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Anesthesia

  • 2015
  • R
  • 1h 30min
VALUTAZIONE IMDb
6,1/10
5244
LA TUA VALUTAZIONE
Anesthesia (2015)
Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.
Riproduci trailer2:01
2 video
10 foto
CrimineDramma

Molteplici vite si intersecano all'indomani della violenta rapina di un professore di filosofia della Columbia University.Molteplici vite si intersecano all'indomani della violenta rapina di un professore di filosofia della Columbia University.Molteplici vite si intersecano all'indomani della violenta rapina di un professore di filosofia della Columbia University.

  • Regia
    • Tim Blake Nelson
  • Sceneggiatura
    • Tim Blake Nelson
  • Star
    • Sam Waterston
    • Kristen Stewart
    • Corey Stoll
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    5244
    LA TUA VALUTAZIONE
    • Regia
      • Tim Blake Nelson
    • Sceneggiatura
      • Tim Blake Nelson
    • Star
      • Sam Waterston
      • Kristen Stewart
      • Corey Stoll
    • 41Recensioni degli utenti
    • 41Recensioni della critica
    • 55Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video2

    Official Trailer
    Trailer 2:01
    Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer

    Foto9

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    + 3
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    Interpreti principali49

    Modifica
    Sam Waterston
    Sam Waterston
    • Walter Zarrow
    Kristen Stewart
    Kristen Stewart
    • Sophie
    Corey Stoll
    Corey Stoll
    • Sam
    Gretchen Mol
    Gretchen Mol
    • Sarah
    Ivan Goris
    Ivan Goris
    • Ignacio
    Rob Morgan
    Rob Morgan
    • Parnell
    Mickey Sumner
    Mickey Sumner
    • Nicole
    Kaipo Schwab
    Kaipo Schwab
    • Tenant
    Tim Blake Nelson
    Tim Blake Nelson
    • Adam
    Philip Ettinger
    Philip Ettinger
    • Roger
    • (as Phil Ettinger)
    Natasha Gregson Wagner
    Natasha Gregson Wagner
    • Marta
    Erica Cho
    • Teacher
    Jacqueline Baum
    • Allie
    Ekaterina Samsonov
    Ekaterina Samsonov
    • Angie
    Hannah Marks
    Hannah Marks
    • Ella
    Ben Konigsberg
    Ben Konigsberg
    • Hal
    K. Todd Freeman
    K. Todd Freeman
    • Joe
    Michael Kenneth Williams
    Michael Kenneth Williams
    • Jeffrey
    • (as Michael K. Williams)
    • Regia
      • Tim Blake Nelson
    • Sceneggiatura
      • Tim Blake Nelson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti41

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    Recensioni in evidenza

    7kymchala

    Poignant, raw, sincere, heartfelt and entertaining.

    Anesthesia is a good title referencing the methods people use to escape, deal with and numb life's myriad of pain as opiates like pot, heroin, alcohol, sex, love, an affair, self-mutilation, charity, heroism and technology. Despite the huge impersonal gap caused by tech, this snapshot of one area shows how little our human dilemmas have changed and how interconnected we still can be. I enjoyed the storytelling, the acting and the philosophy. I do wish the end wasn't quite so abrupt though, leaving a feeling of loose ends.
    8slidingstage

    Beautifully Done!

    I had the pleasure of seeing Anesthesia at it's world premier at the TriBeCa film festival last night and was very impressed. Ensemble cast, multiple narratives and an "anemic" budget makes pulling this off quite difficult. But, they did. The stories develop well, come together when necessary but not to a point to where it comes off as a gimmick. And where the film could get have gotten lost in it's ambition, it still takes time for humor and delivers a story with an arc that's quite compelling. Tim Blake Nelson knew how far to take it, but also didn't get too deep into the weeds or over indulgent with his impressive cast.

    Honest filmmaking, deliberate performances and the best setting in the world make Anesthesia well worth checking out. Enjoy!
    VoyagerMN1986

    Intersecting stories trope done pretentiously and badly

    At first it is hard to pin down why this film just doesn't work. Ultimately it is a preachy, dull -- and dull minded -- mediocre work.

    Ok, so we have the intersecting story line. Not only is this getting tired but it is becoming the refuge of second rate ideas. Essentially a gimmick, and it is painfully just that here.

    Then we have philosophy "lite", ie some Socratic musings smattered with a bit of plagiarism of Plutarch and a mention of August. Its undergrad "western philosophy 101" haphazardly superimposed over unimportant events and uninteresting people.

    The kicker is the completely inappropriate apologia for predatory violence. Explain muggers who assault their victims, or rapists, or any other violent criminal as essentially no different than you or I, is just insulting. That is not a case of but the grace of god there go you or I, it is a case of a very small proportion of the population habitually committing predatory violence and choosing to permanently harm people
    5noelcox

    disappointingly predictable and self-indulgent

    I found this film to be disappointingly predictable and a self- indulgent piece of "entertainment".It would have been more entertaining to watch paint drying - and about as easy to guess the next scene. The characters were all two-dimensional and lacking in any depth.

    One detail that particularly irritated me was the lecturing manner - and content - of the supposed Columbia University philosophy professor. He addressed his class in a manner that no real lecturer would, speaking in over-written prose found only in bad novels - and poorer made-for-TV films. The subjects matter he seemed to cover was so eclectic and with such a tenuous connection to any school of philosophy that I wondered if the script writer was having a joke at the audience's - or academia's - expense.

    The concept of one incident linking various disparate individuals, and thus illustrating aspects of life - or in this case New York city - is so over-used that it will now only succeed with a better than average script. Unfortunately, despite the reasonably capable cast, this was a forlorn exercise.
    6SnoopyStyle

    good acting

    Professor Walter Zarrow (Sam Waterston) and another man are attacked on the streets of New York. Sam (Corey Stoll) comes to his side as he lies dying. Walter was bringing his weekly flowers to his wife Marcia (Glenn Close). His son Adam (Tim Blake Nelson) is dealing with his wife Jill (Jessica Hecht)'s cancer scare. Their kids Hal (Ben Konigsberg) and Ella (Hannah Marks) are dealing with sex issues while smoking weed on the roof. Walter's student Sophie (Kristen Stewart) is struggling with self-harm. Jeffrey (Michael Kenneth Williams) is desperate to force Joe (K. Todd Freeman) into drug treatment. Sarah (Gretchen Mol) is a soccer mom struggling with buried anger. These characters weave a tapestry of interconnected lives.

    The cast is top level. They deliver fine individual scenes. There is a compelling drive to uncover the connection between the characters. The connections aren't as poignant as it needs to be. The extended mugging section should come a little earlier so that the characters have more space to deal with the consequences. There is plenty of good acting. The plot is interesting although not the most compelling.

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    Trama

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    • Quiz
      The film wasn't announced by trade publications until after college students spotted Kristen Stewart filming on their campus in New York City.
    • Citazioni

      Prof. Walter Zarrow: But then, what do all these thinkers we've examined this semester have in common? If we truly explore to find a common thread? At the outset of a century that would constitute the bloodiest in human history. Along with scientific and technological advancements that would literally make us like gods. Even as we began to dismantle the very meaning of God. They ask: "What is a life? Does to live any longer have a how? Does it any longer have a why?" Against a backdrop of industrialization, people will contend with alienation, dislocation, population on a mass scale, and murder on a mass scale. They'll consider the constraints of truth, whether metaphor or paradigm, with many concluding actual truth has never existed. A nexus in the great human saga, when we dared to trade the organizing bliss of good and evil, right and wrong, as determined by a creator for other opiates: communism, socialism, capitalism, psychology, technology, any learnable system to replace what had begun to evaporate - the 20th century. My own, but, also the one into which each of you was born. For many, an era of hope liberation, possibility. For others, of abandonment and despair. A most human century in which we begin really to understand that Nietzsche was right: we are beautifully, finally, achingly, alone. In this void, philosophy at its worst becomes self-reflective, linguistic, semantic, relativism having rendered any discussion of right and wrong, good and evil, to be the quaint concerns of another age. At its most provocative, it asks other questions. Those concerned with locating our stranded selves, when meaning seems to have died, nothing less, in short, then "Why do we live at all?" and "What makes us who we are?" They ask, "What now?" And we're still asking it. What will fortify us as another century, your century, commences? Do we abandon finally the search for truths that seem ever more elusive, even silly to some? The ethical? The moral? The good? Principles that by definition can never be proved when so much now can be proved? Or is all this finally and forever pointless? Are we done? We can destroy cities, alter the planet irreversibly, speak instantaneously face-to-face from across the globe, create life where there was to be none, even while intoxicating ourselves with it all. And yet, how do we still seek purpose? And where do we hope to find it if we're so busy convincing ourselves there needn't be any? And so, we wander, eyes closed to the dark, while technology, science, medicine, and godlessness blaze illusions around us, with less to guide us now than ever, seemingly omnipotent, but more human and just as afraid. These quandaries do not end with this course in a week from today. They begin. And I certainly haven't taught these writers for 30 years just so you can drop references to existential thinkers and their antecedents at dinner parties. The crowd is untruth. In an era darkened by the false shade of imperviousness, you and those who pause to question, carry the light. It's been a wonderful 34 years. Let's not be strangers, either to one another, or, more importantly, to everything we've learned from one another. May your best years be yet to come. And so, for us all.

      [the class applauds, stands, and cheers]

      Prof. Walter Zarrow: Thank you, thank you, thank you.

    • Connessioni
      Referenced in The Tonight Show Starring Jimmy Fallon: Kristen Stewart/Michael Shannon/Cage the Elephant (2016)
    • Colonne sonore
      Tenderly
      Performed by Bill Evans

      Written By Walter Gross and Jack Lawrence

      Used by Permission of Edwin H. Morris & Company,

      A Division of MPL Music Publishing, Inc.,

      and Range Road Music, Inc.

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    Dettagli

    Modifica
    • Data di uscita
      • 8 gennaio 2016 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Crímenes y virtudes
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Aziende produttrici
      • Grand Schema
      • Hello Please
      • Nicholson International Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 32.163 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6747 USD
      • 10 gen 2016
    • Lordo in tutto il mondo
      • 78.270 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 30min(90 min)
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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