VALUTAZIONE IMDb
6,0/10
5744
LA TUA VALUTAZIONE
Quando i servizi sociali decidono di portare via il piccolo Wes, Jacob e suo padre assente devono finalmente assumersi le responsabilità dei propri comportamenti e fare di tutto per riportar... Leggi tuttoQuando i servizi sociali decidono di portare via il piccolo Wes, Jacob e suo padre assente devono finalmente assumersi le responsabilità dei propri comportamenti e fare di tutto per riportare Wes a casa.Quando i servizi sociali decidono di portare via il piccolo Wes, Jacob e suo padre assente devono finalmente assumersi le responsabilità dei propri comportamenti e fare di tutto per riportare Wes a casa.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 5 candidature totali
Tate Panovich
- Waitress
- (as Tatiana M. Panovich)
Recensioni in evidenza
I was confused that they made this a full length movie and thought really this could better as a TV show or mini-series. Giving more of a background to the challenges the family has come across and an understanding of the community and the fathers relationships in the community.
The back luck situation was typical of many TV dramas. Husband loses Wife and gets depressed resulting in a diet of beer and fast food and emotional distancing for the family. Nothing really fresh.
However I admire that the story does not go Disney and the characters and development of events are quite believable. So if you want a look into the life of hard knocks and love Mid-West accents this is the movie for you :-)
The back luck situation was typical of many TV dramas. Husband loses Wife and gets depressed resulting in a diet of beer and fast food and emotional distancing for the family. Nothing really fresh.
However I admire that the story does not go Disney and the characters and development of events are quite believable. So if you want a look into the life of hard knocks and love Mid-West accents this is the movie for you :-)
The loss of a loved one is a devastating occurrence that's never easy to cope with. Some families can handle it with strength and composure. Some are less successful and fall apart. Kat Candler's Hellion, an expansion of her 2012 short of the same name, is a searing portrayal of the latter. We meet this family in a state of total disarray and follow them as they struggle to reconnect their tattered bonds, with near-disastrous results. It's not an easy film to watch, but because Candler portrays this journey in such an earnest and compelling fashion, and because she has great help from a wonderful cast of both experienced actors and up-and-comers, you can't take your eyes off of the screen.
When we meet Hollis (Aaron Paul) and his two sons, Jacob (Josh Wiggins) and his younger brother, Wes (Deke Garner), they have already lost their wife/mother. Hollis has basically abandoned his children, spending his days renovating a hurricane-ravaged beach house where they were all planning to move to before the tragedy. Jacob has become a troublemaker, doing everything from trespassing to property destruction. Within the film's opening minutes, we witness him and his buddies smashing up and setting fire to a truck. What's worse is that Jacob involves Wes in his law-breaking excursions. When they see the conditions in which he is living, Child Protective Services decides to place Wes in the custody of his Aunt Pam (Juliette Lewis). This serves as a wake-up call to both Jacob and Hollis, who decide to get their acts together and create a more suitable environment for the youngster. Jacob sets his sights on competitive motocross racing, while Hollis aims to finish up the beach house.
Candler, a native Texan, and cinematographer Brett Pawlak (doing stunning work) really capture the natural feel of her southern setting. The on-location shooting gives the film an authentic feel, as well as serves as a sort of love letter to her home state. You can sense how passionate Candler is about Texas through the ways in which it is lensed. This is not Hollywood fakery. The authentic feel of the locations helps to build upon the authentic feel of the story. Its impact is much more powerful because of this. Also notable is the use of heavy metal music, something not usually present in this type of story. It serves as a way of conveying the anger the boys are feeling in their current situation. It's an extra touch that works perfectly and makes this stand out from similar films.
The two big name actors in this film, Aaron Paul and Juliette Lewis, are both fantastic. Paul makes Hollis, an absent father, into a more sympathetic figure than he could've been. Although we don't always agree with what Hollis does, we feel the pain that he does, and so we understand where he's coming from. This is a wonderful addition to his post-Breaking Bad career. Lewis, given a chance to play a more grounded character than the wackier roles she's known for, does an equally great job. Though not his mother, it's clear that Pam loves Wes and wants what's best for him.
However, as good as Paul and Lewis are, the real stars of this film are the newcomers. Josh Wiggins, a star in the making, perfectly captures all of the emotions needed to portray the troubled Jacob, from love and happiness to anger and desperation. He is game for whatever is needed of him, which is great considering he has to go to some dark places. Equally solid is Deke Garner as the younger brother caught up in circumstances he doesn't fully understand. He serves as the heart of the film, motivating the actions of Jacob, Hollis, and Pam. Providing able support are the kids playing Jacob's cronies. Candler has selected an incredibly talented young whom we will hopefully see up on screen more frequently.
Between the acting, the direction, the cinematography, and the themes of loss and responsibility, Hellion is one of the best and most powerful films released thus far in 2014. Though it may not break new ground in terms of its story, Candler brings a unique-enough feel to it to make it stand out. Apparently she is currently working on a feature expansion of another great short of hers, Black Metal. Based on the level of quality present in this, that can't come out soon enough!
When we meet Hollis (Aaron Paul) and his two sons, Jacob (Josh Wiggins) and his younger brother, Wes (Deke Garner), they have already lost their wife/mother. Hollis has basically abandoned his children, spending his days renovating a hurricane-ravaged beach house where they were all planning to move to before the tragedy. Jacob has become a troublemaker, doing everything from trespassing to property destruction. Within the film's opening minutes, we witness him and his buddies smashing up and setting fire to a truck. What's worse is that Jacob involves Wes in his law-breaking excursions. When they see the conditions in which he is living, Child Protective Services decides to place Wes in the custody of his Aunt Pam (Juliette Lewis). This serves as a wake-up call to both Jacob and Hollis, who decide to get their acts together and create a more suitable environment for the youngster. Jacob sets his sights on competitive motocross racing, while Hollis aims to finish up the beach house.
Candler, a native Texan, and cinematographer Brett Pawlak (doing stunning work) really capture the natural feel of her southern setting. The on-location shooting gives the film an authentic feel, as well as serves as a sort of love letter to her home state. You can sense how passionate Candler is about Texas through the ways in which it is lensed. This is not Hollywood fakery. The authentic feel of the locations helps to build upon the authentic feel of the story. Its impact is much more powerful because of this. Also notable is the use of heavy metal music, something not usually present in this type of story. It serves as a way of conveying the anger the boys are feeling in their current situation. It's an extra touch that works perfectly and makes this stand out from similar films.
The two big name actors in this film, Aaron Paul and Juliette Lewis, are both fantastic. Paul makes Hollis, an absent father, into a more sympathetic figure than he could've been. Although we don't always agree with what Hollis does, we feel the pain that he does, and so we understand where he's coming from. This is a wonderful addition to his post-Breaking Bad career. Lewis, given a chance to play a more grounded character than the wackier roles she's known for, does an equally great job. Though not his mother, it's clear that Pam loves Wes and wants what's best for him.
However, as good as Paul and Lewis are, the real stars of this film are the newcomers. Josh Wiggins, a star in the making, perfectly captures all of the emotions needed to portray the troubled Jacob, from love and happiness to anger and desperation. He is game for whatever is needed of him, which is great considering he has to go to some dark places. Equally solid is Deke Garner as the younger brother caught up in circumstances he doesn't fully understand. He serves as the heart of the film, motivating the actions of Jacob, Hollis, and Pam. Providing able support are the kids playing Jacob's cronies. Candler has selected an incredibly talented young whom we will hopefully see up on screen more frequently.
Between the acting, the direction, the cinematography, and the themes of loss and responsibility, Hellion is one of the best and most powerful films released thus far in 2014. Though it may not break new ground in terms of its story, Candler brings a unique-enough feel to it to make it stand out. Apparently she is currently working on a feature expansion of another great short of hers, Black Metal. Based on the level of quality present in this, that can't come out soon enough!
I had no expectations going into this film; I hadn't even read the plot summary.
This was a film that had you shout predictability until what I thought would be the climax, came entirely too early and I realized...I had no real idea what was ahead. I found myself having little tolerance or care for Jacob throughout most of the movie, whereas I was overcome with emotions when it came to little Wes. Jacob ended up stealing my heart however and I was surprised at the director's ability to do this.
I noted this as an "explosion" because the build up was serious! It's a common story in much of America, but truly shot in a way that the viewer finds riveting, emotional, and genuine. The acting, from the CPS counselor to Wes, was truthful and accurate. Facial expressions and moments of silence between characters can usually spill the guts on who's new to the game, and I just didn't find that here. A low budget film that will probably not get much viewership, but those that take the time out will not be disappointed.
This was a film that had you shout predictability until what I thought would be the climax, came entirely too early and I realized...I had no real idea what was ahead. I found myself having little tolerance or care for Jacob throughout most of the movie, whereas I was overcome with emotions when it came to little Wes. Jacob ended up stealing my heart however and I was surprised at the director's ability to do this.
I noted this as an "explosion" because the build up was serious! It's a common story in much of America, but truly shot in a way that the viewer finds riveting, emotional, and genuine. The acting, from the CPS counselor to Wes, was truthful and accurate. Facial expressions and moments of silence between characters can usually spill the guts on who's new to the game, and I just didn't find that here. A low budget film that will probably not get much viewership, but those that take the time out will not be disappointed.
My review title is basically what it comes down to. The film is fine, not really original, not that great, but well-done enough. The script has clichés but that doesn't mean it's not effective, and the direction well-observed. Really, the cinematography is exquisite, although not necessarily surprising. It has that certain sort of glare that so many indies these days have, and in ways it helps it aesthetically, even if at times it does seem a bit too overly self-conscious. It's fine though, it's not a huge deal and it mostly works well enough. Aaron Paul is good, he's great at this kind of misery stuff, but Josh Wiggins is a star in the making, similar to Tye Sheridan in his naturalism.
A heartfelt story delivered in a subtle and effective way reminiscent of David Gordon Green's, JOE, and Jeff Nichols', MUD (I wasn't surprised to see Jeff's name in the credits).
Nicely understated, beautifully shot and with a great breakout performance from Josh Wiggins. Aaron Paul avoids what could otherwise be a clichéd father-gone-wrong with a beautifully underplayed performance. The incomparable Juliette Lewis brings a vulnerability to one of the least fragile characters she's ever played and overall HELLION breathes easily throughout its ebbs and flows.
Kat Candler did a great job in the director's chair and Aaron Paul should be commended for his support of emerging filmmakers and independent film.
Nicely understated, beautifully shot and with a great breakout performance from Josh Wiggins. Aaron Paul avoids what could otherwise be a clichéd father-gone-wrong with a beautifully underplayed performance. The incomparable Juliette Lewis brings a vulnerability to one of the least fragile characters she's ever played and overall HELLION breathes easily throughout its ebbs and flows.
Kat Candler did a great job in the director's chair and Aaron Paul should be commended for his support of emerging filmmakers and independent film.
Lo sapevi?
- QuizThe beer Hollis drinks throughout the movie is not a mock-up, it is Firemans #4 Blonde Ale brewed by Real Ale Brewing Company in Blanco, TX.
- Citazioni
Hollis Wilson: What are you troublemakers up to?
- ConnessioniRemake of Hellion (2012)
- Colonne sonoreThe Burning of Atlanta
Written by Tony Portaro
Performed by Whiplash
Courtesy of Tony Portaro
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 55.708 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7601 USD
- 15 giu 2014
- Lordo in tutto il mondo
- 55.708 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Proporzioni
- 2.35 : 1
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