Laila

A fun, one-time watch comedy movie! Surprised by the low rating, as it's comparatively better than many star-studded films these days. While it may not be a masterpiece, it delivers good entertainment with humour that keeps you engaged. The story is lighthearted, making it a good pick for a casual watch. Some moments could have been better, but overall, it's an enjoyable time-pass film. If you're looking for a simple, feel-good comedy, this one works well. There is no judgement when it comes to comedy, just enjoy how it is, overall it's good. Definitely worth a watch if you enjoy lighthearted entertainment and some good laughs..

Absolute Cringe, I don't even know where to begin with Laila because everything about this movie is just plain terrible. The screenplay is a mess, the story feels like it was written in five minutes, and the dialogues are so bad they make you cringe every few seconds. The acting? Absolutely lifeless. The lead actors have zero chemistry, making the so-called "romance" feel painfully forced. The comedy is not just unfunny-it's straight-up unbearable, with jokes that make you want to disappear out of secondhand embarrassment.

The pacing of the film is a complete disaster. It drags on and on, making what should be a normal-length movie feel like an endless punishment. And the music? Completely forgettable, with songs that add nothing to the experience. Even the background score is annoying.

I just don't understand how this movie was supposed to be progressive but ended up going backwards in so many ways. Slapping women for being a darker colour. Misogynist and completely unacceptable in this day and age. The movie was to say the least, disgusting. Vishwak sen as an actor was given a bad storyline and a terrible script. The makers of the movie should be kicking themselves for making him do such a terrible move in his career that might just set him back from all the hard work he has done previously. This is a lesson to not get carried away with success. Because in this social media era where sensitive issues are simply not something to take lightly in movies. The audience sees the movie for what it exactly is. And an utter disaster was what it was.

Wow. Just... wow. If cinema had a list of crimes against storytelling, this film would be on top. Nay, it would be the undisputed champion of disaster, a shining beacon of how NOT to make a movie. The sheer dedication it takes to make something this atrocious is almost commendable-almost.

The story? Oh, it's a masterpiece in cringe. A script seemingly fished out from the trash can of a Bhojpuri Film Industry, dusted off, and smeared with every outdated, cheap, and regressive trope imaginable. The dialogues? Written, I assume, by someone who was either held at gunpoint or actively plotting revenge against cinema itself.

And let's talk about the scenes-each one a new, spectacular level of torture. The cheesiness is so thick, it could be sliced and sold in grocery stores. Offensive towards women and transgenders? Oh, absolutely. The filmmakers apparently missed the memo that it's not 1985 anymore. And just when you think it can't get any worse, it throws another painfully unfunny, crass, or outright nauseating moment at you.

The music? Let's just say, I'd rather listen to a symphony of car alarms and construction drills. The sets and costumes look like they were borrowed from a low-budget college skit-one that the students themselves abandoned out of shame.

Vishwak Sen? Poor guy actually tried. And while effort is admirable, his over confidence and the direction he going not to be encouraged. And the female lead-well, what can we say? She's there, alright. Existing. Not her fault, though. She was clearly just told to stand there, wear whatever minimal fabric was handed to her, and add to the film's overall aesthetic of cheap gimmickry disguised as entertainment.

Now, let's be honest: this film doesn't need to be banned. That would imply it has some sort of impact. No, this one is self-sabotaging at an elite level. Give it a day, and it will naturally sink into oblivion, where it belongs. So, Jagan Anna fans, don't even waste your time. This film will destroy itself, no effort needed.

Verdict: If you love yourself, avoid this. If you hate yourself, still avoid it. Some bad movies are fun to watch ironically-this isn't one of them. It's just a big, fat, insulting waste of time.

Some films entertain, some challenge, and others-like Laila (2025)-make you wonder how they even made it past the script stage. From start to finish, this film is an unbearable mix of forced humor, poor execution, and an overall lack of direction. It desperately wants to be clever and entertaining, but instead, it stumbles into a mess of cringe-worthy dialogue, flat performances, and painfully outdated tropes.

One of the biggest problems with Laila is how little effort it puts into storytelling. Instead of delivering a cohesive or engaging experience, the film meanders aimlessly, relying on lazy jokes and over-the-top antics that fall flat every time. The humor feels forced, the emotional beats are nonexistent, and there's no real sense of purpose. It's as if the filmmakers assumed loud, exaggerated performances and chaotic energy would be enough to carry the film. They weren't.

What's worse is that Laila seems to rely on controversy and shock value to gain attention rather than any actual substance. Instead of putting effort into a meaningful or entertaining story, it leans on gimmicks that only highlight how hollow the entire project is.

Ultimately, Laila (2025) is a complete misfire, offering nothing but frustration and regret to anyone who sits through it. It's not just a bad film-it's a waste of time. Avoid at all costs.