Aggiungi una trama nella tua linguaAn ancient omen comes true as the Devil rises.An ancient omen comes true as the Devil rises.An ancient omen comes true as the Devil rises.
Noyes J. Lawton
- Stephen
- (as Noyes Lawton)
Bill Dawson
- Reverend Elijah Grace
- (as William H. Dawson)
Melvin S. Marsh
- Damien Crosswell
- (as Melvin Marsh)
Recensioni in evidenza
I have enjoyed other Polonia films in the past, like Amityville in Space, Sharkula, Doll Shark to name a few. But The Final Possession is just truly terrible with no entertainment value whatsoever. It has no coherent plot, no lead character, actually no important characters at all, just a whole lot of nonsense filler. I suppose anyone who helped finance the movie got to appear in it. At least that's the only explanation I can think of as to why we get so many scenes, seemingly filmed on webcam, that have nothing to do with the story, like a "podcast" where two guys on a videocall discuss which movie is better of The Exorcist or The Omen. I know Mark Polonia can do better than this. This is not a "so bad it's good movie"; it's just boring and feels more like a lazy Dustin Ferguson movie (Apex Predators, Cocaine Cougar, Mega Ape).
After a series of disturbing signs, a special collection of servants believing themselves under God's will set out to eliminate the supposed vessels thought to harbor the potential for the Devil to return to Earth, sending them out in a race to stop the disciples to save the world.
There was a lot to like more with that one than expected. Among its better elements is the somewhat intriguing and feverish storyline that manages to paint a cheesy tone for the apocalyptic showdown to continue. Selling itself on the virtue of the various signs of the Satanic rebirth in the world and forcing the sect to take action by stalking and killing the disciples believed to be the main cause of everything, it allows this one to speed through the various introductions to the suspected agents and their targets before setting out into an episodic approach involving the encounter between the two. It's a generally unique tactic that brings in different figures with the same motivation to stop the activities depicted as the individual setups are under the same mindset that makes for a silly enough time. That carries over into their assignments as the various demonic agents and the robed monks carry out the attempted assassination. Focusing on lengthy, oftentimes suspenseful stalking scenes that bring about prolonged sequences featuring the agent following them through empty concert halls, trailing them on the streets, or into different complexes that usually end in cheesy and goofy setups, they become quite fun overall. The sense of cheese depicted in these scenes featuring the clumsy choreography and goofy resolution is what helps to make them that much more fun yet can also be a decided detriment by making the most glaring flaw readily apparent with the low-budget shining through at almost every opportunity necessary, from the production style, effects, on-screen action, and overall presentation. Beyond that, there's also several other small factors that show up to hold it back. The strange series of insert storylines here designed to pad out the running time, from the one agent's relationship with her ex trying to worm his way back into her life as she prepares for her mission to the series of interludes showing the lead monk praying continuously throughout the film and the random interjections into the rest of society, this one is quite heavily padded at times with secondary storylines that aren't needed. Also, some of the storylines themself aren't explained, with the finale twist operating mostly as a surprise moment than anything else, which leaves this one somewhat more confusing than anything based on the actions presented before then and being what helps hold it down.
Rated Unrated/R: Violence and Language.
There was a lot to like more with that one than expected. Among its better elements is the somewhat intriguing and feverish storyline that manages to paint a cheesy tone for the apocalyptic showdown to continue. Selling itself on the virtue of the various signs of the Satanic rebirth in the world and forcing the sect to take action by stalking and killing the disciples believed to be the main cause of everything, it allows this one to speed through the various introductions to the suspected agents and their targets before setting out into an episodic approach involving the encounter between the two. It's a generally unique tactic that brings in different figures with the same motivation to stop the activities depicted as the individual setups are under the same mindset that makes for a silly enough time. That carries over into their assignments as the various demonic agents and the robed monks carry out the attempted assassination. Focusing on lengthy, oftentimes suspenseful stalking scenes that bring about prolonged sequences featuring the agent following them through empty concert halls, trailing them on the streets, or into different complexes that usually end in cheesy and goofy setups, they become quite fun overall. The sense of cheese depicted in these scenes featuring the clumsy choreography and goofy resolution is what helps to make them that much more fun yet can also be a decided detriment by making the most glaring flaw readily apparent with the low-budget shining through at almost every opportunity necessary, from the production style, effects, on-screen action, and overall presentation. Beyond that, there's also several other small factors that show up to hold it back. The strange series of insert storylines here designed to pad out the running time, from the one agent's relationship with her ex trying to worm his way back into her life as she prepares for her mission to the series of interludes showing the lead monk praying continuously throughout the film and the random interjections into the rest of society, this one is quite heavily padded at times with secondary storylines that aren't needed. Also, some of the storylines themself aren't explained, with the finale twist operating mostly as a surprise moment than anything else, which leaves this one somewhat more confusing than anything based on the actions presented before then and being what helps hold it down.
Rated Unrated/R: Violence and Language.
This is one of the worst films I have ever seen and I've enjoyed Polonia movies in the past, they're mostly pretty bad but still enjoyable. The padding made this film so boring to watch, they reused shots ad nauseum and kept restating plot points that were already established multiple times. Not being religious may affect my overall rating but as a film this is objectively terrible and boring. Also leave the birds out of this, they did nothing wrong. I made an account just to write this review, if anyone associated with Mark Polonia is reading this review please tell him to stop making religious movies, they almost never turn out well with a few exceptions but this was truly a new low.
Lo sapevi?
- BlooperThe movie repeatedly says "The Book of Revelations" when it's actually "The Book of Revelation" no -S.
- ConnessioniReferences L'esorcista (1973)
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Dettagli
- Tempo di esecuzione1 ora 20 minuti
- Colore
- Proporzioni
- 16:9 HD
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By what name was The Final Possession (2025) officially released in Canada in English?
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