Risorto

Risen gave a fresh but solemn view of the biblical story of the aftermath of Jesus's crucifixion as it tells the story through the eyes of a conflicted and emotionally drained Roman soldier named Clavius. Clavius seems more of a tired observer with his deep stare and mellow manner, and he seems appalled by the violence that the Roman soldiers perform, violence that he himself is called on to perform as well. He is tired of it all and wants to retire to a quiet life with a family, without witnessing any more deaths. None-the-less, duty demands that he kill from time to time, which he dutifully does, and he seems half mortified over this, and half compliant. During the battle in the beginning of the movie, Clavius apathetically kills a Jewish rebel, and later, during the tri-crucifixion scene, he orders a Roman soldier to break a prisoner's leg as he's dying on the cross, then runs his spear through Jesus's ribs, and he's no more bothered by this than if someone fender-bendered him at the supermarket.

The way Fiennes played his role as a troubled Roman official was intriguing, capturing civilians to question them about the whereabouts of Jesus's body, then dismissing them at will. The viewer expected Clavius to perhaps resort to violence or torture to get his captures to speak and reveal where Jesus's body is, knowledge that he desperately needed to satisfy his commander, Pontius Pilate. However, Clavius never quite went that far, either out of compassion or exhaustion. While Fiennes was cast well, Curtis, who plays Jesus, is a cross between a California hippie and a happy skateboard dude in a Coke commercial. In his final good-bye scene, Jesus glibly calls across the sand yelling his farewell as if mom was telling her kids to be good while dad's in charge.

Clavius's young side kick Lucius is played by Tom Felton, and unlike Draco, Lucius follows Clavius around looking confused. Bartholomew was my favorite character. Clavius demands that Bartholomew tell him where Jesus's body is, and Bartholomew grins flippantly and conveys that he ain't telling nothing'! Clavius interrogates him more harshly, kicks him to the ground, and Bartholomew gets up and slowly approaches Clavius, solemnly bends down to his ear, and says, "he's everywhere!" Then Bartholomew beams and prances away; the joke's on Clavius! The only more comical scene was when Clavius asked a group of men, "Does any of you know Mary Magdalene?" and all of them raised their hands. One more -- I was amused when Mary Magdalene looked like Miss Karate Woman beats Godzilla when she kicked an advancing soldier out of her way and escaped through a stone window. Mary is cast well, but her role is too brief, as is all the twelve disciples who are never given any individual definition (except for Simon, who sometimes pouts, and who sometimes is as happy as Santa Claus). Pontius Pilate is old and whiny and is fixated on not upsetting public opinion. Maybe he was really like that, but they don't show the inner turmoil he must have felt being forced to kill an innocent man to placate the masses.

We all know the ending, but Risen takes an unorthodox (if you will) direction. We see facial expressions of shock and realization that tell the story better than computer-generated special effects, and we are constantly grounded into this time period with the frequent buzzing of flies over rotting bodies, hair filled with dust and sand, broken statues of the gods, and earthquakes that crack massive stone gates. Thus, Risen shows instead of tells, and doesn't preach, thank God.

I am a show biz professional and tony voter and this is a lovely movie with a breathtaking performance by Joseph Fiennes. He is absolutely wonderful with an authentic disciplined and beautiful arc to his work.

With the most recent Biblical movies that Hollywood has come out with, Noah and Exodus, the main complaint, at least from the Christian viewer-base, was that they didn't stick to the accuracy of the Bible; in this film they do - so it has that going for it, if you're a Christian.

At the top of the IMDb page it lists this movie as Action, Adventure, and Drama; but in reality it's pretty much just drama. There is a 3 minute action sequence at the beginning and that is about it. It's not bad that it's Drama, but it is a slower paced movie - I only point this out because that is one of things I like to know when going into a movie.

The movie itself wasn't terribly exciting, but for the Christian audience, who like to see portions of the Bible "brought to life", I think it will find a decent viewer ship. That being said, if it's Friday night and you're looking for a fun movie, then this probably isn't it.

Thankfully, this isn't another "God's Not Dead" where they smack you in the face over and over again with how awesome Christians are and how terrible atheists are - it basically just sticks to a fictional storyline of what might have happened to a Roman centurion who is in charge of finding the missing body.

The bottom line is this movie is the very definition of "good" to me, not bad, but not great...just good.

I really liked the perspective of this movie. It's told largely through the eyes of a Roman tribune, Clavius - played by Joseph Fiennes. As the movie opens, Clavius is leading Roman soldiers in battle against a group of Jewish zealots led by Barabbas. Immediately after, he's sent by Pilate to oversee Jesus' crucifixion and then, after the body disappears and rumours of Jesus' resurrection begin to spread, Clavius is sent to find out the truth- specifically, to find Jesus' dead body to put an end to this nonsensical story that has the potential to be a real nuisance to the Romans. This was a different kind of take on the Easter story. It's told through skeptical eyes rather than through eyes of faith. It's mostly believable. It makes sense to me that the Romans would want to investigate these claims of resurrection. From a Christian perspective it's a stark reminder of how small and seemingly weak the original Jesus movement was - scattered, frightened disciples under constant threat, but increasingly emboldened by the growing realization of what had happened. Fiennes was very good as Clavius - a Roman who obviously doesn't believe in Jesus as the Messiah or in his resurrection but who finally has a dramatic experience when he discovers the disciples in the upper room. It was interesting to have Clavius form a sort of partnership with the disciples - sharing their journey to Galilee and experiencing the risen Christ along the way, to the point at which you'd have to say that he was converted. Jesus (or Yeshua as he was called in the movie) was played by Cliff Curtis. Yeshua's dialogue was somewhat limited (what was important in this context was not his words, but others' experience of him) but I did like Curtis' take on Yeshua. Yeshua came across as jovial and good natured; humble and compassionate. Strangely in a movie about the Easter event, Yeshua wasn't central enough to the story for Curtis' performance to rank among some of the fine actors who've played Jesus over the years, but given the limitations of the role in this movie I thought he did well.

The basic concept (inserting a Roman tribune among the disciples) means that there were several liberties taken with the biblical story. There was, for example, a healing miracle performed by the risen Jesus - but there's no record of such a healing in the New Testament. The movie also (and unnecessarily) buys into the wholly inaccurate portrayal of Mary Magdalene as a prostitute. I saw no reason for that except perhaps that it gave an opportunity to insert some humour when Clavius burst into an establishment and asks the men inside "who knows Mary Magdalene?" - to which all the men put up their hands. OK. A quick laugh perhaps, but hardly worth perpetuating the false portrayal in my opinion. For the most part, though, the basics of the biblical Easter story were maintained, and the crucifixion story - while not as graphic as in, say, The Passion Of The Christ, was respectfully shown and appropriately difficult to watch.

Two other scenes that stood out to me as especially dramatic were one of the guards at the tomb explaining to Clavius what happened at the moment of resurrection with a mixture of shock, terror and wonder, and also the moment that Clavius burst through the door of the upper room to find the disciples but also coming face to face with the risen Yeshua - whom he knew was dead.

I liked the setting of the movie. It seemed very authentic to the time period and geography. Overall, this was a very well done movie, and for those who have a play list of sorts of movies they like to watch at Easter, this is probably deserving of a place on that list. (8/10)

For a fallen-down Catholic boy like me, seeing Risen, a take on the weeks after Christ's Resurrection, should have offered me a year's supply of cynicism. As it turns out, the film was a pleasant trip back to the days when I did believe, when awe was a companion of my faith.

This uninspired Biblical thriller shows a powerful Roman tribune, Flavius (an underplaying to good effect Joseph Fiennes), ordered by Pilate (Peter Firth) to get rid of the Nazarene, and after His resurrection, find Him, and kill Him again. With restraint, director Kevin Reynolds makes even me a brief believer because the actors, from Cliff Curtis (Yeshua--Jesus) to Mary Magdalene (Maria Botto), play their roles with a natural affection that's supported by no swelling music or dazed looks.

But it's Fiennes who impressed me most: As he plays a character who is probably meant to be a surrogate for doubters like me in the audience, he actually makes us believers for the moment. So dedicated he is to proving this Messiah a hoax that his growing belief becomes a balm for our disbelief.

Beyond this nicely played worship is a set that looks like it came from a hundred other "B" movie sword and sandal epics. Yet, the underplayed plot, which pretty much follows the New Testament depiction of Christ's resurrection, has a quiet charm that reminds us of the Biblical text that needs no resurrection: It is with us forever.