Xiang yang: Hua

We girls not only look confidently toward the future but also embody the ideals of solidarity and mutual support. This film powerfully expands on the themes of female realism, vividly depicting the survival challenges faced by women who have been released from prison. Gao Yuexiang, as a mother, refuses to rely on men or seek pity; she stands firm in her own abilities and self-reliance. As the saying goes, "Just treat yourself as a piece of iron." Gao Yuexiang represents iron, with life acting as the hammer. After enduring countless challenges, she forges herself into a sharp sword, ready to confront evil and tackle the injustices of life head-on.

Zhao Liying delivers an outstanding performance in this film, which, together with its compelling narrative, leaves a profound and lasting impact on the audience.

We Girls is an excellent female-themed movie, featuring characters who each have their own unique highlights. Despite facing a challenging struggle for survival after being released from prison, they remain hopeful and embody the tenacity of life, striving to live positively. The mutual support among women throughout the film brought me to tears. This film is truly a rare masterpiece. From a narrative perspective, We Girls is also very well-structured. It has a tight rhythm and clever plot design, without any sense of delay, which keeps the audience engaged. The director employs delicate cinematography to authentically portray the lives of everyday people, such as Gao Yuexiang, allowing the audience to deeply feel their joys, sorrows, anger, and happiness.

The Chinese name of this movie is "Sunflower," which symbolizes positivity and happiness. Similarly, the film presents a unique perspective on the resilience of ordinary people who refuse to bow down and bravely confront difficult circumstances. It conveys the message that while life is tough, hope is everlasting. The strength of life and a smile can overcome any hardship.

This film accurately shows the lives of marginalized people, exploring self-salvation while reflecting on social issues. It is a worthwhile film, and Feng Xiaogang delivers on expectations. Although the characters Gao Yuexiang and Hei Mei face many challenges, the overall tone is mostly humorous. The story does not dwell on their suffering; instead, it highlights that life often includes both laughter and tears.

What stood out to me in this film was the strong bond and compassion among the women. They are willing to risk their lives for each other, showing that their relationships go beyond friendship to family, with each providing strong support. In the film, Zhao Liying plays White Fox, who comes back to society after being in prison. She faces life's challenges and starts a journey of self-salvation. Her performance shows her growth as an actor and highlights serious issues in today's society.

The screenwriter has crafted a well-structured story that effectively maintains audience engagement without awkward moments. Director Feng Xiaogang presents a film that highlights the individual talents of the actors.

The experience is unexpectedly wonderful. The mutual redemption among several women powerfully illustrates the struggle and tenacity of marginalized individuals. The performances of the two female protagonists are authentic and moving. The story features rich and varied scenes, and the plot is both clear and well-structured. Rather than relying on strong sensationalism, it is filled with warmth and healing.

Zhao Liying delivers a strong performance, portraying a complex character-a marginalized individual reintegrating into society after serving her sentence. She convincingly embodies the role of Gao Yuexiang. Lan Xiya is recognized for her promising performance, with several moments showcasing her character's depth, mainly through notable twists. The other actresses also provided strong portrayals throughout the film.

When I saw Zhao Liying's character, Gao Yuexiang, facing slander and public scrutiny, her reaction was far from a display of tears or self-pity; instead, she boldly demanded compensation. This made me realize that the film wasn't intended as a tragic drama meant to evoke sympathy, but rather an "anti-internal consumption cool film," showcasing a gritty underworld where fists break the chains of fate.

After watching We Girls, I was pleasantly surprised by its overall quality. Its sharp and realistic portrayal truly captured the struggles faced by marginalized individuals in society. Zhao Liying's performance was rich and layered; through her expressive body language and bloodshot eyes, she allowed the audience to witness how a determined woman is shaped into resilience by the challenges life throws her way.