Aggiungi una trama nella tua linguaSonu Model, a renowned beautician from the old city, is forced to disguise himself as Laila, leading to a series of comedic, romantic, and action-packed events. Chaos ensues in this hilariou... Leggi tuttoSonu Model, a renowned beautician from the old city, is forced to disguise himself as Laila, leading to a series of comedic, romantic, and action-packed events. Chaos ensues in this hilarious laugh riot.Sonu Model, a renowned beautician from the old city, is forced to disguise himself as Laila, leading to a series of comedic, romantic, and action-packed events. Chaos ensues in this hilarious laugh riot.
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Some films entertain, some challenge, and others-like Laila (2025)-make you wonder how they even made it past the script stage. From start to finish, this film is an unbearable mix of forced humor, poor execution, and an overall lack of direction. It desperately wants to be clever and entertaining, but instead, it stumbles into a mess of cringe-worthy dialogue, flat performances, and painfully outdated tropes.
One of the biggest problems with Laila is how little effort it puts into storytelling. Instead of delivering a cohesive or engaging experience, the film meanders aimlessly, relying on lazy jokes and over-the-top antics that fall flat every time. The humor feels forced, the emotional beats are nonexistent, and there's no real sense of purpose. It's as if the filmmakers assumed loud, exaggerated performances and chaotic energy would be enough to carry the film. They weren't.
What's worse is that Laila seems to rely on controversy and shock value to gain attention rather than any actual substance. Instead of putting effort into a meaningful or entertaining story, it leans on gimmicks that only highlight how hollow the entire project is.
Ultimately, Laila (2025) is a complete misfire, offering nothing but frustration and regret to anyone who sits through it. It's not just a bad film-it's a waste of time. Avoid at all costs.
One of the biggest problems with Laila is how little effort it puts into storytelling. Instead of delivering a cohesive or engaging experience, the film meanders aimlessly, relying on lazy jokes and over-the-top antics that fall flat every time. The humor feels forced, the emotional beats are nonexistent, and there's no real sense of purpose. It's as if the filmmakers assumed loud, exaggerated performances and chaotic energy would be enough to carry the film. They weren't.
What's worse is that Laila seems to rely on controversy and shock value to gain attention rather than any actual substance. Instead of putting effort into a meaningful or entertaining story, it leans on gimmicks that only highlight how hollow the entire project is.
Ultimately, Laila (2025) is a complete misfire, offering nothing but frustration and regret to anyone who sits through it. It's not just a bad film-it's a waste of time. Avoid at all costs.
Vishwak Sen, once a promising actor, seems to have completely lost his way in his pursuit of a "mass hero" image. Laila is yet another misstep, filled with outdated humor, forced comedy, and an over-reliance on vulgarity to engage the audience.
From the very start, the film struggles with weak writing and exaggerated sequences that fail to land. The so-called romantic track between Vishwak Sen and Aakanksha Sharma is poorly executed, relying more on skin show than genuine chemistry. The supporting cast, despite being packed with experienced actors, is wasted on one-dimensional roles that add little to the film.
Comedy, which should have been a major strength, falls flat due to an overuse of double-meaning dialogues and crude humor that grows tiresome. The attempt to incorporate Hyderabad Old City slang for laughs backfires, making the humor feel forced rather than organic. To make matters worse, the film drags on with unnecessary fight sequences and forgettable songs, further exposing the lack of fresh ideas.
Vishwak Sen has proven his acting chops in the past, but Laila shows that he seems to believe excessive cuss words and below-the-belt jokes are enough to draw in audiences. Unfortunately, it results in an exhausting and forgettable watch.
From the very start, the film struggles with weak writing and exaggerated sequences that fail to land. The so-called romantic track between Vishwak Sen and Aakanksha Sharma is poorly executed, relying more on skin show than genuine chemistry. The supporting cast, despite being packed with experienced actors, is wasted on one-dimensional roles that add little to the film.
Comedy, which should have been a major strength, falls flat due to an overuse of double-meaning dialogues and crude humor that grows tiresome. The attempt to incorporate Hyderabad Old City slang for laughs backfires, making the humor feel forced rather than organic. To make matters worse, the film drags on with unnecessary fight sequences and forgettable songs, further exposing the lack of fresh ideas.
Vishwak Sen has proven his acting chops in the past, but Laila shows that he seems to believe excessive cuss words and below-the-belt jokes are enough to draw in audiences. Unfortunately, it results in an exhausting and forgettable watch.
Absolute Cringe, I don't even know where to begin with Laila because everything about this movie is just plain terrible. The screenplay is a mess, the story feels like it was written in five minutes, and the dialogues are so bad they make you cringe every few seconds. The acting? Absolutely lifeless. The lead actors have zero chemistry, making the so-called "romance" feel painfully forced. The comedy is not just unfunny-it's straight-up unbearable, with jokes that make you want to disappear out of secondhand embarrassment.
The pacing of the film is a complete disaster. It drags on and on, making what should be a normal-length movie feel like an endless punishment. And the music? Completely forgettable, with songs that add nothing to the experience. Even the background score is annoying.
The pacing of the film is a complete disaster. It drags on and on, making what should be a normal-length movie feel like an endless punishment. And the music? Completely forgettable, with songs that add nothing to the experience. Even the background score is annoying.
Laila is an unfortunate disaster in every sense. The film feels like a crude joke with no real plot or purpose. From the horrendous, cringe-inducing dialogue to the dreadful acting that's straight out of a B-grade adult film, it's hard to believe this was ever meant to be taken seriously. The special effects are so bad that they actively hinder the film's attempt at building any suspense. It's like the filmmakers forgot about every ounce of sophistication or artistry. The pacing is sluggish, and before long, the film starts to feel like a never-ending ordeal. If you want to preserve your dignity and your time, skip this vulgar mess.
Laila is an absolute disaster from start to finish. It's a complete mess with no coherent story to speak of. The plot is riddled with tired clichés and laughable dialogues that are borderline cringe-worthy. I honestly don't understand how anyone with even a shred of class could sit through this. The acting is, at best, irritating, and at worst, utterly repulsive. It feels more like watching a low-budget adult film rather than a legitimate movie. The special effects? Don't even get me started - they're so awful that it pulls you completely out of any tension the film tries to build. The pacing drags on forever. Honestly, the movie feels like it's trying to punish you for simply watching. If you value your time and sanity, steer clear of this vulgar mess.
Lo sapevi?
- Colonne sonoreSonu Model
Written by Vishwak Sen
Performed by Narayanan Ravishankar, Reshma Shyam
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 16.247 USD
- Tempo di esecuzione
- 2h 15min(135 min)
- Colore
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