Hellion

Greetings again from the darkness. This is the perfect Film Festival movie: low budget, recognizable star trying something new, up and coming director, and potential star in the making newcomer. While it has an air of familiarity, there was enough here to make it one of my favorites from the 2014 Dallas International Film Festival.

Writer/director Kat Candler has a definite feel for creating real moments for characters, as she expands her 2012 short to feature length. She was also wise enough to nab cinematographer Brett Pawlak, who did such a great job with Short Term 12 (one of my top six films of 2013). The blue collar life gets a twist here as Aaron Paul (on top of the world after "Breaking Bad") plays an alcoholic, emotionally-distant, grieving widower having to deal with his two sons when he can barely make it through a day. This is certainly a different kind of role for Mr. Paul, and he shows real depth with minimal dialogue.

As impressive as Paul is, the real find here is young Josh Wiggins as Jacob. It's his first screen role and he absolutely owns the role of the big brother lashing out at his dad, corrupting his little brother (due to jealousy) and dealing with things that kids his age shouldn't have to. Not to give away much, but one too many incidents leads to a visit from Child Protective Services, and just like that ... the family is torn apart again.

The real guts of the story is the parallel paths of father and son as they react to the displacement of little Wes (Deke Garner). Neither seems to fully accept the role they played in this mess, but both carry sorrow and anger the way males often do. Both pursue their own idea of proving something to Wes and to themselves - in very different ways. Juliette Lewis seems a bit out of place as Paul's sister, and is the only minor misstep in the script. We needed either more on her, or less.

Rural Texas and the challenges of youth are captured through so many details, and the realistic feel of dialogue and setting certainly stands out here ... as does the spot on camera work. This is one of the little movies I am really rooting for, because if it gets a chance, many will share my appreciation.

My review title is basically what it comes down to. The film is fine, not really original, not that great, but well-done enough. The script has clichés but that doesn't mean it's not effective, and the direction well-observed. Really, the cinematography is exquisite, although not necessarily surprising. It has that certain sort of glare that so many indies these days have, and in ways it helps it aesthetically, even if at times it does seem a bit too overly self-conscious. It's fine though, it's not a huge deal and it mostly works well enough. Aaron Paul is good, he's great at this kind of misery stuff, but Josh Wiggins is a star in the making, similar to Tye Sheridan in his naturalism.

I was confused that they made this a full length movie and thought really this could better as a TV show or mini-series. Giving more of a background to the challenges the family has come across and an understanding of the community and the fathers relationships in the community.

The back luck situation was typical of many TV dramas. Husband loses Wife and gets depressed resulting in a diet of beer and fast food and emotional distancing for the family. Nothing really fresh.

However I admire that the story does not go Disney and the characters and development of events are quite believable. So if you want a look into the life of hard knocks and love Mid-West accents this is the movie for you :-)

As a foreigner traveling in America, I would classify this as . . .exemplary Amercian Cinema. The inclusion of guns and authority issues noted. But this is raw, truthful American cinema; no Hollywood/Disney fluff. This is the purest kind of family tauma about the remnants of a family trying to stay together. Again, the "Amercicanisms" of guns and violence and famly dysfunctionality overlooked, this is just good American drama. Kudos to the cast and writers.

The loss of a loved one is a devastating occurrence that's never easy to cope with. Some families can handle it with strength and composure. Some are less successful and fall apart. Kat Candler's Hellion, an expansion of her 2012 short of the same name, is a searing portrayal of the latter. We meet this family in a state of total disarray and follow them as they struggle to reconnect their tattered bonds, with near-disastrous results. It's not an easy film to watch, but because Candler portrays this journey in such an earnest and compelling fashion, and because she has great help from a wonderful cast of both experienced actors and up-and-comers, you can't take your eyes off of the screen.

When we meet Hollis (Aaron Paul) and his two sons, Jacob (Josh Wiggins) and his younger brother, Wes (Deke Garner), they have already lost their wife/mother. Hollis has basically abandoned his children, spending his days renovating a hurricane-ravaged beach house where they were all planning to move to before the tragedy. Jacob has become a troublemaker, doing everything from trespassing to property destruction. Within the film's opening minutes, we witness him and his buddies smashing up and setting fire to a truck. What's worse is that Jacob involves Wes in his law-breaking excursions. When they see the conditions in which he is living, Child Protective Services decides to place Wes in the custody of his Aunt Pam (Juliette Lewis). This serves as a wake-up call to both Jacob and Hollis, who decide to get their acts together and create a more suitable environment for the youngster. Jacob sets his sights on competitive motocross racing, while Hollis aims to finish up the beach house.

Candler, a native Texan, and cinematographer Brett Pawlak (doing stunning work) really capture the natural feel of her southern setting. The on-location shooting gives the film an authentic feel, as well as serves as a sort of love letter to her home state. You can sense how passionate Candler is about Texas through the ways in which it is lensed. This is not Hollywood fakery. The authentic feel of the locations helps to build upon the authentic feel of the story. Its impact is much more powerful because of this. Also notable is the use of heavy metal music, something not usually present in this type of story. It serves as a way of conveying the anger the boys are feeling in their current situation. It's an extra touch that works perfectly and makes this stand out from similar films.

The two big name actors in this film, Aaron Paul and Juliette Lewis, are both fantastic. Paul makes Hollis, an absent father, into a more sympathetic figure than he could've been. Although we don't always agree with what Hollis does, we feel the pain that he does, and so we understand where he's coming from. This is a wonderful addition to his post-Breaking Bad career. Lewis, given a chance to play a more grounded character than the wackier roles she's known for, does an equally great job. Though not his mother, it's clear that Pam loves Wes and wants what's best for him.

However, as good as Paul and Lewis are, the real stars of this film are the newcomers. Josh Wiggins, a star in the making, perfectly captures all of the emotions needed to portray the troubled Jacob, from love and happiness to anger and desperation. He is game for whatever is needed of him, which is great considering he has to go to some dark places. Equally solid is Deke Garner as the younger brother caught up in circumstances he doesn't fully understand. He serves as the heart of the film, motivating the actions of Jacob, Hollis, and Pam. Providing able support are the kids playing Jacob's cronies. Candler has selected an incredibly talented young whom we will hopefully see up on screen more frequently.

Between the acting, the direction, the cinematography, and the themes of loss and responsibility, Hellion is one of the best and most powerful films released thus far in 2014. Though it may not break new ground in terms of its story, Candler brings a unique-enough feel to it to make it stand out. Apparently she is currently working on a feature expansion of another great short of hers, Black Metal. Based on the level of quality present in this, that can't come out soon enough!