall, a nice action flick.

Four friends Ridhu, Jobin, Anujith, and Yedhru who are involved in petty crimes. These four friends cannot live without each other. They can even give their lives for each other. They do not have much purpose in life. But one day their lives take a turn when they meet their elder brother Ani and leader Ramadevi and agree to rob them. But while they are robbing this money, they face trouble. From which they cannot easily get out.

It is not good to be too greedy. Greed leads to death. The bad consequences of being greedy are presented very well in this movie, for which the director, writer, and all the actors of this movie deserve praise.

Suraj Venjarmudur's performance is truly praiseworthy. His presence has added a new dimension to the movie. The young actors have performed exceptionally. However, some parts of the movie could have been improved. Especially Mala Parvati's character. I think the movie would have been more enjoyable if her past history and how she became Ramadevi had been presented in depth. But we don't know her past.

Those who like friendship movies you should definitely watch it.

Notes: 1. Hridhu Haroon is truly a promising talent. He has a decent screen presence in the action and emotional scenes.

2. The other boys are also good in their respective roles. However, their bonding could've been written and established more strongly for greater emotional payoffs in the latter half.

3. Christy Joby's music (both songs & score) keeps the goings-on interesting.

4. The second half loses some steam, but the action blocks remain consistently solid. Chaman Chakko assembles them with raw finesse.

5. A cast-against-type Maala Parvathi makes for a worthwhile antagonist.

6. Suraaj easily makes for a believable Trivandrum-based gangster with a formidable past-something Prithviraj struggled with delivering in Kaapa.

7. The climax feels slightly abrupt, though the message (those who live by the sword die by it) is loud and clear.