Tower Records - Nascita e caduta di un mito
Aggiungi una trama nella tua lingua'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.
- Regia
- Sceneggiatura
- Star
- Self - Singer-Songwriter
- (as Sir Elton John)
- Self - Russ's Wife
- (as Patti Drosins-Solomon)
Recensioni in evidenza
Colin Hanks does an outstanding job of showing the progression of Tower Records from initially a Sacramento pharmacy selling 45's to an international record giant and the vision of Russ Solomon and his team of loyalists . Russ is portrayed as an all around good guy who enjoyed nurturing employees to find their strength and grow with the company. I loved the interviews with the employees and recording artists who loved the place. Unfortunately digital music and the death of the CD killed the stores . But Russ was not bitter and had a great attitude. Glad this was filmed before he died so we could get his perspective. An excellently paced documentary.
I was not surprised at the influence Tower had on the recording industry, particularly after they opened up their Sunset Blvd store in Los Angeles. Didn't realize though that many big recording stars such as Bruce Springsteen and Elton John shopped there.
It's a fascinating look not only at the rise and fall of Tower Records, but the recording industry's changes over the years.
You'll even see how the Beach Boys changed their sales focus.
If Tower Records was in your life, and chances are if you are over 30 it was, this is a must-see.
Kudos to Colin Hanks, who spent seven years on this project.
Despite each working for decades, adding up to centuries worth of experience, in a music-related field, it is notable that music - remember music? - is never a discussion point for these selfish greed heads, only the good times they enjoyed and the incredible profit they were making, both at the customer's expense.
Tower Records was a good store in spite of these people. Everyone loves music, all you needed to do was sell it to them at a reasonable price. See the Beatles' Apple Records for a similar example of what happens when you put burnt-out hippies in charge of your business. It's a shame alright, shameful actions.
Colin Hanks documentary examines the growth of this record chain from its early years from founder's Russ Solomon's dad's drug store where he had a section which sold records.
Russ took over the business in the 1960s, starting in the west coast and moving to the east coast and then internationally to Japan.
As is the case, these heady years of the counterculture was a supposedly drug and drink fuelled hazy party for the staff (it always seem to be the case with maverick start ups.) Live hard and party hard was the motto. The staff I saw in the 1990s seemed to be mainly bored teenagers on minimum wage.
At the turn of the millennium Tower Records was valued at $1 billion. Their seemed to be no end to its success and they were determined to sell albums, preferably CDs.
The impact of online shopping was a body blow. The Apple Store allowed you to buy singles you wanted for 99 cents. Tower Records wanted you to buy the whole album for an ever increasing price and their online servers was on AOL.
Even worse the young IT savvy consumer could now get music for free from Napster and other torrent sites. Combined with the company's debt laden expansion, choppy waters awaited them.
The documentary interviews key staff from the early days as well as the man himself Russ Soloman who comes across as a charismatic maverick. We also get to hear from musicians such as Dave Grohl, Elton John and Bruce Springsteen about their joy in visiting the Tower Record stores, browsing, talking to aficionados. Elton admits he spent a fortune in their shops.
The documentary was a bit messy, in fact a little overlong. We see a former executive being fired by a new management team and how Russ took him out for a meal after a Christmas party which bought him to tears. I wanted to know why he was fired, why he could not get another job, what happened after he went for a meal with Russ and then the same executive turns up later on when the attention shifts to the company's declining fortunes.
In fact seeing some of the staff being interviewed I was impressed how they managed to become so big, it seemed to be more by serendipity than design.
Lo sapevi?
- QuizTo promote the release of the film, the still empty building which once housed the Tower Records on Sunset Blvd. in West Hollywood had its facade repainted to appear as it once had. This led to rumors that the store may reopen, but in fact the building had been sold to Gibson Guitars in 2014 with the intention of opening a guitar showroom, while preserving the historic building itself. Not yet ready to open their showroom, Gibson worked with the documentary makers to repaint the building to display the Tower facade. The repaint was planned to be taken down after the premiere party was held inside the empty building, but remained up for over a year while Gibson continued to plan their new store.
- BlooperIn the closing credits the Japanese Translator, Kyoko Nishijima, is listed twice.
- Citazioni
Dave Grohl, Himself: [Describing the cover of Nirvana's "Nevermind" LP] People went to great lengths. Like they'd get that weird foam and cardboard stuff and make a baby and there's a actual dollar bill dangling in front of it and it looks like water behind it. And, you know, when you would see people go to that much trouble for you, for your band, we were just, like, we were just shocked.
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Dettagli
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- All Things Must Pass
- Luoghi delle riprese
- 8801 Sunset Blvd West Hollywood, California, Stati Uniti(Tower Records Sunset Blvd. location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 172.394 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.001 USD
- 18 ott 2015
- Lordo in tutto il mondo
- 172.394 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Proporzioni
- 1.78 : 1