VALUTAZIONE IMDb
5,4/10
2332
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn near future Brooklyn, an ad executive uses a new Augmented Reality technology to conduct an affair with his best friend's girlfriend...sort of.In near future Brooklyn, an ad executive uses a new Augmented Reality technology to conduct an affair with his best friend's girlfriend...sort of.In near future Brooklyn, an ad executive uses a new Augmented Reality technology to conduct an affair with his best friend's girlfriend...sort of.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 6 candidature totali
Jacob Lodwick
- Gabe
- (as Jake Lodwick)
Robert T. Bogue
- The Actor
- (as Robert Bogue)
Recensioni in evidenza
The movie is not great, but the first impact is that it's a black and white hipster thing complaining about the hard lives of creative execs who drink and have too much cocaine and what it's doing to their souls, and it's not just that. The black and white is because a large portion of the movie is about an augmented reality interface and it does provide the color. The hipster thing... well, it's a hipster thing. You have the creative exec married with a yoga teacher who falls in love with his fashion photographer's wife - it's as annoying as it sounds - but in the end it is just an exploration on how the high octane top class technology adrenaline fueled culture is dissolving your identity. The problem is that the augmented technology is not that relevant to the subject of the movie and that most of the film is this guy making bad decision after bad decision.
It takes too long, but in the end I kind of enjoyed the whole movie. Maybe you will too.
It takes too long, but in the end I kind of enjoyed the whole movie. Maybe you will too.
No substance and poor performances left me feeling very unsatisfied. The film tries too hard be artsy, but falls short on even being edgy enough to be pretentious. A great example of poor writing, poor direction and poor execution by the actors. I really wanted to give this film a fair shot, was actually looking forward to seeing it, but it just fell so short on so many levels.
"Creative Control" (2016 release; 97 min.) brings the story of two couples. There is David and his girlfriend Juliette. David is working at an ad agency and is tasked with coming up with a good ad campaign for a new "augmented reality system" called Augmenta. David gets to try it out (by wearing regular-looking glasses) for some time. Juliette is a yoga instructor. It looks like their relationship isn't the greatest. Then there is Wim and Sophie. Wim is David's long-time buddy who hasn't the slightest problem with cheating on Sophie. David then hires Sophie to come work at the ad agency. At this point we're not even 15 min. into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: first, this is the latest release from Amazon Studios, which is starting to spread its wings in the movie business quite nicely. Second, this is the Benjamin Dickinson show all the way: he stars (as David), directs, co-writes and co-produces this film, his first feature-length as a director. Dickinson sets the story in the not too distant future, where things still look quite familiar (certainly New York does), but technology has made continued progress. Yet the idea of an "augmented reality system" is of course not new. In fact, conceptually the movie is eerily similar to/reminiscent of that movie from the early 80s, "Brainstorm" (starring Christopher Walker and Natalie Wood, in her last film), where sex also was a big driver. Yes, I said sex. There is quite a bit of nudity in "Creative Control", so if that bothers you, you'd better pick another movie. "Creative Control" is shot in black and white, and given the slightly futuristic setting, it makes for a very stylish movie, and one of its better aspects. The other lead performers (Nora Zehetner as Juliette, Dan Gill as Wim, and Alexia Rasmussen as Sophie), all below the radar names, do their best to flesh out their characters, but in the end, the biggest failing of the movie is that it left me emotionally uninvolved and, frankly, I didn't feel invested in any of the movie. Plenty of style, but not enough substance.
"Creative Control" opened this weekend out of the blue without any pre-release buzz or advertising on a single screen here in Cincinnati. The Saturday matinée screening where I saw this at was attended okay but not great. Given the lack of star power and lack of marketing for this movie, I can't imagine that this will play long in theaters. If you are into movies heavy on relationship drama but here with a sci-fi twist, I'd encourage you to check out "Creative Control", be it in the theater, on VOD, or eventually of DVD/Blu-ray and draw your own conclusions.
Couple of comments: first, this is the latest release from Amazon Studios, which is starting to spread its wings in the movie business quite nicely. Second, this is the Benjamin Dickinson show all the way: he stars (as David), directs, co-writes and co-produces this film, his first feature-length as a director. Dickinson sets the story in the not too distant future, where things still look quite familiar (certainly New York does), but technology has made continued progress. Yet the idea of an "augmented reality system" is of course not new. In fact, conceptually the movie is eerily similar to/reminiscent of that movie from the early 80s, "Brainstorm" (starring Christopher Walker and Natalie Wood, in her last film), where sex also was a big driver. Yes, I said sex. There is quite a bit of nudity in "Creative Control", so if that bothers you, you'd better pick another movie. "Creative Control" is shot in black and white, and given the slightly futuristic setting, it makes for a very stylish movie, and one of its better aspects. The other lead performers (Nora Zehetner as Juliette, Dan Gill as Wim, and Alexia Rasmussen as Sophie), all below the radar names, do their best to flesh out their characters, but in the end, the biggest failing of the movie is that it left me emotionally uninvolved and, frankly, I didn't feel invested in any of the movie. Plenty of style, but not enough substance.
"Creative Control" opened this weekend out of the blue without any pre-release buzz or advertising on a single screen here in Cincinnati. The Saturday matinée screening where I saw this at was attended okay but not great. Given the lack of star power and lack of marketing for this movie, I can't imagine that this will play long in theaters. If you are into movies heavy on relationship drama but here with a sci-fi twist, I'd encourage you to check out "Creative Control", be it in the theater, on VOD, or eventually of DVD/Blu-ray and draw your own conclusions.
Nonsensical artsy-fartsy claptrap. That's time I'll never get back.
OK, maybe I'm old. Maybe I'm outa touch with whats hip and cool.... But this movie makes no sense at all ... Is it film noir? is it a retrospect on hip newyork life? Is it some drug addled ideal of what is going on in modern life?
Sorry, it makes no sense at all. its a piece of junk that is destined to be forgotten as soon as the players in it go back to their 711 jobs.
no story to understand really, just some flacky guy wandering from scene to scene holding his dick most of the time and screwing up a relationship with a cool chick who tries to keep her job and life together while he aimlessly plays with augmented reality glasses.
Not worth a watch really .. i watched it as i wrote this , so that tells you something right there .. if it was any good i would have watched it and then said something ..
Sorry, it makes no sense at all. its a piece of junk that is destined to be forgotten as soon as the players in it go back to their 711 jobs.
no story to understand really, just some flacky guy wandering from scene to scene holding his dick most of the time and screwing up a relationship with a cool chick who tries to keep her job and life together while he aimlessly plays with augmented reality glasses.
Not worth a watch really .. i watched it as i wrote this , so that tells you something right there .. if it was any good i would have watched it and then said something ..
Lo sapevi?
- QuizThere's a Phalinex-truck driving in the background of the scene where David meets Sophie outside of his work.
- ConnessioniReferences Shining (1980)
- Colonne sonoreBassoon, Concerto in D Minor, RV481
Written by Antonio Vivaldi (as Antonio Lucio Vivaldi)
Performed By Nicolaus Esterházy Sinfonia and Tamas Benkocs
Courtesy of Naxos of America, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Возможности управления
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 63.014 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6964 USD
- 13 mar 2016
- Lordo in tutto il mondo
- 63.014 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Proporzioni
- 2.39 : 1
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