Aggiungi una trama nella tua linguaAfter 15 years in prison a talented racing driver and mechanic returns to life to fulfill his last promise to his dead beloved - to bring back Luce, the car bearing her name, and to dispense... Leggi tuttoAfter 15 years in prison a talented racing driver and mechanic returns to life to fulfill his last promise to his dead beloved - to bring back Luce, the car bearing her name, and to dispense justice.After 15 years in prison a talented racing driver and mechanic returns to life to fulfill his last promise to his dead beloved - to bring back Luce, the car bearing her name, and to dispense justice.
- Regia
- Sceneggiatura
- Star
Snezhana Makaveeva
- Nicole
- (as Snejana Makaveeva)
Melanie Mladenova
- Kid
- (as Melani Mladenova)
Recensioni in evidenza
The film is not that bad. The plot is not the most original one and as already mentioned by other users both of the main actresses have problems with pronouncing some of the letters - especially "R". The car action scenes are not the best, but I admire them for not using any CGI. What I don't like is the product placement, or actually the way it is presented - instead of car oriented stuff such as oils, types of fuel, tires, rims, or even some type of alcohol, we see some idiotic adds of coffee, ice cream, Telecom operator and Euro football.
The film is not an expensive one and I liked it because it is a long way from the Fast&Furious franchise. If they plan to have a second installment, they can add some better actresses and less coffee adds.
6/10 - not bad piece of Bulgarian cinema. I hope that more domestic action films will be produced in future.
The film is not an expensive one and I liked it because it is a long way from the Fast&Furious franchise. If they plan to have a second installment, they can add some better actresses and less coffee adds.
6/10 - not bad piece of Bulgarian cinema. I hope that more domestic action films will be produced in future.
Good story. Good acting. Maybe some slow action moments. Not a lot of action with cars, which was surprising (in the good sense). I definitely hope to have a second part because I liked these.
There are a strange things, but it's definitely worth it and it's not bad.
8/10 for me.
There are a strange things, but it's definitely worth it and it's not bad.
8/10 for me.
I went to see this movie with mixed feelings. I was expecting it is going to be weak, while hoping it to be at least decent for first of it's kind (for Bulgarian cinema).
It's first half has very bad dialogues, as if the actors are ashamed of the camera and their own voice. Acting is superficial. Both female actresses have trouble pronouncing the R sound and I could barely understand them. Sound was not good enough, some scenes have multi-channel sound, some as if recorded with a mobile phone. To this day I thought the typical silent scenes are long forgotten by our filmmakers. In this movie, actors keep staring at each other for ages with some hidden meaning. (Michael Madsen scenes were really awkward)
Fortunately, the second half was much better. Acting became more natural. Some native Bulgarian jokes, combined with curse words made a big difference. Asen Blatechki starts using even less words, which makes the movie better and smoother with every minute. Everything took shape and character intentions were defined clearly. All the retrospection start fitting in viewer's brains.
Some more shots of tuned old cars, engines, brakes, tires, etc would bring some more saliva to car freaks mouths, but all in all they are okay.
I can understand that makers put all possible ingredients in this movie, just to make sure they did not miss anything. However the right quantity and quality is what defines a movie as good. The passion is there, vision too, so I consider this film as a good first step in the right direction.
It's first half has very bad dialogues, as if the actors are ashamed of the camera and their own voice. Acting is superficial. Both female actresses have trouble pronouncing the R sound and I could barely understand them. Sound was not good enough, some scenes have multi-channel sound, some as if recorded with a mobile phone. To this day I thought the typical silent scenes are long forgotten by our filmmakers. In this movie, actors keep staring at each other for ages with some hidden meaning. (Michael Madsen scenes were really awkward)
Fortunately, the second half was much better. Acting became more natural. Some native Bulgarian jokes, combined with curse words made a big difference. Asen Blatechki starts using even less words, which makes the movie better and smoother with every minute. Everything took shape and character intentions were defined clearly. All the retrospection start fitting in viewer's brains.
Some more shots of tuned old cars, engines, brakes, tires, etc would bring some more saliva to car freaks mouths, but all in all they are okay.
I can understand that makers put all possible ingredients in this movie, just to make sure they did not miss anything. However the right quantity and quality is what defines a movie as good. The passion is there, vision too, so I consider this film as a good first step in the right direction.
Lo sapevi?
- Colonne sonoreBroken Road
by Sully Erna
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 480.188 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
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