L'uomo dal cuore di ferro

Saw 'The Man with the Iron Heart' as somebody fascinated by the subject it covers, and by the man who really did have an iron heart and earned the ire of even Hitler himself. Also really like a lot of biopics and there are a few talented names.

'The Man with the Iron Heart' is a brave attempt at telling this story, but it is also agreed frustratingly uneven and disjointed. The general consensus is that the first half is better than the second half, personally found that the case too after viewing it. It is far from a terrible film, there are a number of strengths here, but it could have been so much more. And is what is meant by that it is frustrating that 'The Man with the Iron Heart' is uneven is that the flaws of the second half could easily have been avoided.

Starting with the strengths, much of the film looks great visually. There is a real feeling of evocative authenticity, with attractive costumes that captured the era well, elegant interiors and very atmospherically grim landscapes. The music is suitably haunting and the direction fares strongest in the first half and the harrowing scenes that are uncompromisingly powerful.

First half is very interesting and compelling, with some very thought-provoking writing. When the film focuses on Heydrich, his motives and his family life, it is where it most excels, being very engrossing, emotional and intense, actually also taking time to show what happens and being structured in a way that makes sense. Even if there could have been even more meat to what was told.

Although 'The Man with the Iron Heart' is a problematic film, the blame does not lie with the cast which is actually the main saving grace. Rosamund Pike especially is excellent as Lina (am really liking where her career is going), while Jason Clarke portrays Heydrich's iron heart, lack of compassion and coldness adeptly. Mia Wasikowska gives one of her better performances to date here and is one of the main reasons to stick with the second half.

It is really unfortunate that the second half is nowhere near as good. The inferior quality and the shift in focus gives a really disjointed feel and like the two halves were two films in one. The focus on those who tried to assassinate Heydrich is nowhere near as illuminating or compelling, just didn't find myself involved or engaged by it. The characters are sketchily written, the opposite to Heydrich and Lina who did have intriguing character development if still not quite enough.

Furthermore there is no tension and what is covered is rushed through with no attention to depth or sense, the odd almost incomplete-feeling structure and some strangely amateurish filming (which wasn't as apparent in the first half) also confusing it. The flashforward was not needed at all, further diluting any suspense by explicitly revealing what happened.

Although Heydrich is still interesting, the film did miss an opportunity in properly fleshing him out due to not focusing on him enough.

Overall, interesting, well acted and (mostly) made and brave but disjointed, uneven and rushed. 6/10 Bethany Cox

This story of the Reinhard Heydrich assassination is well known of all WW2 historians and people interested in this part of history. I am surprised that Cédric Gimenez did it. Unlike the other movies speaking of this scheme, such as Lewis Gilbert's OPERATION DAYBREAK with Anton Diffring as Heydrich, or Fritz Lang's film, or Douglas Sirk's one, this feature focuses mainly on the Prague Hangman in the first part and the partisans characters in the second part. It is very well done, with a good description of characters. But it is unfortunately not said that this action of killing Heydrich did not change anything at all to the war. Nothing, except that the Nazis were very affected by his death, including Hitler, and this lead to the Lidice's massacre, which is told, however. But besides this, the man who replaced Heydrich - Kaltenbrunner - was even more bloodthirsty as him.

This film may not be perfect but its a solid effort and certainly of interest to those who have studied this period in history and the major players that shaped events as it were. Reinhard Heydrich was just such an individual and what this film does, where 'ANTHROPOID' among others failed, was to show Heydrich beyond just the heroism of the Czech resistance fighters who plotted to kill him for justifiable reasons. Heydrich was never really a political animal nor did he have any interest in the Nazis until his wife came along and convinced him to join. Had he not been cashiered from the Navy its quite likely history would've been written very differently and this movie shows us how these minor events led to the creation of a monster. My only complaint would be that it didn't tell us much about Heydrich's views towards Jews and his role in crafting the Final Solution, but other films like HBOs 'CONSPIRACY' will go along way towards shedding light on that question for interested viewers. The film's inherent weakness is trying to condense over 20 years of Heydrich's life into two hours while also explaining the plot that led to his assassination. That may have been a tall order for any director but at the same time this isn't a film meant for mass consumption. It's not a date movie nor a family affair but is only of interest to those who enjoy history. If you find the topic boring you'll undoubtedly give the movie a low rating but I think as far as this genre is concerned 'THE MAN WITH THE IRON HEART' is certainly a respectable entry in telling the story of one of history's greatest villains.

This film tells the story of the man who was in charge of hideous war crimes, i.e. The Extermination program, in Nazi Germany. A group of Czechoslovakian people try to rebel and attempt to assassinate him.

The first hour of the film is all about Reinhard, as he climbs up to the top with the most terrible policy. The film shows that many people are brutally murdered for no reason, and Reinhard has no passion or compassion for the victims. In fact, he has no feelings at all, even towards his wife. The story is engaging up to this point, and Rosamund Pike is great a well. However, in the second part of the film, the story is derailed to tell the story of the resistance force. I may have missed why the resistance fighters decide to stand up and fight, and indeed their background story. I don't feel any connection to them at all, and the sudden shift in the spotlight to the resistance fighter appear to be a distraction to me. The final scene at the church crypt is touching though.

"HHhH" ("The Man with the Iron Heart") is a decent historical war drama. It scores high marks for authenticity regarding locations, costumes, mores and props; however, with the exception of a few bare breasts, feels like a television movie. Although several thousand people are brutally murdered, the violence feels antiseptic, with a few spurts of blood and red stains on costumes, but no sense of either physical or emotional trauma. The nearly universal use of jiggly-cam shots serves as a constant distracting reminder that somebody is holding a camera, preventing the audience from ever fully suspending disbelief. Performances are good, but seem repressed, even when Reinhard tears up a room in frustration.

At the end, the viewer is left wondering what it all means. Tremendous risks were taken, resulting in terrible consequences. The filmmakers offer no interpretation or moral and insufficient perspective for the audience to make their own judgment.