Kumiko, the Treasure Hunter

Viewers are asked to identify with the Coen Brothers' fictional "Fargo" and the reality of the Zeller Brothers' "Kumiko" (Rinko Kikuchi of Babel). Our leading lady on a treasure hunt for something we all crave – what we want.

Kumiko is insulated from the rest of the world through solitude, Her character cannot subscribe to Japanese societal norms and the journey is like many: weathering professional and personal criticism for not measuring up to the public barometer. She is hungry for the smallest dollop of approval. Frosty comrade pressures and a personal friend with child make the tiny Single made to believe she does not measure up. Even Mother is disappointed that she is still not married, a Japanese custom that girls are to wed by 25 or live at home.

Yet, our actress ventures out alone to find little gems wherever she goes, small hidden treasures that strengthen thoughts of another journey. She identifies best with her bunny Bunzo (Rabbit - symbol of rebirth and innocence). Emotionally drained, Kumiko cannot stay in a world that punishes her for not attaining expected behaviours. Mistaking make believe for real life, our disillusioned lead leaves native Japan penniless and fixated, but armed. She encounters Americans who unknowingly assist in her adventure. Blanketed in determination, our heroine explores self-abandonment, only to be rescued from the cold with local hospitality.

All this happens against a constant, white background of the silver screen, the Japanese symbol of death. This film leads viewers to decipher what is "not" real and what is. This film is a myth of fortune and the pursuit ... of what we each want. After watching, we may all realise we have been living a dream, maybe other's dreams … and not our own. Her future may be someone else's chaos.

Not knowing anything about this movie beforehand I was very pleasantly surprised. It starts with what could have just been another Japanese "horror out of the TV" movie but it quickly turns into a beautifully shot road movie with brilliant actress Rinko Kikuchi in virtually every scene. The photography reproduced on the giant digital screen is breathtaking. With minimal cutting and extended static shots this is visually very impressive. Unfortunately the film was marred by an extremely loud music soundtrack. Sometimes less is better. I would have preferred silence. As there was very little dialogue the movie would then get to speak for itself.

Kumiko is a droll and often disengaged work. Taking it's central idea from a media misstep on a true story Kumiko, The Treasure Hunter takes a path of solitude and contemplation. It's not often that a film is so rudimentary in it's storytelling while being so proficient in setting it's world and reeling you into it. Kumiko is anchored by a great performance from Rinko Kikuchi. One that often treads the line of stoicism while being peppered with flashes of perfect comedic timing and emotional unrest. A difficult performance to hold down, and Kikuchi does so, at times, masterfully.

In Kumiko we are shown time and time again how mundane and unfulfilled her life has become. Kumiko needs something. Some sense of purpose. An adventure. She finds this in her belief that she can recover the buried money, or treasure, from the film Fargo. A truly preposterous starting off point for a story and one that could only be from a misunderstood quote from a real life event. Yes, the basis for this film is indeed rooted in reality. Albeit a misconstrued footnote from the tragic life of Takako Konishi.

Director David Zellner leads this film with great aplomb. His pacing is painstakingly slow though it is very much so deliberate. He lulls the viewer into a state of near boredom to drive home the mundane life Kumiko is enduring. His pairing with cinematographer Sean Porter could very well result in a masterwork in the near future. The two of them lens this film to perfection. Every shot is a gorgeous wonder to look at. Kumiko is often center frame on full display for all to see. This is important as she is a nobody in her life, yet here on this journey of her's she is the subject of interest. Their positioning of her here is quite brilliant. The snow riddled landscapes of Minnesota and North Dakota are beautifully majestic as the backdrop of Kumiko's treasure hunt.

Kumiko, The Treasure Hunter is a bizarre, haunting, darkly comedic, and powerful journey of a troubled individual looking to up the ante on the flop out of a poor hand having been dealt by life. Gorgeously shot and brilliantly performed by it's lead this sure to be polarizing film is an experience to behold. It's creeping pace will offset some, but ultimately there is more than enough here to make it's duration worth your while. 8/10.

"Kumiko The Treasure Hunter" (2014 release; 104 min.) brings the story of Kumiko. As the movie opens, we see Kumiko walking alongside the beach with a map, eventually retrieving a VHS tape from under a rock. It turns out to be the movie "Fargo", and Kumiko becomes obsessed with it, and in particular the character played Steve Buscemi , who buries a briefcase full of money in the Fargo snow. Meanwhile, we witness Kumiko becoming more and more aloof and isolated in her day-to-day life, including her job as an Office Lady in corporate Japan. It's only when she is watching "Fargo" that she feels alive. Kumiko eventually decides to go to Fargo. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Several comments: the movie is directed, co-written by and stars David Zellner (his brother Nathan co-wrote the script). The story is a fantastical concoction that is loosely based on true events, and when I say "loosely", you should read that in the broadest possible meaning. The movie's initial 45 minutes play out in Tokyo, and Zellner captures the loneliness and isolation of the Kumiko character, still an Office Lady at age 29, perfectly. When Kumiko is caught trying to steal a huge world atlas from the library and is asked why, Kumiko passionately explains that "I am like a Spanish Conquistador, retrieving untold treasures!", to the shock of the library guard. The last hour of the movie plays out in the US, and captures the mood of the 'frozen tundra' and also the mood of the "Fargo" movie perfectly. When Kumiko is wondering the snowy fields, the movie becomes the anti-"Wild" movie: rather than finding herself, Kumiko becomes more and more lost. Please note that, like in "Wild", there are long stretches in this film where not a word is spoken. Knowing some of the background on the real life events on which this is loosely based, I was quite surprised with the ending offered by this movie… Last but not least, there is a great instrumental soundtrack, composed and performed by Austin-based indie band The Octopus Project.

I head read about this movie, and was intrigued by it. Imagine my surprise when "Kumiko The Treasure Hunter" opened without any pre-release fanfare or advertising at my local art-house theater here in Cincinnati this weekend. I went to see it right away and the Sunday matinée screening where I saw this at was attended okay but not great. Which is a shame, as this is a very nice 'little' movie that is quirky and off-center, yet always entertaining if not intriguing. IF that sounds like it might appeal to you, you cannot go wrong with this. "Kumiko The Treasure Hunter" is HIGHLY RECOMMENDED!

I wonder what the Coen brothers think to this film - besides the fact they apparently didn't credit the use of the scenes from Fargo. Not that anyone would mistake it for anything else. Kumiko, the Treasure Hunter has one of the most absurd setups for such an otherwise archetypal story. If there wasn't such a well known case of it actually happening, it would be difficult to swallow. It's simultaneously an American Dream and a culture rejection story that would make Ozu proud. In her pursuit for unimaginable riches, Kumiko neglects all aspects and expectations of her life, burning bridges every step of the way. It's a harsh examination of modern standards for young Asian women subverted with a 'gold rush' trope.

Kumiko is of course the least likely suspect for this journey, but that makes it more engaging than anyone else. While it feels like she gets out of situations by literally escaping without much of a scratch too often, its frequency paints a portrait of how far she's getting to each point of no return. In true Coen fashion, its fleeting supporting cast are memorably eccentric and provide much of the humour while lead Rinko Kikuchi provides the gravitas of the drama, taking the bizarre quest sincerely in every step. The photography is exquisite, contrasting the two worlds but putting America in the same tone and pace as Japan. Kumiko is a great tribute to the Coen's study of the corruption of money, building on it in the most out of the box way.

8/10