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Greetings again from the darkness. It may not be Pixar, but this wonderful film from Ale Abreu is absolutely worthy of its Oscar nomination for Best Animated Feature, though it's heavier on message than story. It's a wonderful reminder that one of the best features of animation is that the look can be unconventional and still be effective.

The stick figure boy is on a mission to re-connect with his father, who left the family's country home to find work in the big city. For Abreu's film, the boy's real purpose is to be our tour guide through this exploration of the state of the "civilized" world. It's an adventure that provides the boy (and us) insight into cities, the sea, the countryside and agricultural life. It's also an examination of the loss of childhood innocence as we are exposed to reality.

A rare hand-drawn presentation is also mixed-media, as it utilizes a few real news clips to emphasize the cluttered, damaged world. It's a different approach in making the arguments regarding climate change, carbon footprints and socioeconomic imbalance. The hand-drawn core here is more complex than what we initially believe. Colors explode onto the screen, and the visuals often carry multiple meanings in depicting the intended message.

Dialogue is minimal and often garbled in a manner that reminds of any adult in the Charlie Brown comics … but we are never confused on what is being conveyed. In addition to the visuals, sound effects play a huge role, as does the music from composers Ruben Feffer and Gustavo Kuriat, and Brazilian jazz favorite Nana Vasconcelos. It's a unique approach to reminding us that our harsh treatment of the planet could play like a horror story or dangerous adventure to the innocent eyes of a child.

This is not a typical animated film. It has a unique visual and narrative style to represent ideas in an abstract way. Symbols of modern civilisation are garbled and remixed to reveal their "true form". The protestors are colourful and lively, the police are grey and oppressive, the manufacturers are otherworldly, and so on. The boy searches for his father but it seems to be a search for something greater.

Sweet, beautiful, wordless animated film, telling the charming, endearing and sometimes sad story of a young boy from the country going in search of his father who has moved to the city to earn money for the family.

The film seems an attempt to see through a child's eyes, and it succeeds, leading to images that are surreal, wondrous and odd, and that don't always make literal sense. Imagine how the high tech modern world would seem to a small boy of say 5, wandering in alone from the countryside. The film captures that feeling

Done in a simple, colorful, handmade style that's the opposite of most computer animation we see these days, recalling artists like Joan Miro, there's a heartfelt quality that goes with the handcrafted nature of its slightly surreal and beautiful images. Truly universal, there's not a single word of real dialogue, just some occasional gibberish-speak. There's also great Brazilian music that changes personality with the boy's adventures, along with a nice lesson for kids about the loss of the beauty of nature in the industrial world. Quite special.

The Boy and The World has been one of my best discoveries in recent times. A movie that tells its story not through words but music, colours and the eyes of a young boy with a sense of wonder and innocence. The two dimensional animation did nothing if not alleviate the visual thrill that the movie was. A boy's imaginations were carefully captured that went apace with his emotions.

The story is about our young boy who sets out to seek his father who had to leave to work in the city. But on his journey, the boy finds many more facets of life that he had never experienced. He sees life as it could never have been in his imaginations. It is his survival through all the changes, which he never welcomed or run away from, that meets him in his lifelong quest for his father. It maybe a poignant piece for many viewers, but it is the 'hope' of the better world, which is born anew every time it is vanquished, made the movie marvellous.

Ale Abreu has not only produced a masterpiece, but also, I am sure, has given us that long overdue movie which vibrates in me as a symphony of life.

It's such a lovely film. Both visually and emotionally rich, one of the most colorful and imaginative animated films I've ever seen. Nearly dialogue-free, one of those films that best portrays the power of the relationship between image and sound. Quite literally perfect, not a thing I would change about it. I don't think it's a stretch to call it perhaps one of the best animated films ever made, surely one of the best I've ever seen. I really hope it gets seen by more people because it would be a shame if it went unnoticed as a whole, truly. Just wonderful in every way. The score deserves even more mentions as well, together with its sound editing.

Boy and the World is best-enjoyed if seen for its visually-appealing and special imagery. The story line is simple and, in a way, universal: a young boy searching and longing for his father. Such a plot is juxtaposed with social commentary on automation, mass economy, advertising culture, and on dangers of a globalized market on the environment. It runs as neither a happy nor sad film, but in the interstitial spaces of change, loss, and ultimately, hope.

While pleasant to watch, the film came across as taking too long to make its main points: it felt it could have been more effective if shortened to 50 minutes or so. In addition, while interesting in its use of gibberish for language, the power of language seemed like wasted and lost. On that note, I am confident that words in this mostly silent but musical film would add for a powerful and memorable effect: would bring us closer to the heart and soul of characters, and their hopes.

Yet all in all, Boy and the World offers a pleasant weekend afternoon conveying both child and adult themes at once. It is best appreciated if watched by both an adult and a child, so the mixing between vivid visuals and critical message are discussed, and explored. The age group of 8-12 seems optimal for this film, with an accompanying teacher or adult to guide a discussion afterwards.

Decades behind a computer, toiling and tinkering with the programming and software has given us the near-photographic realism of CGI animation. The culmination of which is the film Inside Out (2015) which won the Best Animated Feature Oscar this past year. Yet as anyone who truly loves animation will know, it's not about who has the most detailed techniques or the most expensive equipment. With great ideas and simple yet sublime stories, something as lo-fi as Boy and the World can move its audience to the core.

The story begins with a young boy (Garcia) who lives in a rural abode near the jungle. His father (Campos), a mustached man sporting a straw hat and a flute, grabs a suitcase and heads to the city. the boy is heartbroken by his father's sudden absence and decides to head to the city to find him. On his odyssey he meets a host of colorful characters and comes face to face with the seductiveness, absurdity and danger of modern life.

The animation is reminiscent of the work of Don Hertzfeldt. Everything is cobbled together with simple geometric shapes and seemingly done in charcoal and crayon. Yet unlike Hertzfeldt's work there isn't a sense of ruing existential doom; at its heart it is innately humanistic. Its simplicity and kaleidoscopic vision immediately strikes you with a sense of childlike wonder and as things in the story become more complex it washes over you in a flood of emotion and awe. The color palette in this film is so effective in rendering the wonder of the jungle, the bustling of the city and the rainbow-tinged weaving's of the Mestizo people that parade down the streets.

It's important to note that the movie is largely non-verbal. What is uttered is dubbed in backward Portuguese and the only guiding light you're given are the visuals and the soundtrack. And what a neat soundtrack it is! Grupo Experimental de Musica (GEM), Emicida, Nana Vasconcelos and the Bushdancers all somewhat obscure Brazilian bands that help the story gently flow through you. Not since the early work of Hayao Miyazaki has there been a more genuine work of youthful artistic expression and such a full spectrum of unfettered emotion.

A movie so deceptively simple and yet so emotionally complex comes around only once every few years, and an animation of this caliber comes round perhaps once in a generation. Some may not be hard won by it's environmental overtones and be contrarian to its thoughts on consumerism yet there's no denying that a story this human deserves attention and praise. Blink and you'll miss this little gem but if you can find it in theaters or (hopefully soon) on Netflix, I highly recommend it.

The boy is sadden when his father leaves on the train to find work in the big city. He goes off into the big world in search for his father.

This is a Brazilian animation nominated for an Oscar in 2015. The animation style is colorful stick figures. It has a very unique look. It doubles down by having limited rudimentary dialogue done in gibberish. I do wonder if this would function better as a short, maybe half hour. The theme does get deeper as it delves into globalization and modernization. It's a slow turn into this darker material that is most disconcerting. There is a reveal at the end about the boy and the father which is probably confused especially without dialogue. It could have been done straight forward.

Boy and the World (Brazilian Portuguese: O Menino e o Mundo) (2013) Director: Alê Abreu Watched: December 2017 Rating: 6/10

Colorful/playful, Children's drawings come alive, Kaleidoscope fun. Lively Brazilian soundtrack, Learn Latin America.

Baffling/disordered, Only backwards Portuguese. Social change soapbox- Characters/plot take back seat; Rather see stills in art show.

Somonka is a form of poetry that is essentially two tanka poems (the 5-7-5-7-7 syllable format), the second stanza a response to the first. Traditionally, each is a love letter and it requires two authors, but sometimes a poet takes on two personas. My somonka will be a love/hate letter to this film? #Somonka #PoemReview #Animation #LatinAmerca #NoDialogue #Propoganda

Wonderfully playful animation from Brazil in which a small boy experiences the dueling wonders and terrors of big city life for the first time. The artwork, clearly on showcase opposite a rather modest storyline, varies from light and expressive to rich and densely textured. It can be a real wonder to behold, especially during moments when the child's imagination takes over and the mechanical guts of an industrial zone become huge, towering, ignorant beasts. Virtually language-free (characters speak a made-up dialect once or twice), it's more universal for that decision and really doesn't need the crutch. Though it gets heavy-handed with environmental messaging late in the journey, the film rebounds nicely with an unexpected twist and brings a little mist to the eye for the final scene. An ambitious, often stunning peek at modern life, as seen through the disbelieving eyes we all shared at one time or another, and well worthy of the Oscar attention it received.

First of all - make sure you are full of energy when sitting down watching this movie.

The movie will bring you into a whole new world. Absolutely unknown ways of expressing landscapes, people, feelings, war, nature. An artistic visual trip that'll have shapes, figures and structures staying in your mind while I had hardships following the plot and understand the jumps from certain scenes to next ones and jumps in time.

I don't think the movie is even close to my animation favourites from Studio Ghibli (Howl's Moving Castle, Grave of Fireflies, etc.) or for example the movie Waltz with Bashir but I recommend the movie for those who love new solutions and ideas in visual art and animation movies.

Boy & The World is a film about a young boy who goes on a journey to find his father in the big city. Along the way, he sees many things, and meets many people. This is the most basic description of what I consider to be one of the best animated films ever made. Let's dig in.

First of all, for a film marketed towards children, it can be quite challenging in different ways. One way is in what it is as a film. The fact that it has absolutely no dialogue and is driven by music and visuals alone is very daring. Another way is in some of the subjects it tackles. This includes things such as the negative influence of industry, the oppression of art and creativity, and the underwhelming reality of adulthood.

I mentioned that the film ditches all talking, instead going for visual and musical storytelling. So does it achieve this goal? Yes. Oh my god yes. Every image that this film throws at you is absolutely gorgeous and full of things to look at. The music is absolutely beautiful, and I'm not lying when I say that I found myself getting chills well an often due to the music. These two factors are what propels the movie and turns it into the great experience it is.

Now let's talk about the overall effect. It was unbelievably effective for me. This is the only film that ever made me weep. I urge any movie fan, or any fan of animated films, to watch this. It is a brilliant experience, and it touches on every emotion I can think of. Happiness, sadness, humor, love, and many more that aren't coming to mind. Go. GO. WATCH IT NOW.

The film represents very well our reality in Latin America and the system that we live.

It is sad because it is real but at the same time it gives us joy, hope, life.

Not to mention that all the staff are amazing and talented, this movie left a huge mark on my heart and I will always recommend it. Thank you thank you thank you for spare the message.

It was the first time for me to see a Brazilian animated film. It was very fresh. The animation features look like it was drawn by a child with crayons. I was surprised to see turn into digital animation in the middle of the film. What I noticed was that this is a non-verbal film, so I thought it should be kept a little shorter. I felt that 80 minutes was too long. The story is about a boy whose parents are divorced and he misses his father, but he finds a purpose in life. The cheerful Brazilian music added a colorful touch to the movie.

This is an amazing animation film! There are many reasons to say that and I will list just a few of them: 1) the film is really touching, captivating, and clever 2) it was able to, more then just telling a story, showing the feelings and impressions of a child, 3) animation is extremely beautiful and innovative at once, as it mixes different techniques and clearly deviates from the styles commonly used (it is also impressive how, with simple lines, we can recognize facial expressions), 4) editing and animating is impressive, showing details and angles which surprise spectator (I loved the scenes of movement showing its impact on environment and what the character sees or thinks and not the boy or the train), 5) it is a brutal representation of social problems and inequalities and the outcomes of capitalism, 6) the metaphors for regional or class contrasts are great, 7) the fantastic use of music throughout the movie is really important for the story, 8) the graphic representation of each part of cotton production is awesome, 9) the journey of the leading character seeking his father and making a living is an unconventional road movie that shows an awesome variety of places (countryside, crowded big city, factory, slum, beach...), particularly if you consider the stylised kind of draw, 10) the not obvious alternations between reality and imagination, past and present, is quite sophisticated, 11) the film mocks about all the vices of advertising and television, 12) there is no need of dialogs or texts and it motivates a joke that is repeated along the film: the advertisements have meaningless texts and the dialogs, although in Portuguese, are backwards, not being understandable for both Brazilians or non-Portuguese speakers, 13) important sociological processes are competently shown in the film, such as migrations between city and countryside, and the effects of both Fordism and automation. To resume: just watch it, and will never forget.

Just as the images expand from very basic, hand drawn stick figures to collages and finally film images, so, too, does the simplistic capture of a very small boy encountering an expansive natural world soon enlarges into a treatise on industrialization, militarization and environmental distruction. Colourful animation. Music as life & hope. Fanciful adventures. The simplicity conveying a depth of meaning. However, I fell asleep around 55 minutes into it (then woke up and watched the rest of the DVD). Nominated for a 88th Academy (presented in 2016) Animation Oscar, this film has gained a lot of critical and audience applause. I, however, give the film a 6 (fair) out of 10. Though touching in places, it carried too laboured a burden and lost my attention. {Animated Documentary}

This movie is a genuine masterpiece, humane and complex. It's a story of wonder and discovery; the plot simply resolves around this idea. The movie offers the viewer a chance to see the world and explore its immensity together with the little protagonist, and it's simply an offer you can't refuse when each scene is so delicate and so full of life, and draws you in so intensely.

Searching for his father, the titular boy runs from the countryside to the modern city, seeing and meeting an array of characters, all of which portray different states and facets of life, no matter the fact that they not once dialogue – the movie has virtually no spoken lines, but all emotion is generated by the actions and the (very Brazillian) rhythm of the instruments. You can feel the bright joy of the singers, the exhaustion of the rural workers as they go on with their labor routine, the boy's curiosity, and courage to enter each different environment.

Speaking of environment, each is unique, and is as alive as the characters that inhabit them. The boy's home brings a sense of comfort,the cotton plantations are mostly composed of repetitive patterns of trees and carts. The busy city is cramped with ads and cars and machines of all kids.

So although being, in general, lighthearted, the tone is quite emotive; after all, it represents the spectrum of human emotion.

The animation is scribble-like, resembling crayon drawings done by a child, but the fluidity and kaleidoscope of thus fitting perfectly well its theme.

It's the kind of art that I'd recommend anyone to see at least once, for it has much to offer in its pseudo-simplicity. It's a portrait of life, through the eyes of an exploring child.

A wonderful animation with a touching story. Everyone should watch.