VALUTAZIONE IMDb
6,8/10
7274
LA TUA VALUTAZIONE
Un coscienzioso agente di polizia che indaga su un violento caso di disputa domestica nello squallido appartamento di un tossicodipendente deve prendere la decisione più spregevole della sua... Leggi tuttoUn coscienzioso agente di polizia che indaga su un violento caso di disputa domestica nello squallido appartamento di un tossicodipendente deve prendere la decisione più spregevole della sua vita.Un coscienzioso agente di polizia che indaga su un violento caso di disputa domestica nello squallido appartamento di un tossicodipendente deve prendere la decisione più spregevole della sua vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
Henrik Noël Olesen
- Fuld mand
- (as Henrik Noél Olesen)
Recensioni in evidenza
A very good movie. Powerful and unsettling. Very clever plot and great cast makes this an absorbing watch. Any spoilers will definitely spoil this movie so be very careful to avoid them in other reviews.
The moral dilemmas presented here are deep and disturbing. That said, very well handled as one would expect from the Danes.
Highly recommended.
The moral dilemmas presented here are deep and disturbing. That said, very well handled as one would expect from the Danes.
Highly recommended.
Great drama,thriller, I'm finding that these foreign films are so well crafted,...this is a hidden gem for sure.....
Wow it was just one deep, sad thing after another. But a well acted good movie. Cross between a thriller and drama, don't watch it if you can't deal with bad things happening to babies.
I think this is a very good film, but I can understand how it struck negative chords with kevjfarrell (see the above review). There is a pedestrian quality about the plot. In some places we can almost imagine the filming of a scene. Transitions are seamless, but they have a seemingly manufactured quality about them. Perhaps it is all a matter of a frame of mind. Perhaps I am tired of guns, noise, furious action and the hyperventilating in today's popular entertainment. So I just let myself go and became immersed in the drama.
I disagree with Mr Farrell in regards to the acting. Far from seeing it as sophomoric posturing for entry into film school, I found it natural, gripping and well-paced. In a word, realistic.
I have noted that photography has not been mentioned in the above reviews. The camera is very much a part of this film. The cinematography contains a full pallet of colour and texture with intriguing, grainless resolution and depth of field. Scenes shift between chromatic hues to almost monochrome where light and shadow replace contrasting colour. You are neither jarred nor bullied by these changes. There is a gentleness, which is complimentary to the subject.
The argument in the film is staged by gentleness vs violence, understanding and compassion vs reactive predilection. It is difficult to rate this film on a purely technical level. It could be rated less than my 8, and it could be rated more highly. I'll settle on 8 and just say that I am very glad I watched this film, and I hope to watch it again. I recommend the Danish version with subtitles.
I disagree with Mr Farrell in regards to the acting. Far from seeing it as sophomoric posturing for entry into film school, I found it natural, gripping and well-paced. In a word, realistic.
I have noted that photography has not been mentioned in the above reviews. The camera is very much a part of this film. The cinematography contains a full pallet of colour and texture with intriguing, grainless resolution and depth of field. Scenes shift between chromatic hues to almost monochrome where light and shadow replace contrasting colour. You are neither jarred nor bullied by these changes. There is a gentleness, which is complimentary to the subject.
The argument in the film is staged by gentleness vs violence, understanding and compassion vs reactive predilection. It is difficult to rate this film on a purely technical level. It could be rated less than my 8, and it could be rated more highly. I'll settle on 8 and just say that I am very glad I watched this film, and I hope to watch it again. I recommend the Danish version with subtitles.
To say much about the plot of Suzanne Bier's film about parenthood would be to risk depriving it of its power - the less you know going in, the better. The film is a succession of well-timed punches to the gut, and the cast is good enough to make the characters' difficult choices understandable. Nikolaj Coaster-Waldau carries a lot of the weight of the film, but he's well-supported - May Andersen is impressive as Sanne in her first acting role, and Bier's previous collaborator Nikolaj Lie Kaas does well to avoid making his character a one-dimensional.
Not an easy watch by any means, and not an entertainment, but a very well-made and powerful social drama.
Not an easy watch by any means, and not an entertainment, but a very well-made and powerful social drama.
Lo sapevi?
- QuizThis was model May Anderson's first acting role. Suzanne Bier met her at a party and cast her as Sanne. She resisted making Anderson audition because she thought the audition would be bad, but that Anderson would be right for the role.
- Colonne sonoreGrown Up
By Emilie Nicolas
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Dettagli
Botteghino
- Budget
- 35.000.000 DKK (previsto)
- Lordo in tutto il mondo
- 12.468.099 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Proporzioni
- 2.35 : 1
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